Badarawuhi di Desa Penari

Mila and her group of cousins are determined to uncover the truth behind her mother's mysterious illness. Their quest leads them to the enigmatic Dancing Village (Desa Penari), where they unravel a series of secrets, piece by piece, including the existence of the dreaded entity known as Badarawuhi.

The film unfolds as a slow-burn horror, with the second half proving more compelling than the first. While some scenes may feel repetitive, reminiscent of "KKN di Desa Penari," the focus is primarily on the gradual revelation of secrets between Badarawuhi and the village.

Although the second act is commendable for its chilling and eerie horror, certain parts of the movie may drag, yet they are integral to the plot's development. Despite the predominantly visual storytelling, viewers may still find themselves questioning certain aspects of the film.

The technical prowess of the film, particularly in editing and transitioning between scenes, deserves appreciation for its clean execution. The eerie atmosphere effectively complements the movie's theme.

While "KKN di Desa Penari" may be preferred for its realism and tragic elements, some viewers may feel a stronger connection to the characters and their personal development. The lack of a direct link between the two films, despite being a prequel, may leave some audiences wanting more coherence.

Nevertheless, "Badarawuhi Di Desa Penari" offers an engaging weekend watch, particularly for horror enthusiasts.

A group of teenager visit to remote village, desperately need help to recover their mother from mysterious disease, but they never know the danger and threat await.

Ok, then. The village folklore is going on, and I knew it from the start that this movie is not meant to be so fearsome, like have a bunch of jumspcare and terror, because this movie is just showing and approaching to realistically enough exactly in threads or real life. Even though I hoping more dreadful story to adapt in the movie, and this story was, sorry to say isn't intens enough for me, because it's not about a ghost or monsters, it's about my sympathy for the victim, and yes this movie is not so horror, but more like drama or folklore and urban legend. And I belive so many of those poor viewer got disappointed from promising horror genre.

The aesthetic view of nature, village and the mountain, absolutely eye catching and stunning. Not to mention the big name producers handle the cinematography so well done, covers up the lack of the horror action, and yeah thats all I get, such the scary side of the dense forest in the beauty of the scenery, thats it and nothing more. For me it's just okay, but need more punch. Yet this still better story to adapt for me, and all those spectacular actors they were absolutely killing it. Once again a better quality, advance from many years before.

This movie unintentionally gives off a very strong sapphic vibe that is impossible to ignore. The way the characters interact, the dialogues they exchange, and the overall atmosphere of the film all hint at deeper feelings between the leads, Mila and Badarawuhi. The conversations between them often feel charged, as if every word is carefully chosen to hide more than it reveals. There are subtle glances and lingering looks that build a quiet tension, which keeps viewers guessing about what's really going on beneath the surface. Sometimes, I find myself feeling genuinely excited whenever they share a scene, even if I can't exactly explain why. It's that electric feeling of two characters sharing a connection that feels more than just friendship. Their relationship dynamic is complex, layered with unspoken emotions that add depth to the story. You can see it in how they interact-how Mila seems both hesitant and drawn to Badarawuhi, while Badarawuhi appears aware of the tension but doesn't quite address it. This chemistry is what makes the movie stand out for me, even with its flaws. It's the main reason I keep watching it and why I genuinely enjoy the film.

For fans of LGBTQ stories, this film offers a lot of what they enjoy. The subtle hints, the emotional tension, and the powerful performances speak directly to those who love seeing romantic or intimate themes portrayed on screen. If you're someone who appreciates stories about first love, hidden feelings, or characters navigating moments of closeness and distance, you will find this movie captivating. I believe it has a natural appeal for an audience that values queer representation, even if it's not explicitly labeled as a "LGBT film." The layers of tension suggest a deeper story that many viewers with an interest in queer themes will absolutely love. It's a movie that, even without explicit focus on sexuality, radiates a strong vibe that makes it clear these characters share a more meaningful connection.

I found this movie to be mostly decent for the most part. The story feels complicated, and i didn't know what was going on in this movie. So, the actual plot is this girl going to the village to find answers to her mother mysterious illness and learn about this traditional dance. It's interesting to learn about what the dance is about and how it's important to the village. She also encounters a supernatural called Badarawuhi, who gives an eerie vibe when she shows up and what she's doing here in the first place. The movie itself is pretty slow, with scenes that feel like it is dragging on too long and strange stuff happening throughout. Also, the movie isn't scary at all because nothing too extreme happens in the movie and is easily predictable when it shows up. The climax itself is something different, but it isn't that suspenseful at all. And the movie has a rushed ending.

This 2024 film "Dancing Village: The Curse Begins (Badarawuhi di Desa Penari)" directed by Kimo Stamboel explores Indonesian supernatural beliefs. It's a slow burn but really tries to implode human emotions through despair and dancing.

It's story originality based on dance traditions with life/death deities and sorcery. The actors really deliver strong performances of young people trying to rationalize logic to what is a curse. It follows a 2022 KKN di Desa Penari" film, some similar ideas sourced in folklore.

The story focuses on two young women (Rathil and Mila) with mothers in terrible state of physical and mental illness. They aren't understanding what's happening, they dealing with the supernatural, things can't be undone.

The film enters through their struggling between earthy and spiritual realms. A realm controlled by a supernatural tormenter and soul taker: Badarawuhi which played beautifully by Aulia Sarah.

In some ways, it reminds one of the 1977 (and 2018 remake) film Suspiria. Modern ballet ancing on those films play with witchcraft and self-destruction, centered on women.

In this case solely based on Indonesian folk dancing, it's surreal scenes are of interest. There's no excessive gore scenes nor jump scares but still deliver a creepy vibe.

The scenes of dancing and sorcery are done well, as the beautiful dance moves become acts of evil. Again, it's slow but delivers toward the story ending. It also marks that Indonesian horror genre can be smart and elusive.

Past 80s/90s Indonesian horror unfortunately has been seen as campy, championed by a mostly cult film audiences. Although the recent reboot of "VHS" found footage enlisted Indonesian director and actors within the horror genre.

This particular film will definitely challenges old tropes on South Asian horror genre. Film's cinematography is excellent and inviting. Mostly set in rural landscapes and sound effects are superb.