Chasing Ghosts
- El episodio se transmitió el 30 ago 2023
- 52min
CALIFICACIÓN DE IMDb
6.4/10
1.1 k
TU CALIFICACIÓN
En casa en Miami, Trevante lucha por volver a la vida cotidiana. De igual manera, Jamila siente un tirón incesante para buscar a Caspar.En casa en Miami, Trevante lucha por volver a la vida cotidiana. De igual manera, Jamila siente un tirón incesante para buscar a Caspar.En casa en Miami, Trevante lucha por volver a la vida cotidiana. De igual manera, Jamila siente un tirón incesante para buscar a Caspar.
- Dirección
- Guionistas
- Elenco
Golshifteh Farahani
- Aneesha Malik
- (solo créditos)
Shioli Kutsuna
- Mitsuki Yamato
- (solo créditos)
Azhy Robertson
- Luke Malik
- (solo créditos)
Tara Moayedi
- Sarah Malik
- (solo créditos)
Enver Gjokaj
- Clark Evans
- (solo créditos)
Nedra Marie Taylor
- Rose Callaway
- (solo créditos)
Naian González Norvind
- Maya Castillo
- (solo créditos)
Opiniones destacadas
Any expectation that the second series of Invasion would correct the many, many failings and exasperation of the first have been well and truly dispelled by Episode 2.
After spending the first series watching our wandering soldier try to find a way back to the USA from across the world, he's realised that nobody wants him there, particularly now that he saved his sister's son from drowning and was immediately kicked out of the house for that --his sister unable to reconcile the fact that he shouted at the not-dead boy and she took the time after her son drew a waterlogged breath to tell our soldier this instead of comforting her child. This is the level of writing they've given us and in fact it's now evident that the extent of mediocrity in this series knows no bounds. The writing and acting are really awful. It takes a while to fully grasp this but, never fear, the realisation will come to you after the razzle-dazzle of the shiny trailer and enticing in-app artwork wear off. It will reveal itself to be nothing of substance, a padded, drip-fed exercise in audience baiting.
Not content with sending our wandering soldier on another walkabout, the writers and directors have now sent our band of soap-opera standard young actors on a walkabout to find Casp (short for Casper, because we must economise on syllables whenever wanting to convey familiarity) as if watching the family in the first episode wander about, then our soldier on walkabout again in episode two wasn't enough. And despite all of the cordoned-off zones and countries in this Invaded world, everyone seems to be able to wander about with free abandon, even from country to country, far easier than we could during lockdown. You may make the observation that this wandering is simply a repeat of the first series and who am I to disagree with that?
If you like watching people wander about, then enjoy. But if you, like myself, thought the trailer for Series 2 signified that it would be better than the first series, then you're likely to be abjectly disappointed and a little peeved if you're in any way of balanced patience. Why, because dropping one episode per week as a way to draw out monthly subscriptions would be palatable if only the episodes themselves were something of substance, with an actual story. Sadly, two episodes in, they're well short of delivering anything near what the marketing promised ... yet again.
After spending the first series watching our wandering soldier try to find a way back to the USA from across the world, he's realised that nobody wants him there, particularly now that he saved his sister's son from drowning and was immediately kicked out of the house for that --his sister unable to reconcile the fact that he shouted at the not-dead boy and she took the time after her son drew a waterlogged breath to tell our soldier this instead of comforting her child. This is the level of writing they've given us and in fact it's now evident that the extent of mediocrity in this series knows no bounds. The writing and acting are really awful. It takes a while to fully grasp this but, never fear, the realisation will come to you after the razzle-dazzle of the shiny trailer and enticing in-app artwork wear off. It will reveal itself to be nothing of substance, a padded, drip-fed exercise in audience baiting.
Not content with sending our wandering soldier on another walkabout, the writers and directors have now sent our band of soap-opera standard young actors on a walkabout to find Casp (short for Casper, because we must economise on syllables whenever wanting to convey familiarity) as if watching the family in the first episode wander about, then our soldier on walkabout again in episode two wasn't enough. And despite all of the cordoned-off zones and countries in this Invaded world, everyone seems to be able to wander about with free abandon, even from country to country, far easier than we could during lockdown. You may make the observation that this wandering is simply a repeat of the first series and who am I to disagree with that?
