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Resumen
Reviewers say 'Presence' is an ambitious film with mixed reactions. Praised for its unique perspective, psychological tension, and exploration of family dynamics, it also faces criticism for pacing, plot holes, and misleading marketing. Characters and acting receive varied opinions, while the supernatural element is seen as intriguing yet underdeveloped. The twist ending garners mixed responses, making 'Presence' a flawed yet interesting blend of supernatural themes and family drama.
Opiniones destacadas
This film leaves me feeling a lot like I felt after watching Neon's Longlegs in 2024. A quirky approach to a horror story, mostly well-executed, but with a story that ends up feeling inauthentic and clumsy. Personally I'd much rather watch a film that tries to do something different, even if it doesn't quite stick the landing, than a thousand cheap jumpscare horror clones. Presence did something different so I applaud it.
Pro: genuinely chilling at times: the scene with Natalie Woolams-Torres left the hairs on my arms standing on end.
Pro: mostly good, natural scriptwriting and acting.
Pro: just the right amount of levity at just the right times to keep the audience going without getting too silly.
Con: as the plot gets into its late stages it just doesn't feel right. I'm not sure how I'd have written it instead but there must have been room for a dark, natural and believable way to take the characters where they needed to be without *that* dialogue.
Con: the audience is limited by the characters' likeability here. I think the family father seems compelling but mother, daughter and son all left me feeling a little... uninterested in their fates? In one case this is a deliberate device to drive the plot and make the ending impactful but in the other two it seems inexcusable.
Con: I'm here partly for Julia Fox and she's barely in the movie. Boo! Give me a director's cut complete with 45 minutes of freehold contract negotiations and I'll bump my review up to an 8.
Pro: genuinely chilling at times: the scene with Natalie Woolams-Torres left the hairs on my arms standing on end.
Pro: mostly good, natural scriptwriting and acting.
Pro: just the right amount of levity at just the right times to keep the audience going without getting too silly.
Con: as the plot gets into its late stages it just doesn't feel right. I'm not sure how I'd have written it instead but there must have been room for a dark, natural and believable way to take the characters where they needed to be without *that* dialogue.
Con: the audience is limited by the characters' likeability here. I think the family father seems compelling but mother, daughter and son all left me feeling a little... uninterested in their fates? In one case this is a deliberate device to drive the plot and make the ending impactful but in the other two it seems inexcusable.
Con: I'm here partly for Julia Fox and she's barely in the movie. Boo! Give me a director's cut complete with 45 minutes of freehold contract negotiations and I'll bump my review up to an 8.
I usually don't like saying this but Presence just ended up feeling like a prolonged gimmick of a movie. Because despite the fact that I do think the main idea is quite interesting I don't really think it ended up sustaining a whole feature. If it was a 20-30 minute short I think this premise could've worked wonders and felt like a very unique take on a ghost story. But as is, despite some really impressive camera work, it just ends up feeling like there's a lot of bloat which comes in the form of character drama only some of which I thought actually worked. The transitions between scenes are very abrupt and after a while I felt like I was watching the same 2 or 3 scenes over and over again. The dialogue and the acting can feel quite stilted and a lot of the drama going on between this family doesn't really amount to much with a last minute twist that felt like it belonged in a different movie. For only an 85 minute movie it drags which again goes back to my point that this idea feels better suited to a short. There's a few interesting ideas and more than a few points where I really felt like I was getting what Soderbergh was going for but this really just ended up feeling like a bit of a missed opportunity. I really like the idea and always compliment a film that has a premise I wish I'd have come up with myself. I just wish the actually execution was on the same level.
The people who generally saw this film most likely did so based on the trailer, imagery, and title of the film, all which indicate it's going to be similar to things like 'Hereditary' or 'Babadook'.
This movie is nothing like those. I wouldn't even call it scary. It's not supposed to be. The low ratings are probably from moviegoers who expected it to be, which is fair, no blame on them.
For those looking to watch a very quality movie, with a novel concept, this one might be for you. It has a lot of heart, some powerful social/relationship dynamics, and pulls you in, making you cheer internally for things to happen or not happen.
This movie is nothing like those. I wouldn't even call it scary. It's not supposed to be. The low ratings are probably from moviegoers who expected it to be, which is fair, no blame on them.
For those looking to watch a very quality movie, with a novel concept, this one might be for you. It has a lot of heart, some powerful social/relationship dynamics, and pulls you in, making you cheer internally for things to happen or not happen.
I'd seen the trailers and was excited to see the film on its release . So last week we saw a secret screening/preview of it at our local cinema . Filmed from the side of the ghost/spirit and based on an empty lovely house a family of four move into. The house itself is lovely and the filming is brilliant but I have to be honest myself and mr husband were really disappointed. Lots of filming that were irrelevant. Some scenes were good and some secretive . But In my honest opinion after watching the trailer I was so disappointed with the film. The end five minutes are good and sad . But overall not as good as we hoped.
While I appreciate Soderburgh trying something new, there were way too many missed opportunities to make this movie feel anything other than gimmicky. Don't get me wrong, it was a good attempt at a ghost story but the tone of the movie got tripped up on adding too many distracting elements. It seemed more experimental than anything else; the characters felt forced (especially the parents), the foreshadowing was over the top, and the last ten minutes undid any possible horror that I originally hoped I would find. Definitely walked away feeling disappointed but only because the events leading up to it left too many open ended questions. (One of the biggest being why they would leave their children in an obviously haunted house (this is not a spoiler, it's literally the title of the movie) and then say "make good decisions." Dumb.)
¿Sabías que…?
- TriviaThe film was shot in just 3 weeks, nearly entirely within one house, according to a Variety article by Stephen Rodrick.
- Créditos curiososOther than the Presence, the characters and events depicted in this motion picture are fictitious.
- Bandas sonorasCome Here
Written by Dominic Fike, Sam Homaee and Jonathan Wienner
Performed by Dominic Fike
Courtesy of Sandy Bros, LLC
Under exclusive license to Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Presence?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Presence
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,900,044
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,328,004
- 26 ene 2025
- Total a nivel mundial
- USD 11,067,375
- Tiempo de ejecución
- 1h 24min(84 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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