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Monster

  • 2023
  • TV-MA
  • 1h 26min
CALIFICACIÓN DE IMDb
4.7/10
1.7 k
TU CALIFICACIÓN
Anantya Kirana, Sultan Hamonangan, and Marsha Timothy in Monster (2023)
Horror psicológicoMisterioMisterio de suspensoSuspenso psicológicoTerrorThriller

Alana y Rabin, dos amigos que fueron secuestrados por un monstruo. Sin otra opción, tuvieron que luchar por todos los medios necesarios.Alana y Rabin, dos amigos que fueron secuestrados por un monstruo. Sin otra opción, tuvieron que luchar por todos los medios necesarios.Alana y Rabin, dos amigos que fueron secuestrados por un monstruo. Sin otra opción, tuvieron que luchar por todos los medios necesarios.

  • Dirección
    • Rako Prijanto
  • Guionistas
    • David Charbonier
    • Justin Douglas Powell
    • Alim Sudio
  • Elenco
    • Marsha Timothy
    • Alex Abbad
    • Anantya Kirana
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.7/10
    1.7 k
    TU CALIFICACIÓN
    • Dirección
      • Rako Prijanto
    • Guionistas
      • David Charbonier
      • Justin Douglas Powell
      • Alim Sudio
    • Elenco
      • Marsha Timothy
      • Alex Abbad
      • Anantya Kirana
    • 46Opiniones de los usuarios
    • 18Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 2 nominaciones en total

    Fotos9

    Ver el cartel
    Ver el cartel
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    + 6
    Ver el cartel

    Elenco principal4

    Editar
    Marsha Timothy
    Marsha Timothy
    • Murni
    Alex Abbad
    Alex Abbad
    • Jack
    Anantya Kirana
    • Alana
    Sultan Hamonangan
    • Rabin
    • Dirección
      • Rako Prijanto
    • Guionistas
      • David Charbonier
      • Justin Douglas Powell
      • Alim Sudio
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios46

    4.71.7K
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    Opiniones destacadas

    2spragueeli

    Who approved this terrible background noise through the whole film

    The no dialogue thing is an interesting take that can work, but the show is the same thing over and over. The child is painted as both brave and smart yet also quite dumb, making quick moves at opportune times yet falling for silly things that would be way more intuitive in the first place. Maybe that was intentional? But it felt inconsistent and all the characters felt a bit basic and overly stereotypical.

    But more importantly for almost the entire thing there is this terrible background feed of this sort of white noise highly degraded sound that comes in and out and it genuinely was terrible. Like gave me a headache and caused my to almost watch the film on mute terrible. I created this account literally to share that this sound ruined the movie. It goes on. The entire hour and a half. It's horrible.

    I regret staying up late for this.

    I regret staying up late for this.

    I regret staying up late for this.

    I hate that stupid sound.
    6qxcpjrh

    People are way too critical

    I enjoyed this movie for what it was it's kept me engaged and it was suspenseful. I don't think people can handle the lack of dialog but I thought the actor's performance was good I didn't have to have dialog to understand what was going on and enjoy the movie. The little girls is such a baddie! My only complaint was the music was a little misleading sometimes. Example sometime it sounded like someone was knocking on the door when they weren't, but over all it was a decent flick. If you like suspenseful movies I say give it a go, the jump scares were predictable if horror is you genre but overall fun watch.
    5nasikasakura

    Great Idea But Too Many Clichés

    I am a fan of the idea of having a film use no dialogue. (Characters only sometimes say the names of other characters, so at least the main actors are more likely to get fairly compensated as speaking parts.) I don't mind the campy fake blood as long as there is suspense and a good storyline. Cinematography definitely had good moments of creating suspense. Only twice in the film did I find myself in a moment that seemed laughable and took me out of my immersion. One was a "The Shinning" spoof of the "Here's Johnny" scene that played out impressively well, especially by a young child actress in the place of Duvall, but even in its abbreviated form, the scene is just too long to not be a bit dull and out-of-place. The other moment was when our main character stops herself from stealing some french-fries left behind by an antagonist and pouts. I can see how they intended to make this a moment of showing human-ness and generating pity for the child, but it instead came off as an out-of-place moment of levity. I can forgive those things however. The thing that really irked me was the stereotypes used to depict the "badguy" archtype; Joint-smoking, beer-drinking gamer playing violent MMO shooters late into the night, has long unkempt hair and a black baseball cap or hoody with open jacket and ripped jeans, sustaining on cup noodle and fast food, neglecting an otherwise gorgeous home that is taken for granted and absolutely infested with cockroaches. And let's not forget this is supposed to be a child predator. It's just hitting every checkmark for a bad stereotype. When we got our second villain in the story, things started to pick up with suspense.
    5marton_fekete-feher

    Meh

    It's no spoiler that this film doesn't contain any dialogue -- or maybe it is, but one that is given by Netflix themselves right from the onset. Not knowing this would have given the film more tension, something that this Indonesian made for television movie is sadly lacking.

    No cliche is left untouched here. Repetitive scenes abound (the heroine hides under the bed, behind a door, in a cupboard, and this time and again). There is no surprising twist (oops, was that another spoiler?). There are no intricate plotlines to be unraveled. No attempt is made to give the capturer and his partner personality; the house with its bland interior doesn't even look like it's their own.

    In conclusion, despite its rating this is essentially a children's movie, in both senses of the word, and childish at that. Would have been more effective when shortened to, let's say, twenty minutes.
    4aronharde

    Stupid characters in a generic story

    Monster (2023) is a remake of the 2020 movie "The Boy Behind The Door" and while that movie was nothing spectacular but pretty decent, this one is just an absolute mess. Two children are being abducted and wake up in a secluded cabin with their captor lingering around. After the little girl manages to free herself prepare to shake your head continually. The decisions made in this movie are absolutely terrible. While you could excuse the children for being young and not knowing better this does not apply to the villains. There are so many scenes where the Threat doesn't even feel real because of these decisions made. The movie also doesn't have dialogue which does not contribute in making this any better. The movie had some decently tense situations and there was a small potential hidden somewhere in this, however the overall execution is rather laughably. [4,5/10]

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Though the film claims to have no dialogue, some characters call out the names of other characters. Other than that, there is no conversation at all.
    • Conexiones
      Remake of El Niño Detrás De La Puerta (2020)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de mayo de 2024 (Indonesia)
    • País de origen
      • Indonesia
    • Sitio oficial
      • Netflix Site
    • Idiomas
      • Indonesio
      • Ninguno
    • También se conoce como
      • Kapının Ardında
    • Locaciones de filmación
      • West Sumatera, Indonesia
    • Productora
      • Falcon Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 26 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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