If you like watching people wander about, then enjoy. But if you, like myself, thought the trailer for Series 2 signified that it would be better than the first series, then you're likely to be abjectly disappointed and a little peeved if you're in any way of balanced patience. Why, because dropping one episode per week as a way to draw out monthly subscriptions would be palatable if only the episodes themselves were something of substance, with an actual story. Sadly, two episodes in, they're well short of delivering anything near what the marketing promised ... yet again.
After the glacial pace of season one and the cliffhanger ending, I was hoping season two might pick up the pace and introduce something interesting about the aliens.
And this is just within the first 15 to 20 minutes. It's a waste of nice production values and occasional good special effects. I would be stunned if this show gets a season three.
- Nope. We are still following the family we don't care about (apparently this is the "character interest" part of the formula.)
- The giant spiky coronaviruses that impale people can apparently be taken out *easily* by fire. What are they fighting back with? Flamethrowers maybe? No, Molotov cocktails thrown by our Japanese "hero" from last season. She has a great arm.
- The giant alien ship that crashed? Surely, the world governments have banded together and sent their best military minds to tear that thing apart, so we can find out how to defeat the aliens. Of course not! Let's leave it up to it to an annoying, churlish billionaire (as if money would matter when a large percentage of the atmosphere is already poisoned) to figure this out (I guess we have Elon fans among the writers). Still, he needs our Molotov throwing heroine because ONLY she knows how to communicate with the aliens.
And this is just within the first 15 to 20 minutes. It's a waste of nice production values and occasional good special effects. I would be stunned if this show gets a season three.
On season 2_episode 2: same as season 1, though, my wish was granted and I got to see the bright, daring, tenacious and lovely Mitsuki, the only one out there with a scientific and academic background that I like and respect.
Other than that, a little subpar season in comparison with season 1, with the same nonsense with Aneesha and her family and acquaintance, some lengthy dragging scenes and episodes with the British kids and an ending that is worse than the whole season.
Time to cancel the show. This time and this series, really.
Other than that, a little subpar season in comparison with season 1, with the same nonsense with Aneesha and her family and acquaintance, some lengthy dragging scenes and episodes with the British kids and an ending that is worse than the whole season.
Time to cancel the show. This time and this series, really.
- Screenplay/storyline/plots: 5.5
- Development: 7.5
- Realism: 6.5
- Entertainment: 6
- Acting: 6.5
- Filming/photography/cinematography: 7.5
- VFX: 8
- Music/score/sound: 7
- Depth: 7
- Logic: 2.5
- Flow: 6
- Drama/fantasy/sci-fi: 6.5
- Ending: 4.
It was bad enough in this season's premier that we got yet another annoying character - the rich dude funding the research that apparently the governments, including the big international World Defense Coalition are too broke to handle. But at least that episode moved forward and had some intrigue.
But in this absolutely useless episode, we get almost an hour of pointless filler, most of it the British kids, that made it feel like I accidentally tuned in to a Disney channel. It seems Apple is rotting with this series, if this is the best they can come up with after making fans wait two years.
Unless the next episode wows me, I'll be done with this show and will be cancelling my Apple subscription, I'm not into paying for boredom.
But in this absolutely useless episode, we get almost an hour of pointless filler, most of it the British kids, that made it feel like I accidentally tuned in to a Disney channel. It seems Apple is rotting with this series, if this is the best they can come up with after making fans wait two years.
Unless the next episode wows me, I'll be done with this show and will be cancelling my Apple subscription, I'm not into paying for boredom.
Season 1 was interesting and the characters were well developed. The story seemed to move forward despite having several story arcs. Season 2 seems to be written for a younger generation of viewer. Dialogue and scenes are very predictable and not much movement in the storyline. I had high hopes that the second episode was going to ramp up in tension, character development and storyline. I think they have forgotten what the viewer was originally interested in when watching this show. The writing seems lazy and I hope it does not continue. I will watch one or maybe two episodes more before I make the decision to bail.
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Detalles
- Tiempo de ejecución
- 52min
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