Beware the Jabberwock, My Son

Not that i disliked this weeks episode but it did have quite a lot of running time consisting of the slightly boring advertising stage work along with sub plot shenanigans inside Vought that we could roll our eyes at. Not to say that those parts of story shouldn't happen, but i just think it happened too much in this episode. In result it completely broke up the main story into badly paced slices that to it became a slight chore. Given the hospital scenes were emotional and acted well, that and also the progress with Butcher and the gang were the only thing that kept me interested in the story moving forward at all. But again, it also seemed that to keep it interesting, certain theatrics were placed to keep us entertained. Horrifying yes, but it seemed a little off, the whole Hughie's dad segments was my overall favourite. The Homelander scenes with his son on the other hand are getting tiresome, it needs to develop into something more by now.

It doesn't really bother me that people rated it 10/10. What bothers me are the bots that either don't make sense or people calling it the best episode ever. It really isn't, but that's not to say it's the worst either.

A mediocre episode but small promise the season isn't truly gone. Given that also episode 4 was a great one. This one was a little confusing as to what track it was trying to stay on.

Seasons 1 & 2 were good and compelling, season 3 was mostly good other than the finale. Now it feels like it has nowhere to go. I really hope they don't drag this show on past season 5. I think they built up too much in season 3 about getting rid of Homelander, and it all led to nothing. It's as if it lost it's direction. It's still alright, but it feels, as I read someone else put it, an empty shell of its former self.

I cannot pin it down exactly what it is, but it is just slipping in quality and objective. I have to write more for the character limit, so: this Sage character-they simply say she is the smartest person in the world without doing much to prove it. Nothing she has done has felt impressively smart.

Ok, met the character limit.

This episode was quite funny and mostly entertaining. Those animal scene was topnotch. Feels like the OG Boys with that crazy atmosphere and silly action, which kinda reminds you how excellent the show was back in the day. But for love of God ... Starlight is absolutely pointless character. Every single scene is just her complaining about everything. Crying about Butcher, crying about Neuman, crying about everybody's plan. She literally has nothing to offer for the sake of the plot. Maybe (and again - just maybe) it's time for her to leave the series cause she literally meaningless at this point.

This episode is so good. The plot gave serious character development to both heroes, villains and everyone in between.

Homelander's evil arc continues to be captivating and Antony's presence on screen commands attention with all brand new little changes last episode kicked into motion. Both him and Jack Quaid are showing some solid acting throughout the whole episode.

Homelander's new attitude affects Ryan's view on good and evil and throws him back into the greys.

Beloved characters make a comeback.

There a dramatic scene which I won't spoil, and it is done so tastefully that changed my whole opinion on the writers and made me realise that, even if having several misses with a couple of the new characters, really are working towards something for both the present and the next seasons.

And one more thing. The humor and character interactions are so exquisite this whole episode! This feels like a much needed throw back to the first two seasons in terms of dialogue and the way characters play off each other.

My only complaint... Kimiko's arc this season continues to feel aimless and has nothing to do this whole episode.

A show is only as good as its villains. "The Boys" demonstrated this perfectly in Season 3, which was arguably the best season so far. This success was largely due to the development of several characters into stronger and darker versions of themselves, alongside the introduction of the formidable Soldier Boy. Multiple well-developed villains added depth and intensity to the storyline, enhancing the overall quality of the season.

The makers of "The Boys" seem to have remembered and applied this formula in the latest episode of Season 4. Characters are being rapidly developed, becoming stronger and more complex. This has injected new life into the series, making it feel more action-packed and well-rounded. The eventual payoff this season promises to be epic.

This episode was filled with gore and manic action, staying true to the original brand of "The Boys." It's a delight to watch after a period of slower development. Homelander and Butcher, the opposite sides of a coin, have found their groove, reclaiming control of the narrative. Their interactions and the use of their shadow-selves make for compelling viewing.

The supporting characters have their intriguing side quests, but the show has skillfully ensured that the main plot remains at the forefront. Subplots involving A-Train, Ashley, Hughie, and Stan Edgar are the most compelling, hinting at exciting developments ahead. However, Kimiko and Frenchie's storyline seems to falter due to its over-reliance on past trauma. The show would benefit from adopting the 'show, not tell' approach for these characters.

The addition of returning characters is a cherry on top, though the Godolkin graduates could have been used more effectively. Nevertheless, the episode's high-energy action and humor make it a standout. The song choice at the end was top-notch, deserving full credit to the director.

Overall, this episode of "The Boys" is a return to form, delivering the intense, darkly humorous content that fans love. It's a promising indicator of an epic season ahead.