Una niña marcada para morir, debe luchar y robar para mantenerse con vida, aprendiendo del hombre más aterrador que conoce: su padre. Adaptación de la galardonada novela de Jordan Harper.Una niña marcada para morir, debe luchar y robar para mantenerse con vida, aprendiendo del hombre más aterrador que conoce: su padre. Adaptación de la galardonada novela de Jordan Harper.Una niña marcada para morir, debe luchar y robar para mantenerse con vida, aprendiendo del hombre más aterrador que conoce: su padre. Adaptación de la galardonada novela de Jordan Harper.
- Dirección
- Guionistas
- Elenco
Conrad R. Padilla
- Good Samaritan
- (as Conrad Padilla)
Opiniones destacadas
7sme3
While the acting skills of the leads make this film, the other elements of the production are pretty solid, too. Taron Egerton's always believable performance is so strong that one can wonder why he has yet to have a bigger career. Child actor Ana Sophia Heger more than holds her own with an emotionally devastating portrayal. The action scenes work, the suspense is sustained, and the villain is seriously evil. A few lines of dialogue are clunky, but this is otherwise a first-rate thriller anchored by two astounding performances.
Ana Sophia Heger is why this movie was great. A child actor hasn't impressed me this much since Tatum O'Neil in Paper Moon, and she won an Oscar. Ana deserves one too.
She spoke volumes without any dialogue. I a single facial expression I got trapped, hopeful, sad, and confused.
For those that see this movie just watch her at the end when the credits start rolling.
Taron also put in a stellar performance, far from the average acting as Eggsy in Kingsman. I'm glad to see he's grown.
She spoke volumes without any dialogue. I a single facial expression I got trapped, hopeful, sad, and confused.
For those that see this movie just watch her at the end when the credits start rolling.
Taron also put in a stellar performance, far from the average acting as Eggsy in Kingsman. I'm glad to see he's grown.
A little girl's typical after-school day turns chaotic when her estranged father picks her up instead of her mother. On the run, the father-daughter duo must do whatever is necessary to stay alive.
This movie can go either way, depending on the viewer. The story is about the lengths a father will go to keep his child safe. The details and backstory are left extremely vague, leaving viewers wondering. There is some action and some thrills that make the two-hour runtime go by. With the lack of depth in the story and the sporadic action and thrills, this movie is worth a stream.
This movie can go either way, depending on the viewer. The story is about the lengths a father will go to keep his child safe. The details and backstory are left extremely vague, leaving viewers wondering. There is some action and some thrills that make the two-hour runtime go by. With the lack of depth in the story and the sporadic action and thrills, this movie is worth a stream.
Nick Rowland's "She Rides Shotgun" transforms a familiar father-daughter-on-the-run premise into something surprisingly raw and authentic.
Taron Egerton delivers career-best work as Nathan, an ex-con whose volatile desperation feels genuinely lived-in, not movie-manufactured. But the film's secret weapon is Ana Sophia Heger as 11-year-old Polly... she's fearless without being precocious, heartbreaking without milking tears.
Adapting Jordan Harper's acclaimed novel, the screenplay wisely sidesteps sentimental traps that doom similar stories. Instead of sugar-coating trauma, it explores how love can bloom in violence's aftermath. The Aryan Steel gang threat feels menacingly real, grounding the action in consequences that matter.
Rowland's direction maintains brutal honesty about what survival costs, both physically and emotionally. While some action sequences feel uneven, the central relationship never wavers. Egerton and Heger's chemistry sells every moment of their unlikely education - he teaches her to fight, she teaches him to feel.
The film succeeds because it respects both its characters and audience intelligence. This isn't just another crime thriller with a kid sidekick; it's a meditation on how broken people can heal each other, even while running from the past's shadows.
7.5/10 - Gritty, genuine, and surprisingly moving.
Taron Egerton delivers career-best work as Nathan, an ex-con whose volatile desperation feels genuinely lived-in, not movie-manufactured. But the film's secret weapon is Ana Sophia Heger as 11-year-old Polly... she's fearless without being precocious, heartbreaking without milking tears.
Adapting Jordan Harper's acclaimed novel, the screenplay wisely sidesteps sentimental traps that doom similar stories. Instead of sugar-coating trauma, it explores how love can bloom in violence's aftermath. The Aryan Steel gang threat feels menacingly real, grounding the action in consequences that matter.
Rowland's direction maintains brutal honesty about what survival costs, both physically and emotionally. While some action sequences feel uneven, the central relationship never wavers. Egerton and Heger's chemistry sells every moment of their unlikely education - he teaches her to fight, she teaches him to feel.
The film succeeds because it respects both its characters and audience intelligence. This isn't just another crime thriller with a kid sidekick; it's a meditation on how broken people can heal each other, even while running from the past's shadows.
7.5/10 - Gritty, genuine, and surprisingly moving.
I saw this movie last night. I had wanted to see it at the theaters, but it got such a limited release that my local theater didn't show it.
Anyways - I think this movie has a lot to offer. The story, visuals, and vibe are like a mixture of No Country for Old Men, The Road, and Paper Moon. The 2 leads are great, especially the little girl. There are some sweet father/daughter moments. At the start, they're estranged, and you can easily predict that they'll bond and begin to love one another. Yet that predictability doesn't make their relationship any less satisfying to watch. There is an original closing scene that hits the mark emotionally. The movie is gritty and hard-htiting
Some issues linger though -- The soundtrack is weird at times. The pacing drags a little; I honestly got bored or restless a few times. The movie does a poor job with the villain, the God of Slabtown. They try to set him up as this big, scary final boss, and this effort fails for several reasons, ranging from the casting to the writing. I also would've cast someone different for the police officer who helps the protagonists
7.0/10.
Anyways - I think this movie has a lot to offer. The story, visuals, and vibe are like a mixture of No Country for Old Men, The Road, and Paper Moon. The 2 leads are great, especially the little girl. There are some sweet father/daughter moments. At the start, they're estranged, and you can easily predict that they'll bond and begin to love one another. Yet that predictability doesn't make their relationship any less satisfying to watch. There is an original closing scene that hits the mark emotionally. The movie is gritty and hard-htiting
Some issues linger though -- The soundtrack is weird at times. The pacing drags a little; I honestly got bored or restless a few times. The movie does a poor job with the villain, the God of Slabtown. They try to set him up as this big, scary final boss, and this effort fails for several reasons, ranging from the casting to the writing. I also would've cast someone different for the police officer who helps the protagonists
7.0/10.
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Detalles
Taquilla
- Total a nivel mundial
- USD 23,443
- Tiempo de ejecución
- 2h(120 min)
- Color
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