El hallazgo del cuerpo mutilado de una joven en una playa lleva a un fiscal y a la madre jueza de la víctima a investigar, descubriendo vínculos con un asesinato anterior y los negocios de l... Leer todoEl hallazgo del cuerpo mutilado de una joven en una playa lleva a un fiscal y a la madre jueza de la víctima a investigar, descubriendo vínculos con un asesinato anterior y los negocios de los clubes locales, para disgusto de la policía.El hallazgo del cuerpo mutilado de una joven en una playa lleva a un fiscal y a la madre jueza de la víctima a investigar, descubriendo vínculos con un asesinato anterior y los negocios de los clubes locales, para disgusto de la policía.
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STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
The body of Monica Begucka (Zofia Jastrzebska) washes up on the sea, in mysterious circumstances similar to a case from fifteen years ago. Her mother, and former police chief, Helena (Maja Ostaszewska) joins forces with prosecutor Leopold Bilski (Jakub Gierszel) to track down the killer, and suspicion falls on feared local gangster Kazar (Prezemyslaw Bluszcz), when a ball of severed lips is found in his possession, but as events draw on, things are not as clear as they seem.
Foreign cinema has an unnerving ability to deliver thrillers in a cold, dark, grey style, of the sort that we see increasingly less of on this side of the pond. This Bulgarian effort, from director Adrian Panek, features a slew of actors unheard of on these shores, with names so unpronounceable they make Schwarzenegger sound positively easy. What at first seems a slightly cold and uninviting affair, gradually develops into an intriguing and rewarding thriller that keeps you hooked till the end.
Aside from the moodiness and uninviting greys of the lighting, Panek's film is also unafraid to shy away from some brutal, blood letting violence, liable to illicit a flinch or two from the squeamish. While as a film it unflinchingly delves into the grimy and uncomfortable world it inhabits, it's also carefully wrought, with some clever twists and turns along the way, and unexpected plot developments that allow the story to breathe and hold you in.
It's a bit of a slow starter, with maybe not the most dynamic opening, but it's ultimately a highly rewarding effort, even if it does take a lot out of you to get to the end. ****
The body of Monica Begucka (Zofia Jastrzebska) washes up on the sea, in mysterious circumstances similar to a case from fifteen years ago. Her mother, and former police chief, Helena (Maja Ostaszewska) joins forces with prosecutor Leopold Bilski (Jakub Gierszel) to track down the killer, and suspicion falls on feared local gangster Kazar (Prezemyslaw Bluszcz), when a ball of severed lips is found in his possession, but as events draw on, things are not as clear as they seem.
Foreign cinema has an unnerving ability to deliver thrillers in a cold, dark, grey style, of the sort that we see increasingly less of on this side of the pond. This Bulgarian effort, from director Adrian Panek, features a slew of actors unheard of on these shores, with names so unpronounceable they make Schwarzenegger sound positively easy. What at first seems a slightly cold and uninviting affair, gradually develops into an intriguing and rewarding thriller that keeps you hooked till the end.
Aside from the moodiness and uninviting greys of the lighting, Panek's film is also unafraid to shy away from some brutal, blood letting violence, liable to illicit a flinch or two from the squeamish. While as a film it unflinchingly delves into the grimy and uncomfortable world it inhabits, it's also carefully wrought, with some clever twists and turns along the way, and unexpected plot developments that allow the story to breathe and hold you in.
It's a bit of a slow starter, with maybe not the most dynamic opening, but it's ultimately a highly rewarding effort, even if it does take a lot out of you to get to the end. ****
Agile film, with an intelligent mix of flash backs and real events. Effective narrative with always maintained interest. Big twists, and just when you think the film is over, a final part appears, like a coda to a Symphony. Intelligent film with excellent actors. These bad reviews are nonsense. The film is not that violent, and the violence that appears is not gratuitous. Surprised by the technical quality of current Polish films. With good production, good actors, good script. In short: a top-notch crime film, with no commonplace and full of surprises. And forget the bad reviews: this is a good thriller.
I have mixed feelings after watching the movie. I had no high expectations, so I wasn't disappointed - overally, a decent crime thriller, but the one, which you probably will forget. There are some original ideas, and a magnetic charater of a main villain, a gangster boss and a sexual deviant, who killed and mutilated a young girl Monika. Or maybe did he not?
