La hija de un titiritero japonés se ve atrapada por delincuentes cuando su espectáculo se cruza con el de una banda criminal dirigida por Sugarman y su hijo Little Sugar.La hija de un titiritero japonés se ve atrapada por delincuentes cuando su espectáculo se cruza con el de una banda criminal dirigida por Sugarman y su hijo Little Sugar.La hija de un titiritero japonés se ve atrapada por delincuentes cuando su espectáculo se cruza con el de una banda criminal dirigida por Sugarman y su hijo Little Sugar.
- Premios
- 1 nominación en total
Bryan Michael Mills
- Musician Bandit
- (as Bryan Mills)
Opiniones destacadas
This was a fun film! And the art team was on it!!! Every color and prop was so perfect- literally down to the protagonist's red nose- Wes Anderson is gonna be jealoouussss. And a samurai, pulp, scottish hybrid?! What will they do next? I really hope to see this production team make another film. I mean I have to admit that the protagonist lost its substance really quick; a fart in the wind. Yet they got me back with the action. Very on the nose funny, blocky, power ranger-esque choreography. Great aesthetic and sound design; looking forward to seeing this unique style come back soon. But I expect more depth.
Being a fan of Slow West, I was really looking forward to this movie. You can tell right away it is the same director as Slow West, John Maclean. His style is a very subtle, cool, relaxing form. Unfortunately, it means not really a good fit for a thriller.
The movie is almost same as Slow West in the element, a slow burn with a big finish. Unfortunately unlike Slow West, the ending was somewhat anti-climatic. This is very disappointing as the rest of the film, the story, was actually quite intriguing and keeps you engaged but the ending didn't quite satisfy.
Overall, I thought this is an average film, watch it once, you probably won't think about it again. The ending leaves many questions, but then you realize it is a western, it's not suppose to have a realistic ending.
5/10.
The movie is almost same as Slow West in the element, a slow burn with a big finish. Unfortunately unlike Slow West, the ending was somewhat anti-climatic. This is very disappointing as the rest of the film, the story, was actually quite intriguing and keeps you engaged but the ending didn't quite satisfy.
Overall, I thought this is an average film, watch it once, you probably won't think about it again. The ending leaves many questions, but then you realize it is a western, it's not suppose to have a realistic ending.
5/10.
Loved it. A simple story set in 1790 that could have easily been ser in the 20th century because the bulk of the film takes place in a forest or the area surrounding a small lake. Other than the "1790" indicator, only the costumes made the time clear. This struck me as universally applicable. Many scenes throughout were emotionally strong and superbly acted. "Tornado", the main character's name, was compelling and intriguing. I was surprised by the way she talked, as something about it felt too modern to me. The cinematography was beautiful and the soundtrack fit perfectly. A small budget film showing a period of transformation in Tornado's life. In order to move my 8 rating to a 9 or 10, I'd have wanted to know more about the characters lives before the events of the film started and to have had deeper, more specific emotions shared between some characters. I'd see it again.
This is experimental cinema... a hodgepodge of various genres and styles based entirely on the imagination of the creator ... nothing wrong with that. In the 1960s, for example, the brilliant Sergio Leone accidentally created an entirely new class of film which HAD NEVER EXISTED BEFORE -- the "Italian western." Not merely a financial success -- it turned a failed, out-of-work, actor named Clint Eastwood into a Hollywood icon. Does lightening strike twice? Not here, it doesn't. Sorry. The rating is for technical merit only. The film itself will put you to sleep. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Tornado: Scotland, the 1790s. The feel of Folk Horror is here from the outset, a teen girl followed by a younger boy run across an upland heath, they are pursued by a band of rough looking men. Fleeing through the woods, the girl, Tornado (Koki), sees a remote mansion and hides there. The band of brigands led by Sugarman (Tim Roth) barges in and assaults the family. Tornado escapes but is separately chased after by :little sugar (Jack Lowden), Sugarman's son. There is more going on here than meets the eye. In a flashback we see Tornado reluctantly training in swordplay with her father, Fujin (Takehiro Hira)), a former samurai swordsman. Fujin now runs a puppet theatre with Tornado from his wagon. It is during a performance that they run afoul of Sugarman's gang, Tornado involves herself in robbing their loot. This results in a cascade of events starting with Fujin's death but also bringing death and destruction to others who aid Tornado. There is also a travelling circus involved, a strongman, players, a knife thrower, clowns. All on the same blasted heath. Life is cheap, Sugarman cuts the throat of a minion who has failed him, a man is stabbed for making noise. These were savage times, wagons burn, people flee for their lives into the woods. Tornado is a real Final Girl as she takes on the gang having more to avenge than just her father's death. Great displays of sword fights, archery, beheadings and arms lopped off. .All is not well within the gang either as they have their own turmoil. No magic, no monsters other than of the human variety but the differing skills of the gang members are a wonder to behold as is Tornado. There is an untold backstory as some of the characters have past knowledge of each other. Written and Directed by John Maclean. 8/10.
¿Sabías que…?
- TriviaShot on 35mm Kodak film. Director John Maclean had wanted to shoot on celluloid for his debut Slow West but was unable to due to budgetary reasons so this marks his first time shooting on film.
- Bandas sonorasBroken Piano
written and performed by Bryan Michael Mills
courtesy of Bryan Michael Mills
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Kasırga
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 213,795
- Fin de semana de estreno en EE. UU. y Canadá
- USD 138,279
- 1 jun 2025
- Total a nivel mundial
- USD 449,674
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 2.39 : 1
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