Razakar: The Silent Genocide of Hyderabad
- 2024
- 2h 46min
CALIFICACIÓN DE IMDb
7.3/10
5.4 k
TU CALIFICACIÓN
Gira en torno al Movimiento de Liberación de Hyderabad de 1948. Captura las luchas de Telangana y su gente en los primeros días de la independencia para recuperar su religión e identidad fre... Leer todoGira en torno al Movimiento de Liberación de Hyderabad de 1948. Captura las luchas de Telangana y su gente en los primeros días de la independencia para recuperar su religión e identidad frente a la opresión militar y política.Gira en torno al Movimiento de Liberación de Hyderabad de 1948. Captura las luchas de Telangana y su gente en los primeros días de la independencia para recuperar su religión e identidad frente a la opresión militar y política.
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Razakar: A Tribute to the Heroes of Hyderabad.
Razakar pays tribute to the heroes of Hyderabad, whose courage and sacrifice during the struggle for independence remain an integral part of Indian history. Directed with passion and authenticity, the film offers a compelling narrative that sheds light on the challenges faced by those who fought for freedom. It is a film that will leave a lasting impression on all who see it, inspiring them to embrace their own capacity for courage and compassion. Razakar carries a message of enduring significance. It challenges audiences to confront injustice and to stand up for what is right, drawing parallels between the struggles of the past and the present.
Razakar pays tribute to the heroes of Hyderabad, whose courage and sacrifice during the struggle for independence remain an integral part of Indian history. Directed with passion and authenticity, the film offers a compelling narrative that sheds light on the challenges faced by those who fought for freedom. It is a film that will leave a lasting impression on all who see it, inspiring them to embrace their own capacity for courage and compassion. Razakar carries a message of enduring significance. It challenges audiences to confront injustice and to stand up for what is right, drawing parallels between the struggles of the past and the present.
10spstest
Awesome Movie. One Must watch atleast 1 time :)
"Razakar: The Silent Genocide of Hyderabad" throws light on a lesser-known chapter of Indian history - the Hyderabad Liberation Movement. The film shows the struggles of Telangana's people against the Razakars, a paramilitary force, during India's independence.
Director Yata Satyanarayana crafts a compelling experience. Filming is top-notch, taking viewers back to this old time. The acting is equally impressive, with Raj Arjun, portraying the ruthless Razakar leader Kasim Razvi, is particularly chilling.
The film's emotional core lies in its portrayal of the human cost of war. We see families torn apart, lives shattered, and the spirit of those fighting for freedom. The plight of women during this period is particularly highlighted, adding another layer of depth to the story.
Overall, it's a must watch movie in my opinion.
Director Yata Satyanarayana crafts a compelling experience. Filming is top-notch, taking viewers back to this old time. The acting is equally impressive, with Raj Arjun, portraying the ruthless Razakar leader Kasim Razvi, is particularly chilling.
The film's emotional core lies in its portrayal of the human cost of war. We see families torn apart, lives shattered, and the spirit of those fighting for freedom. The plight of women during this period is particularly highlighted, adding another layer of depth to the story.
Overall, it's a must watch movie in my opinion.
Kasim rizvi acors action was peaks thought of him a real kasim rizvi came into his character and if he arrives in theather some body would have definitely hit him.he lived upto his role and the director showed us 90% near to reality what happened to people of telangana during rule of last nizam how many atrocities the aulads of razakars created and what did sardar patel and how indian army freed them it was depicted as it is before our live eyes how much the ancestors of present telangana people go throught to get independence. It also depicted the freedom fighters of telangana the jal jangal jameen movement and how they revolted and kicked the asses of Razakars and their nalayak aulads and how brutally they were taxed and young children and women were assaulted by suwar razakars.
My heart feel so sad after watch the movie..The movie showed real incidents of Telangana peoples's Freedom fight against Jihadi islamic RAZAKAR'S..The deaths of Telangana people was so heartbreaking💔must watch everbody..it's KASHMIRI FILES of telanagana people genocide..
Director Yata Satyanaranaya handled movie very good. This is the Real story..Music is outstanding..Bheems is the music director..Back ground score also very good..DoP Ramesh Reddy did brilliant job..Set work and C. G work was very good.. Every actors did their career best performance..Boby simha,,Vedika,,Anasuya,Prema every actor was did very well.
