El cerdo, la serpiente y la paloma

Oftentimes, I refer to IMDb for the reviews of the show before watching it.

True to its rating (7.5 at the time of writing), it's a show with depth. This is unlike other movies you've watched.

I liked that the synopsis provided an insight, yet not enough for you to expect what is to come for the show. I could not find any roles that had acted badly in the show, all the actors/actresses were befitting to their roles albeit small/big. Ethan has yet again showed that he's really the new blood.

The 140mins spent on the movie was really worth it. Catch it, you won't regret it.

It's laughable that someone had given 3/10.

I rarely finished watching most of the Taiwanese movies due to their shallow, childish, naive screenplays, their bad acting with horrible dialogue deliveries in a complete unnatural and fake way of speaking by most of the actors and actresses. This movie, although still inevitably failed to improve the way of speaking the dialogue in Taiwanese Mandarin, at least it's bearable this time.

The cast of the No.1 and No. 2 villains when compared to the No.3, the leading actor who played the protagonist, were neither good enough nor appropriate, not even feasible or realistic. There's no way the No.2 villain, a murderous killer from Hong Kong, most of the time speaking Cantonese, could be so hard to catch. Besides, his physical strength based on his height and weight would not be able to cause so much damages to the protagonist.

The cast of the No.1 Villain is even worse than the No.2, a fragile, skinny con man, who could hide himself on the island and become the preacher and the cult leader. His illegal organization is somewhat copied from the Scientology cult that plagued America. The way he fools and cheats on those naive followers is just too shallow.

The actor who plays the die-hard cop is a great cast. He is also the second worthwhile element that has made this movie feel more humane and realistic.

The watchable value of this movie is completely relied on the leading actor, who indeed performed so believably well. The herb medicine woman cast is not bad, but her Taiwanese Mandarin is still felt a bit forced and unnatural, the formulaic way of speaking by almost all the Taiwanese actors, actresses in movies or in dramas. Their weird and unnatural way of speaking is the fatal weakness of all actors, actresses and even all of those reporters, news anchormen and anchorwomen on TV.

To those suggesting the film is from mainland China, it's important to clarify that, although I am from mainland China myself, this movie was entirely produced in Taiwan. The title may draw inspiration from a Chinese fable, but the creation is Taiwanese. It's crucial not to misattribute achievements or claim recognition undeservedly. Acknowledging our current position without misleading ourselves is vital. I've observed a significant increase in the quality of Taiwanese TV series and films recently, which meet international standards and indicate a thriving industry. In comparison, the market in mainland China faces different challenges. I greatly respect and admire the Taiwanese film industry for its distinct path and the quality it has achieved.

Often enough, I stumble upon movies where I only witness the movie poster and add them solely based on that without going through the movie profile. This was one of that category, I loved the poster, the poster gave me black comedy, thriller, violence vibes and to be fair I was not that far off.

I enjoyed this movie, had a nice interesting and styled on start, moved on with a fine pacing and the ending was good too, something I didn't expected. Two things out of the most that hits me the most when judging a movie is the start and the end, and this film definitely had that, which worked for me. Main character worked wonders for me, the actor portraying it and the character itself. Been a long time since I saw a loner character like this. I loved the actor, will be looking into his profile, hoping he has more thriller/crime genres under him.

Character development subject was poked in other reviews but I feel the story telling for all characters in the movie were apt, it was considerable amount for the main story to progress so I certainly don't agree with others poking on other characters development. The protagonist might not be a saint nor might be the other characters, but I can see the reasoning for everyone's actions. The movie showcases connections between the cop, rescue girl and the doctor, which I feel is sufficient for each of them to get to know the protagonist's doing and reacting to it as they all do in their own ways, from the start to the end.

I feel if someone doesn't buy the protagonist's character then their won't be any interest from the get going failing the movie from start itself. I watched this with subtitles as I am not native but I know how acting depends on the dialogue delivery as well, so from a non-native's point of view, I felt everyone did good in acting. The locations were great, didn't feel cliched or fake.

With that all, I feel the movie deserves to have rating atleast in the 7s, movies like these deserve applaud and I will most certainly do that as it deserves.

This extremely entertaining Taiwanese neo-noir works both as a pitch-black comedy and as a slick action thriller.

Lone hitman Chen Kui-lin, the film's protagonist, enters the scene with swaggering charisma, murders a gangster, then proceeds to daringly escape from policemen through buildings and rooftops. All of this shot with plenty of energy and bravado. And that's just the first 15-20 minutes of the film.

Soon he learns he's got stage four lung cancer, news that, understandably, put him in a depressive mood. But then he finds out he's only the third most wanted criminal in Taiwan, so he sets out to eliminate his competition before time runs out.

The premise is promising and lets you know you're in for some premium east Asian fatalism. You know that mix of melancholy and unpredictable, extreme violence that permeated the works of, say, Kim Jee-woon or Park Hoon-jung? Couple that with some twisted humor and you've got a winner.

In fact, I've mentioned those directors because this film has distinct two halves, and the first one resembles A Bittersweet Life or Night in Paradise somewhat. Until the second hour, it's a crime thriller with bursts of solid action, polished to a fault. Then it turns into a contemplative drama that reveals the film's more spiritual, reflective side. But surprises are still in store for the viewer.

I love tonally uneven genre films and this one sure fits the bill. Some might not like how it swerves into so many directions before settling down, but I felt like it only added to its charm. Director Wong Ching-Po isn't new to this type of film (if you've seen Revenge: A Love Story, you'll have some indication about how this one turned out), and his script extracts some great performances from the actors. Ethan Juan, as a homicidal protagonist, and Yi-wen Chen, very memorable as a spiritual leader, are standouts.

In all, this is a technically polished, fantastically shot and scored crime thriller which offers more than just surface-level genre pleasures. It's also got a deeply cynical worldview and an aura of eccentricism that work in its favor. Big recommendation.