Chaalchitro: The Frame Fatale

It saddens me to say that as a Bangali, I have never seen a classic thriller on the OTT platform that can engage or keep the viewers, forget grabbing the arm of the chair but at least have their brows frown for a minute! When crime thrillers like Pataal Lok, Delhi Crimes, etc keep piling up, the Bangla Industry could not even produce ONE!

This film industry is certainly blessed to have films like Sonar Kella, Joy Baba Felunath, and Kuheli & since then, the same industry has come to believe garbage over content & performance! Has the Bangla Film Industry started collecting scripts from the trash of those who are making masterpieces mentioned as references, above?

3 Stars from me: 1 for Tota, 1 for Anirban and the 3rd for the lady who played the character of a differently abled girl. The rest (in major roles) were as good as the movie itself, which is ZERO, especially that Marwari boy, whose character was as important as the actor playing it!

Could have been better had they dropped the plan of making this piece of paper!

Chaalchitro! It seems like the film had a solid buildup with gripping intensity but lost momentum towards the end. A rushed climax can sometimes take away from the overall impact, especially in crime thrillers where suspense and resolution are key elements.

Comparing it to Mukhosh is a great point since that film maintained its intensity throughout, keeping viewers engaged till the very end. Turning Chaalchitro into a web series makes sense-it could have given more time to develop the characters, build deeper suspense, and craft a more satisfying conclusion.

Sometimes a film can have great individual elements like strong performances and cinematography, but if the storytelling feels raw or underdeveloped, it affects the overall experience. Maybe the pacing and screenplay could have been tighter to give the narrative a more polished feel.

Chaalchitro is a gripping masterpiece that keeps you on the edge of your seat from start to finish. The intricately woven plot and the raw portrayal of human emotions elevate it beyond a mere crime thriller. The brilliant performances, especially by Tota Roychoudhury and Indrajeet Bose, bring an intense realism to the narrative. The suspense is palpable, and the climax left me awestruck. It's not just a movie-it's an experience that stays with you long after the credits roll. A must-watch for anyone who loves a well-crafted cinematic journey. It's a bold, refreshing take on crime thrillers that will resonate with audiences across generations.

The cast of Chaalchitro delivers some of the best performances I've seen in recent thrillers. Kanishka, played with remarkable intensity, anchors the film, while the supporting characters bring their unique traits to the table. The murders are gruesome yet compelling, each one shedding light on the killer's twisted psyche.

The pacing is impeccable, with the story building up to an electrifying climax. The screenplay is sharp, and the dialogues are impactful. The film's background score is another highlight, enhancing the tension without overpowering the narrative. This is a film that demands your attention and rewards you with an unforgettable cinematic experience.

What stands out in the film is the interpersonal development that would compel the audience to empathise with not just the lead but the smaller, yet extremely significant characters. One such would be Anirban Chakrabarti (Naseer) and his daughter Putul's (Tanika Basu) relationship. The father-daughter dynamic is remarkable. On the other hand, Shantanu Maheshwari as the newbie officer, Ritesh, strikes a firm balance between tenderness and toughness, while Inderjeet Bose as the gym-going, intake-conscious cop Bishwa has a tender soul that shines through. This is perhaps where Chaalchitro wins, where the characters come alive through simple brushstrokes. Bratya Basu's tiny role makes an incredible impact in the overall tone of the film, while Tanika Basu plays Putul with a beautiful balance where many may go overboard.

The drama intensifies significantly in the first half, but in the second half, loses its steam a little bit, only to draw out a strong climax.