A great acting was performed by Monika's mother, Helena, an acknowledged Polish actress Maja Ostaszewska. Her character is a family court judge, with a broken own family life, who tries to seek the truth. Performances of the rest of the cast were good, but rather forgetable. The victim, which we get to know better from flashbacks, a young actress Zofia Jastrzebska, did well in difficult graphic violence and nudity scenes.
Script writer and filmmakers had an interesting general plot, but at times I had an impression, that they lacked an idea how to develop the action. Especially it was visible well before the end of the movie, when the police seem to enjoy an easy success against the main suspect, and the tension breaks. Some will find an interesting plot twist, some - incredible plot holes.
All in all, a decent film to watch. Luckilly, the producers didn't develop it into a mini series, what would have been a waste of time.
A great acting was performed by Monika's mother, Helena, an acknowledged Polish actress Maja Ostaszewska. Her character is a family court judge, with a broken own family life, who tries to seek the truth. Performances of the rest of the cast were good, but rather forgetable. The victim, which we get to know better from flashbacks, a young actress Zofia Jastrzebska, did well in difficult graphic violence and nudity scenes.
Script writer and filmmakers had an interesting general plot, but at times I had an impression, that they lacked an idea how to develop the action. Especially it was visible well before the end of the movie, when the police seem to enjoy an easy success against the main suspect, and the tension breaks. Some will find an interesting plot twist, some - incredible plot holes.
All in all, a decent film to watch. Luckilly, the producers didn't develop it into a mini series, what would have been a waste of time.
I generally associate Netflix movies with safe, forgettable nonsense that isn't worth anyone's time. Just every so often though they release something out of left field that is dark and grimy and highly watchable. 'Colors of Evil: Red' is exactly one of those films.
From a very early point it was clear that this film wasn't afraid to go to some very dark places. From there we meet each of the characters, and this is where the film is at its strongest. All the characters are extremely well defined. If you are supposed to be rooting for someone, then you will be. If someone is meant to be an antagonist, then they are portrayed as pure evil. The divide is clear and pronounced.
This is just my kind of movie. A murder mystery/thriller with great pacing (there aren't any down periods in the film) and a dark, twisting plot. More of this please Netflix. 9/10.
From a very early point it was clear that this film wasn't afraid to go to some very dark places. From there we meet each of the characters, and this is where the film is at its strongest. All the characters are extremely well defined. If you are supposed to be rooting for someone, then you will be. If someone is meant to be an antagonist, then they are portrayed as pure evil. The divide is clear and pronounced.
This is just my kind of movie. A murder mystery/thriller with great pacing (there aren't any down periods in the film) and a dark, twisting plot. More of this please Netflix. 9/10.
I am surprised by the low rating!!
After a night on the town at the seaside, the body of a young woman, Monika, is found dead on a beach, with among other things, her lips cut off. A perfect start especially for fans of crime and rough stories.
Part of the story is told in flashback and the violence is, at times, pretty gruesome, and not for the faint of heart. But for some that may actually be a bonus.
It's about parents who don't know what they are doing, let alone what their children are up to. It's about a possible serial killer obsessed by women. The twists and turns go darker and darker and also more strange, it still worked for me as a portrait of pure evil.
This is not an arthouse film, but a very good crime thriller. The ending left me speechless, totally unexpected.
Don't miss it!
After a night on the town at the seaside, the body of a young woman, Monika, is found dead on a beach, with among other things, her lips cut off. A perfect start especially for fans of crime and rough stories.
Part of the story is told in flashback and the violence is, at times, pretty gruesome, and not for the faint of heart. But for some that may actually be a bonus.
It's about parents who don't know what they are doing, let alone what their children are up to. It's about a possible serial killer obsessed by women. The twists and turns go darker and darker and also more strange, it still worked for me as a portrait of pure evil.
This is not an arthouse film, but a very good crime thriller. The ending left me speechless, totally unexpected.
Don't miss it!
¿Sabías que…?
- TriviaAt about 28:30, the image on the mother's work computer is Half Dome in Yosemite National Park in California.
- ErroresThe voice describing the body says, "Lips were removed postmortem, however that is not the cause of death." The term "postmortem" means 'after death.' The cause of death would have to have occurred before death.
- Citas
Helena Bogucka: What did you do with my daughter's lips?
- Bandas sonorasPlump
performed by Seb Skalski
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Detalles
- Tiempo de ejecución
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
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