12 horas para sobrevivir

Much better could ever expect! Originally saw in the theater I just wasn't reviewing then, happily enjoying this glorious action/thriller with lots of great madness and creepy gestures. James DeManco's Purge films might not be appreciated much but Anarchy, Election Year and his writing for The Negotiator is so damn good! Such a great concept that is perfectly executed in this adaptation.

The 2013 movie "The Purge" left a bad taste in all of our mouths as nothing more than a pseudo-slasher with a hamfisted plot, poor pacing, and a desperate attempt at "horror." Upon seeing the first trailer for "The Purge: Anarchy," my first and most immediate thought was "we really don't need another one of these." The first film was self-contained and didn't leave any opening for a reasonable sequel. But after seeing a few more commercials and looking into it some more, I decided to give this film the benefit of the doubt and I am NOT disappointed.

The film stands on its own feet much better than the first film did, and mostly because of what it's going for. Instead of trying to be a Horror movie, it becomes a fantastic Thriller/Action film set in a pseudo-apocalyptic future about a group of people trying to survive on a night where it's all-out war on the streets.

A lot of themes are explored -- Human Nature, Fear, Anger, Revenge, Heroism -- in ways that many other movies don't really explore it. And more than that, every small detail is kept in mind throughout the film.

Compared to everything else I've seen so far this year, this is by far the best thriller film to come out. It holds its own and it has a message instead of just being a movie about wanton violence. The action scenes are done well, and the tension is enough to keep interest even in the low parts of the film. Every moment you think is safe leads directly into the next moment of pressure for the main characters, and you can't help but sympathize for the characters who (all but one) don't even want to be stuck out here on this horrid night.

I very highly recommend this film to anyone who likes thrillers or action films with a little bit of psychological horror thrown in.

And a little bit of a tip? Forget everything from the first film. "The Purge" doesn't set up or explain anything that this film doesn't, doesn't add anything to this film, and isn't even worth watching beforehand.

The Purge: Anarchy is a great film in its own right and it's worth watching. My only issue is that the first film couldn't have been more like this.

In The Purge Anarchy the new founding fathers sanction another murderous cleanse.

The Purge Anarchy revisits the gruesome dystopia in the not so distant future where for twelve hours all sanctioned crime is legal and all rescue services are suspended. The nation is reborn, unemployment and crime are at record lows, all because of the annual night for decriminalized murder to unleash pent up American rage.

Five virtual strangers join together to survive when, after several unrelated but harrowing events, all find themselves on the street and in jeopardy on purge night. There is no security system, minimal defense and there is little hope.

Despite being marketed as a horror film The Purge Anarchy feels more like a thriller. The potential for a despicable act of inhumanity is imminent and occurs frequently throughout the film. Yet, its display is the antithesis of a masturbatory gore fest relishing in the suffering, evocative of torture-porn. Instead, the brutality is appropriately out of focus in the background, almost as an afterthought, consistent with the desensitized society.

The approach of James DeMonaco's direction is on point with the message of the film. He creates a disconcerting feeling with a deserted cityscape, seemingly lit at night by flickering yellow streetlights casting shrouded shadows. Certain scenes are realistically and deliberately shaky and imperfect to draw the audience into the character's peril.

One can not talk about a second installment to a franchise without returning to its predecessor, in this case The Purge. Acclaimed as a novel premise and potentially unsettling look into the primal aspect of human nature, it left something to be desired. The story had so many places it could go that were raw and savage; yet, The Purge was slightly simplistic and flawed but still enjoyable. Once again James DeMonaco took the helm as writer and director of The Purge's sequel Anarchy. This time DeMonaco's execution was able to address criticisms by delving further into concept, but from a different perspective: the working class. In doing so we see a harsher existence, far less idealistic and a more depraved purge night.

The difference between The Purge and The Purge Anarchy is that the active tormenters for this purge are not all unhinged closeted maniacs hiding behind masks. Anarchy takes the end of The Purge and goes more in-depth. Those participating are frustrated and exhausted but ultimately they are people. Most terrifyingly it proposes a hypothetical and disturbingly feasible purge experience for the upper class. The nefarious top 10% obligingly exercise their civic responsibility and now government granted right in style and comfort. The Purge Anarchy is a commentary on society and social inequality in the most gruesome of circumstances.

The film's ability to play into our inner fears, that deep within anyone there is a darkness capable of unspeakable evil, is pivotal to its success. While I wish The Purge Anarchy hadn't tried to tidy the story up and resolve everything I did find it far more realistic and thought provoking than the former.

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As far as purges go, this was a fairly well developed storyline with decent acting. There was some forced dialogue and odd plot points, but on the whole a good movie. Frank Grillo killed it, he could save me any day.

Here is how I see it. The second installment (to what promises to be a yearly occurrence) of the Purge was a lot better than the first. But it isn't because The Purge: Anarchy is a significant film. It's because Writer/Director James DeMonaco is finally able to incorporate the underlying theme of class hierarchy that was completely misguided in its predecessor.

The big mistake with the first film was making it a trite home invasion thriller. With Anarchy, we explore the outside world during the 6th annual Purge, and it proves, without a doubt, to be ten times more thrilling and suspenseful. We see the nut cases in freaky masks (one with GOD written on it) wielding their weapons of choice. We see the upper class citizens holding each others hands reciting the "New Founding Fathers" motto that feels like some satanic cult. In our seats, we feel that we have to look around all at times, because there could be a killer ahead or behind us.

There are three revolving stories of people who are entering the night. One is Eva and Cali, a waitress and her daughter. There is Shane and Liz, a crumbling couple with no killer instincts at all. And then there is Leo, the sergeant, the "kick ass and take names" guy. Leo is out to revenge Purge. The others find themselves wandering the street. Leo winds up having to protect them. Will his generosity effect his main goal? Can Leo really save everyone? Frank Gillo makes for a very convincing and likable hero. While we watch and the story unfolds, we learn that The Purge, and its purgers, aren't so much anarchic as they are regulated.

With it's unique premise the Purge is always able to separate itself from the average horror/thriller film. Most importantly, Anarchy is a step up because it realizes its potential to be truly scary from the realism of its "legal murder" concept; rather than just bludgeoning people left and right. Unlike the first film, your instinctive fascination with such a nightmare concept will multiply here, not diminish or turn into a laughing stock.

I can recommend Purge Anarchy. Not only does it save what looked to be a profitable franchise, but it is a decent film too.