Disco Inferno

I must confess I plunged into this netlix job rather unaware of what lay ahead. Therefore, it is difficult to claim offense when the thing came to an abrupt end. It was a short and I found out the hard way, but with a feeling of relief as well. After all, I wasn't especially enjoying what I had seen, so out of sight, out of mind. The very bare plot juggles demonic possession, maternity and boogie in a hurry that mostly denotes a flair of 70s nostalgia (mostly Dario Argento and John Travolta) and a slavery to well trodden tropes of both horror and musical movies. The outcome is not remarkably outstanding, just another netflix whim of a genre, that of horror, that requires imagination and sense of humor. Most recent case in point: Adult Swim Yule Log. This one, I do recommend.

One of the coolest and most genuinely horrific premises I ever beheld was in Lucio Fulcio's "City of the Living Dead", when the suicide of a priest in a graveyard leads to the opening of hell's gates to earth. Why am writing this? Because, for a very brief moment, I hoped that "Disco Inferno" had a similar premise. The story opens atmospherically in 1955, with a nun confessing to murder and baby-kidnapping before hanging herself in church. Alas, though, after the promising intro the plot goes into a totally different and utterly stupid direction. "Disco Inferno" is a good example to illustrate why you shouldn't bother with short movies. There's no context, character depth, or decent build up. It's only 20 minutes long but manages to be boring for fifteen of those, and the denouement is pathetic beyond words.

Cute short, that I only saw because I didn't notice it was a short.

It felt like a real movie, not happening fast or rushed, that just ended. So if you don't know this is a short, I don't think you'll be able to tell either, it just quickly ends and it just leaves you there hanging.

Anyway for short movies IMDB should really change their 600 characters policy, because there isn't too much to cover.

It is a 15 minutes production, with good actors, nice location and an interesting plot to be honest.

It tries some character development, very little tension, it just fails with the ending. It simply happened too fast and it had nothing to do with the characters, they were just in the back seat, leaving the villain to be cut short by the movie's runtime and not a proper development.

Thus being said, sure I can recommend it, but more importantly those involved in the movie should prepare to make the bigger step. So far so good.

Cheers!

This could be a longer film, to be honest. The plot is okay, it could be something bigger, however, when trying to recreate events in a period of time that was not even that long ago, one should research a bit more about the subject they want to portray to avoid flagrant anachronism.

There was no "disco fever" as early as 1973! Disco music was in its infancy that year. Disco was still a underground phenomenon with mostly funk and soul music, and there were no clubs like Studio 54 (the obvious inspiration for the one where the story is set in), with people making huge lines, and there was no "dance competitions" and "three-piece suits" that were clearly inspired by Saturday Night Fever, a movie that would only see its release in December 1977. The hairstyles, fashion and music don't match 1973 either.

If the story took place in 1978, in the actual height of the disco crazy, it would be spot on!

I dont get the point on producing something like this.

Without giving top much away: They start with a ludicrous premise that you feel needs to be explained in order for the audience to know how did we get there om the first place, but it never is explained. Then we move to years later where there are obvious connections to the aforementioned premise story, but even then, things just happen out of the blue and there's just no satisfaction given to the audience in terms of the writers going "so this is how we got here from there, see?" You end up with a feeling of "but why?" Pointless, shallow and meaningless. At least its short.