Stepping out of the theater after "Razakar," I grappled with a tangled mix of emotions. The weight of the film's subject matter settled on my chest - a historical exploration I felt was long overdue. The plight of Hindus under the brutal rule of the Nizam and the Razakars was a dark chapter in Indian history, one that demanded remembrance. "Razakar" served as a stark reminder, a cinematic gut punch that refused to shy away from the gruesome realities of the past.
The film's power stemmed not just from its thematic importance, but also from the dedication of its cast and crew. Bobby Simha's portrayal crackled with raw emotion, while Anasuya delivered a performance that resonated with quiet strength. The visuals were impressive, the dusty streets and weathered structures transporting us back to that tumultuous period. Bheems Ceciroleo's music served as a constant undercurrent, heightening the tension and amplifying the emotional impact of each scene.
Yet, a critical voice nagged at the back of my mind. The narrative, particularly in the first half, felt sluggish at times. Certain scenes, meant to emphasize the horrors inflicted by the Razakars, ended up becoming repetitive, their effectiveness diminishing with each iteration. More importantly, a nagging question lingered - were some historical events sensationalized for dramatic effect? Did the film prioritize emotional manipulation over a nuanced portrayal of the past?
Ultimately, "Razakar" left me with a bittersweet satisfaction. Here was a film that dared to delve into a forgotten corner of history, a space that desperately craved illumination. Its existence felt like a small victory, a step towards a more complete understanding of the Indian narrative. The mere act of bringing this story to the screen was commendable, a spark that could ignite further exploration and discussion.
However, the feeling of "what could have been" remained stubbornly present. A tighter narrative, a more balanced exploration of the historical context, a deeper dive into the motivations of all parties involved - these elements could have elevated "Razakar" from a history lesson into a truly transformative cinematic experience. It successfully ignited a conversation, but left me yearning for a more definitive and impactful execution of this significant story. "Razakar" may not have been a perfect film, but it served a crucial purpose - a reminder of a dark past, a spark for further inquiry, and a testament to the enduring power of storytelling to keep history alive.
"Thank you for existing," I whispered to the empty theater screen as the credits rolled. Despite its flaws, "Razakar" stood as a testament to the unflinching power of cinema. It dared to confront the shadows, to unearth a buried truth, and for that, it deserved a silent ovation.
The film's power stemmed not just from its thematic importance, but also from the dedication of its cast and crew. Bobby Simha's portrayal crackled with raw emotion, while Anasuya delivered a performance that resonated with quiet strength. The visuals were impressive, the dusty streets and weathered structures transporting us back to that tumultuous period. Bheems Ceciroleo's music served as a constant undercurrent, heightening the tension and amplifying the emotional impact of each scene.
Yet, a critical voice nagged at the back of my mind. The narrative, particularly in the first half, felt sluggish at times. Certain scenes, meant to emphasize the horrors inflicted by the Razakars, ended up becoming repetitive, their effectiveness diminishing with each iteration. More importantly, a nagging question lingered - were some historical events sensationalized for dramatic effect? Did the film prioritize emotional manipulation over a nuanced portrayal of the past?
Ultimately, "Razakar" left me with a bittersweet satisfaction. Here was a film that dared to delve into a forgotten corner of history, a space that desperately craved illumination. Its existence felt like a small victory, a step towards a more complete understanding of the Indian narrative. The mere act of bringing this story to the screen was commendable, a spark that could ignite further exploration and discussion.
However, the feeling of "what could have been" remained stubbornly present. A tighter narrative, a more balanced exploration of the historical context, a deeper dive into the motivations of all parties involved - these elements could have elevated "Razakar" from a history lesson into a truly transformative cinematic experience. It successfully ignited a conversation, but left me yearning for a more definitive and impactful execution of this significant story. "Razakar" may not have been a perfect film, but it served a crucial purpose - a reminder of a dark past, a spark for further inquiry, and a testament to the enduring power of storytelling to keep history alive.
"Thank you for existing," I whispered to the empty theater screen as the credits rolled. Despite its flaws, "Razakar" stood as a testament to the unflinching power of cinema. It dared to confront the shadows, to unearth a buried truth, and for that, it deserved a silent ovation.
¿Sabías que…?
- ErroresThe British Campbell Johnson speaks with an American accent, even though he never lived in America.
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Taquilla
- Presupuesto
- INR 100,000,000 (estimado)
- Tiempo de ejecución2 horas 46 minutos
- Color
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