Episode #1.1
- El episodio se transmitió el 7 nov 2024
- TV-MA
- 57min
Cuando un asesino de élite lleva a cabo su último asesinato, llama la atención de un oficial de inteligencia, que empieza a darle caza.Cuando un asesino de élite lleva a cabo su último asesinato, llama la atención de un oficial de inteligencia, que empieza a darle caza.Cuando un asesino de élite lleva a cabo su último asesinato, llama la atención de un oficial de inteligencia, que empieza a darle caza.
- Dirección
- Guionistas
- Elenco
- Manfred Fest
- (as Burghart Klaussner)
Opiniones destacadas
Right out of the gate, the episode masterfully constructs a world that feels alarmingly real. The opening sequences are a taut blend of intelligence briefings, high-level political maneuvering, and security operations that are portrayed with an accuracy that's rare on television. From biometric scanning protocols to covert surveillance methods, the attention to detail in showcasing modern security measures is stunning. You can tell the creators did their homework-everything feels authentic without being bogged down in jargon.
But what truly elevates this premiere is how effortlessly it grounds its fictional narrative in today's political reality. The tension is not abstract or manufactured; it feels like something you could read on the front page of tomorrow's newspaper. Rising authoritarianism, fractured alliances, cyberwarfare, and the precarious balance of power in Europe-it's all there, woven seamlessly into the plot. This show doesn't just reflect the present moment; it interrogates it.
The pacing is deliberate, yet never slow. It allows room to breathe, to observe the characters, the institutions, and the strategies in play, while still ratcheting up the stakes scene by scene. The Jackal himself is introduced with icy finesse-enigmatic, efficient, and terrifyingly calm. By the end of the episode, you're not just hooked; you're fully invested in the chase, the politics, and the moral ambiguity that lingers over every decision.
This is a first episode that understands the power of subtlety. It doesn't scream to grab your attention-it draws you in with quiet intensity and leaves you questioning how much of what you just saw is fiction at all. If the rest of the series maintains even half the standard set by this debut, Day of the Jackal is on track to become a landmark in prestige television.
Simply put: one of the best first episodes in years. Meticulous, relevant, and chillingly real.
The cinematography is stunning, with careful attention to detail that captures the era and the tense atmosphere of the plot. The acting is outstanding, especially the lead actor, who skillfully combines charisma and danger. The supporting cast also adds depth, making the story feel realistic and compelling.
The pacing of the first episode is well-balanced, providing enough exposition to introduce the characters and central conflict while leaving room for suspense and action. The dialogue is sharp and engaging, with subtle moments that hint at the complexities of the characters and their motivations.
By the way, this is my first-ever comment here and my first review of a TV series, so I wanted to share my thoughts! Haha.
Overall, the pilot episode of The Day of the Jackal is an excellent start to what promises to be an exciting series. It successfully combines a rich narrative, strong performances, and high production value, making it a must-watch for fans of espionage and thriller dramas.
Rating: 9/10.
¿Sabías que…?
- TriviaThe user name of the Jackal contains the name Martin Guerre, a French peasant of the 16th century, was at the centre of a famous case of imposture. Several years after Martin Guerre had left his wife, child and village, a man claiming to be him appeared. He lived with Guerre's wife and son for three years. This ties in to the Jackal's art of imposture himself.
- ErroresAll German license plates are invalid (due to letter/number combinations not allowed). Also, the letter/number combinations are structured extremely similar which is basically impossible in real life.
Similar to U.S. telephone numbers in movies all having the non-existent "555" exchange, this is done so that no one's actual license number is used.
- Citas
The Jackal: Did you come alone?
Zina Jansone: Yes, I followed your instructions to the letter.
The Jackal: Who's the target?
Zina Jansone: Ulle Dag Charles. UDC. Can you get to him?
The Jackal: It'll cost.
Zina Jansone: I mentioned a guide price of $10 million.
The Jackal: Well, multiply that by ten and then perhaps we can have a conversation.
Zina Jansone: That's a very expensive conversation.
- Bandas sonorasEverything in Its Right Place
Written by Colin Greenwood, Jonny Greenwood, Ed O'Brien, Phil Selway, Thom Yorke
Performed by Radiohead
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Locaciones de filmación
- Villas Rosa Dei Venti, Rabac, Croatia(The home of The Jackal and his wife Nuria)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 57min
- Color