An Ice Palace Romance

This movie wasn't exactly a cinematic masterpiece, but oh, the model of the new ultra-modern building at the architectural firm truly stole the show. The quaint town, in a desperate bid to revamp their cozy downtown, decided to go full dystopian. They commissioned a high-rise that was the epitome of bleak - a gray, windowless monolith that could easily be mistaken for a gigantic parking garage.

The town planners, in their infinite wisdom, decided that the roof of this dreary edifice would be the town's new social hotspot. Because obviously, when you think of lively gatherings, a parking garage rooftop springs to mind.

And then, as if this architectural wonder wasn't already a marvel, the planners added another 10 stories of 'residential space' above. These living quarters were so laughably small, residents could barely fit inside. One might stand there, sandwiched between the walls, staring out into the void, thinking, "Why do I live here? My 'apartment' can't even fit a bed, and I have to limbo dance just to get through the door."

In this movie, the building model wasn't just a structure; it was a bold statement on the absurdity of modern urban planning, a tongue-in-cheek nod to the lengths we go to in the name of progress.

It's set at Christmastime in Michigan. But, really, the story could just as easily have happened during the summer in Arizona. It's about an indoor ice rink.

I liked the two leads. But the antagonist was an arrogant jerk in a movie that didn't even need a villain. It would have been more interesting if he was a kindhearted developer who simply had a different viewpoint than the rink owner.

Come to think of it, I would like to have seen more ice-skating, less drama outside the rink. The movie should have really focused on the protagonist overcoming her past, finding new purpose in the ice, and saving the rink.

There is nothing wrong with the concept of this movie. On paper, it should be a pretty good tv Christmas movie. But then things went wrong...

First, I'll start with the obvious, too obvious, actually. I hate to be the one that critises a movie based on the makeup of the leading lady but it's quite the eyesore. Why must you give her duckface lips? WHY? What's wrong with her normal lipline? Also, do we really have to make her eyes look extra droopy with the weird eyeshadow contouring thing? The makeup people made the leading lady, whose face is constantly close to the camera, look like a droopy duckface. Maybe it's not such an eyesore when you're watching at a distance but with computer streaming and high quality screens and cameras, it's really just unacceptable.

Secondly, where is the romance? If you told me this was about two friends instead of a couple, I might've reconsidered my rating. There was just no chemistry at all and the only bit of romance we got was a very awkward little peck on the lips. Just because a movie is family friendly, doesn't mean there can't be any romance. There are a few little attempts at compliments from the leading man which were mildly convincing, but this appears to be because he's a far more natural actor.

Thirdly, Celeste Desjardins performance is lacking in quality. She's not super bad but she's too uptight in this movie. It doesn't come across as a character being "themselves" but rather as an actress that put on the character's costume and is playing until someone yells "cut". While this is of course how acting works, the viewer is not supposed feel that. Her performance is just not credible enough for a leading role. I was waiting for her to drop the fake smile and the "Lori" act and for someone to yell "cut".

On the plus side, the story is good, there was no fake snow that was painfully, obviously fake, I love the ice skating theme, and Marcus Rosner kind of saved this movie acting wise.

Not a complete waste of time but with a little more effort and attention to detail, it could've been far more enjoyable to sit through.

I was hoping HM would stay on the new course of producing better movies and diff storylines. Obviously it didn't happen with this Tty rob com if you can call it that And please can the male lead ever comb his hair. What gives with the hairstylists for HM? The leads have no chemistry and the best actor was the major. She was the most believable.

I don't understand why HM keeps producing these tired stories and use leads that have no chemistry.

It's like they don't care for their audience I don't expect Oscar nominated movies but at least a three star showing. This by far is my most Cristal review I have ever written but HM has to step up their game or say good bye.

Another "big city girl returns home" story from Hallmark - only to find it is where she belongs. I sure wish they would come up with different storylines. This one has been done to death. The leads are OK. There was some compatibility between the two. The skating daughter was cute. Lori decides to help coach her - even though she gave up skating long ago. Although, I have never heard of an up-and-coming skate champion giving it up because she fell. Ummmm ... I've watched the Olympics ... many skaters fall on the world stage and pick themselves up and continue. They don't just quit. Seemed pretty unrealistic to me. AND PLEASE! Stop with the flamboyant gay men! I know a lot of gay men - the majority do not behave like this. HALLMARK - in your quest to be "all-inclusive" you are defining this ALL WRONG. I'm certainly OK with gays being included in your stories - I am over you depicting them ALL as flamboyant. It's ridiculous. You should know this - you cast a lot of gay men in straight, romantic roles (Jonathan Bennett, Luke McFarlane, Peter Porte - to name three). Give it a rest!