The Count of Monte Cristo

I can honestly say, that I didn't miss a second of this fantastic version of the classic tale. The cast, the direction, the locations... all of it is perfect. Nothing less. I binged it all through christmas day and now I don't know what to watch next! It's that kind of adaptation. It's that good. It's worth a second watch, and thats what I will do. Watch it again :-) If you have the chance to stream it where you live, make yourself a good cup of coffe, sit back and enjoy the story of revenge, greed, ambitions, love, hate and all that lies in between. I really recommend that you do, and remember to enjoy the caracter of Dantes/ the Count. He is so brilliantly portraied as a man with complete control of his face and his emotions.

Out of ALL of the versions of this wonderful tale of abstract revenge; this series happens to be the most wonderful of all. Although it lacks the action of the predecessors, it is the CLOSEST adaptation to the novel. This series encompasses the majority of the book and in such, it should be deemed as a must watch be any and everyone that loves this novel. This adaptation shows all aspects of the angst of the protagonist. In Edmond Dantes, you can see that he struggles with doing what his heart desires as revenge but nonetheless he goes forward even in his one on one interactions with Mercedes, he still goes forward. Dumas would have LOVED this rendition.

For those old enough to have witnessed the Alan Bardel 1964 version, glued to their flickering TV screens, transfixed by the gothic horror and grime, this one was going to be a hard act to follow. To film this, in a modern age, with all the demands of hi-res, colour and costumes was a very brave attempt, and for that I genuinely applaud the effort......... however, it could have been done a WHOLE LOT better, which probably suggests that even with all the EU tax breaks (and other backhanders) there simply were not enough Euros in the chest to really give justice to the Dumas classic. The UK actor Sam Claflin, as Edmond Dantes had screen presence, but arguably not enough ruggedness to really carry the role, in comparison with a persona of Jeremy Iron's gravitas (cellmate Abbe Faria). One big gripe was about the buried treasure. The chests, after having lain for 300 years would have been infested with guano, cobwebs and bat feces, if not totally decimated by Time, but looked like something recently bought on E-bay. Bad move, my continuity guys! Despite all - I'm watching to the end, and I will do my hardest to enjoy it!

I'm extremely happy with how this series was made. Not only have they found a way to make it realistic, but they've also found a way to make the story so precise that it could have easily happened in reality. One of the few adaptations I can say is wonderful. The cast and locations are breathtaking in their authenticity.

I appreciate the fact that they changed the story just enough to make it more feasible, as compared to random. The issue with the original was always there were too many things that had to align just right for it to work. That's not the case with this series, they made it very believable.

!0/10 well done, truly fantastic work.

I have seen less than 50 percent of Bille August work and never liked any of his movies, actually most of it made me wanna puke and think he is totally overrated. Mediocre movies that I feel are so poorly made but this one is just amazing.

Maybe it is because this Story is just so amazing, that his talent finally come to show. But this is the best version of the The count of Monte Christo I have ever seen.

Great acting, great flow in the story, cinematic experience was superb felt like a historical experience and the audio was amazing.

Our family, old and young, was glued to the screen for two days.

The only minus was the pretentious birth name of his daughter who had a minor role in the movie which she did, ok. So we withdraw the tenth star.