Un tenso, cautivador y conmovedor retrato de la dinámica familiar protagonizado por Carrie Coon, Elizabeth Olsen y Natasha Lyonne como hermanas que convergen tras el deterioro de la salud de... Leer todoUn tenso, cautivador y conmovedor retrato de la dinámica familiar protagonizado por Carrie Coon, Elizabeth Olsen y Natasha Lyonne como hermanas que convergen tras el deterioro de la salud de su padre.Un tenso, cautivador y conmovedor retrato de la dinámica familiar protagonizado por Carrie Coon, Elizabeth Olsen y Natasha Lyonne como hermanas que convergen tras el deterioro de la salud de su padre.
- Dirección
- Guionista
- Elenco
- Premios
- 10 premios ganados y 19 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I really wish those making movies would consult medical personnel before making a movie. This movie is solid when it comes to family relations and how the stress of losing a loved one brings out the silent and unsaid. However, from a medical aspect, hospice patients sign a document stating what their wishes are when doing the paperwork with hospice. The hospice medical director signs off on it, so that made some scenes unnecessary. Also, there are no cardiac monitors, no IVs with hospice, and nurses do not come and sit at the bedside because time is money in healthcare. (We wish we could spend that time). Besides that, this movie reflects real life, it is entertaining, and does not include the standard forced Hollywood social indoctrination. So, thank you, for just entertaining the audience.
This is more of a play than a film. It's talky and claustrophobic, to the point that when at last it moves to an outside scene, you almost feel like you're breathing in cold fresh air.
Interest is sustained throughout, not so much by way of events, as by the interactions of the three very different sisters, and the few peripheral characters that surround them. Dealing with the impending death of a parent, this will (maybe) touch a nerve with some, and give others more fortunate (maybe) an insight to the dynamics to be expected. But I did not find it at any time morose or Maudling or over emotional, the occasionally amusing scenes kept it in check.
My only criticism was near the end, where a 10 minutes or so scene, could/should have been omitted IMO. For me it just interrupted the flow and broke the rhythm of the previous hour+.
Interest is sustained throughout, not so much by way of events, as by the interactions of the three very different sisters, and the few peripheral characters that surround them. Dealing with the impending death of a parent, this will (maybe) touch a nerve with some, and give others more fortunate (maybe) an insight to the dynamics to be expected. But I did not find it at any time morose or Maudling or over emotional, the occasionally amusing scenes kept it in check.
My only criticism was near the end, where a 10 minutes or so scene, could/should have been omitted IMO. For me it just interrupted the flow and broke the rhythm of the previous hour+.
When 'His Three Daughters' began I was picking up what it was putting down. Three great actresses, all with unique and interesting characters to play, going at it for 100 minutes. Sign me up. Then through the middle the film lost steam. It stopped throwing new stuff at me and kept repeating stuff we'd already seen. I understand this is a very contained movie (was it based on a play? It felt like it but I didn't see that written anywhere) but you still have to have enough to justify the runtime.
Luckily the movie has a very strong ending. There is a truly great scene towards the end of the film. Almost a completely redeeming scene. They executed it so well and it really hits you like truck.
There's enough here to make a very presentable movie, I can't help feeling it was a stronger second act away from being something truly special however. 7/10.
Luckily the movie has a very strong ending. There is a truly great scene towards the end of the film. Almost a completely redeeming scene. They executed it so well and it really hits you like truck.
There's enough here to make a very presentable movie, I can't help feeling it was a stronger second act away from being something truly special however. 7/10.
His Three Daughters is a terrific showcase for all three of its stars with a contained story that's emotionally taxing yet still has so much warmth. It's the ideal run time that allows it to take its time without feeling too slow. There's a generally theatrical feel that comes from its focus on performances and minimal locations which is counterbalanced by how good the technical craft is in ways that are designed to go unnoticed.
Natasha Lyonne, Elizabeth Olsen, and Carrie Coon are all brilliant in their own way. Natasha Lyonne is initially the most laid back of the group with greater pain and anger revealing itself soon after. Carrie Coon is the most highly strung and Elizabeth Olsen has the most expressive eyes which show all of her anguish. When they argue it's gripping to watch and they're even better when they do come together.
As director, writer and editor Azazel Jacobs displays many talents at once without drawing attention to them. His editing does a great job of making the characters feel further apart than they are when they're at odds and his dialogue feels strained yet tender. Rodrigo Amarante's cinematography is gorgeous with a grain that only adds to the beauty and framing which uses the confined spaces to create memorable moments.
Natasha Lyonne, Elizabeth Olsen, and Carrie Coon are all brilliant in their own way. Natasha Lyonne is initially the most laid back of the group with greater pain and anger revealing itself soon after. Carrie Coon is the most highly strung and Elizabeth Olsen has the most expressive eyes which show all of her anguish. When they argue it's gripping to watch and they're even better when they do come together.
As director, writer and editor Azazel Jacobs displays many talents at once without drawing attention to them. His editing does a great job of making the characters feel further apart than they are when they're at odds and his dialogue feels strained yet tender. Rodrigo Amarante's cinematography is gorgeous with a grain that only adds to the beauty and framing which uses the confined spaces to create memorable moments.
A lovely and beautiful movie about bonds and sisterhood, it makes you think twice about your sister and you can always do better.
This movie shows real sisters that you need to treat your sister better because you don't know the struggles she is facing, you literally dont know your sister darling.
So dont take for granted you relationship with your family ok, this movie has amazing performances by the three leads specially Natasha (she is my choices in the oscars)
And of course the ending scenes are emotional and ignore the review saying that that was unnecessary, he is obviously no director 8/10
Another great movie this 2024.
This movie shows real sisters that you need to treat your sister better because you don't know the struggles she is facing, you literally dont know your sister darling.
So dont take for granted you relationship with your family ok, this movie has amazing performances by the three leads specially Natasha (she is my choices in the oscars)
And of course the ending scenes are emotional and ignore the review saying that that was unnecessary, he is obviously no director 8/10
Another great movie this 2024.
¿Sabías que…?
- TriviaNetflix acquired worldwide rights for the film out of the Toronto International Film Festival for $7 million.
- ConexionesFeatured in MsMojo: Top 10 Best Netflix Releases of 2024 (2024)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Ba Con Gái Của Cha
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 41min(101 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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