Aankhon Ki Gustaakhiyan

"Aankhon Ki Gustaakhiyan" completely won my heart. Vikrant Massey was an absolute beast in this film - intense, powerful, and full of emotion. Every time he was on screen, he owned it. Shanaya Kapoor, on the other hand, was pure beauty - soft, charming, and full of grace. Together, they made a perfect pair. The story felt real, the emotions hit deep, and their chemistry was amazing. It truly felt like watching Beauty and the Beast - a mix of strength and softness, pain and love. I didn't want it to end. For me, this movie is a solid 10 out of 10!"

I think everyone is really curious as to how Shanaya Kapoor's acting was in her debut film. Surprisingly, it was not as bad as most debuts. That could be because her character is an unconventional role for many new actresses and their debut roles.

With that said, the story is also different and unconventional and while it could be seen as refreshing in a good way, the script writing let it down. The script did not create a story that allowed the flow and depth to be as strong as it could be. There are a few confusing parts; like why would a character want this? Why did they do the things they did? Some of the dialogue in the second half with the conflict could've been better too. And the build up of the romance could've also been stronger with a better script.

The cinematography, production, and songs lived up to a Bollywood movie. It was beautifully shot, and choosing a location like Mussorie helped the aesthetic of this romantic story.

Rarely does a film come along that not only disappoints but actively challenges your patience and basic faith in storytelling. This movie-whose name is not even worth repeating-manages to do just that. It is, quite frankly, a disaster from the opening frame to the final, painfully prolonged credits. What could have been a compelling narrative about ambition, relationships, or social struggle instead spirals into a nonsensical slog with characters so poorly written, you almost wish they'd vanish halfway just to end the suffering.

Let's begin with the writing, because that's where the rot truly starts. The script is not merely bad-it's offensively lazy. Characters are one-dimensional, motivations are either non-existent or completely inconsistent, and the dialogue feels like it was copy-pasted from a WhatsApp forward. There is zero nuance. Scenes that are supposed to be emotionally resonant are rendered laughable by the sheer artificiality of the writing. You're never invited to feel anything for the characters because they're not people-they're cardboard cutouts acting out the most generic, overdone clichés imaginable.

The writers seem to have no concept of structure, pacing, or emotional progression. Plot twists arrive not because they make sense, but because the script desperately wants to appear clever. There are jarring tonal shifts that leave you wondering whether you're watching a drama, a comedy, or an unintentional parody. The narrative doesn't evolve; it meanders. Long, meaningless sequences fill time, and by the end, you realize that nothing of substance has occurred. It's like watching a train headed nowhere slowly unravel on rusty tracks.

The direction doesn't help matters. If anything, it makes the situation worse. The director seems to have approached the material with all the enthusiasm of someone forced to fulfill a contractual obligation. There is no visual style, no narrative tension, and no rhythm to the film. Scenes are stitched together with all the grace of a school project edited on Windows Movie Maker. Moments that should be powerful land flat, not because they lack potential, but because the direction is so utterly tone-deaf to what the story demands.

Let's talk about the performances-or rather, the complete lack of them. Vikrant Massey, often praised for his restrained acting and subtlety in past projects, is utterly unwatchable here. It's not entirely his fault-the writing gives him nothing to work with-but even then, his performance feels phoned-in, flat, and frustratingly devoid of any emotional range. You spend most of the film watching him drift through scenes with the blankness of someone who clearly knows this ship is sinking and just wants to get through the shoot.

His dialogue delivery lacks conviction, his expressions are robotic, and his emotional moments are so unconvincing they verge on comical. It's hard to believe this is the same actor who once showed promise in earlier films and web series. Here, he appears either miscast or completely uninterested-possibly both.

Supporting characters fare no better, though it's debatable whether the actors are at fault or the laughably shallow script. Everyone is reduced to archetypes, reacting to events like they've never met another human being in their lives. At no point do you feel like these are real people in real situations. The emotional beats are so contrived, they feel like a parody of better films that handled similar themes with actual skill.

The music is forgettable, the cinematography uninspired, and even the production design looks cheap and inconsistent. Every technical department seems to have phoned it in.

Ultimately, this movie is not just a waste of time-it's a waste of talent, money, and attention. It's the kind of film that makes you question whether the people behind it actually watched what they created. There's nothing here to recommend, not even in a "so bad it's good" kind of way. It is pure delusion dressed up as cinema, and it doesn't deserve a single star.

Avoid at all costs.

Great story and direction. The locations were great and it improved the watching experience. But the female lead actor needed to improve on her acting. Should have picked a different female lead actor. This Indian movie industry is turning out to be a family industry as lot of nepo kids are being hired without giving any chance to outsiders.

This film showed the importance of falling in love with character and personality over appearance and status. Throughout, the music was a powerful element that expressed the true emotion and reflection of the characters. At about the half way point, the store became too complex and involved too many characters which created excessive tension. Ultimately, the film as a whole was genuine story that provided deep meaning. Although there could have been further character development in the middle of the film, the conclusion appropriately tied the story together in a heart felt manner that gave a true expression of the story the director was attempting to portray.