Dheeran

Dheeran starts off on a confusing note. The film jumps into emotional scenes without properly introducing the main character, which leaves us feeling a bit disconnected. In the first 30 minutes itself, there are several different plot lines, making it feel like a puzzle we're forced to solve.

Each character seems to have their own story to tell, which is interesting but also adds to the confusion early on. However, the movie manages to connect all the dots by the end of the first half. Surprisingly, the second half begins with a fresh storyline, giving a new direction to the film.

Some of the situational comedy moments do land well and add a bit of fun to the mix. But at the same time, many of the emotional scenes feel flat - they try to touch the heart but don't quite succeed.

This is not your typical realistic Malayalam film. It blends fantasy with realism, which may not work for everyone. What really helps the movie stay engaging is the chemistry between senior actors like Ashokan, Jagadeesh, Manoj K. Jayan, and Sudheesh. Their scenes bring a sense of familiarity and charm.

The villain's character was meant to be dangerous and powerful, but the actor couldn't quite pull it off convincingly.

Overall, Dheeran is a fantasy-realism mix that doesn't always hit the mark. If you're bored and looking for something different, it might be worth a watch - but don't expect a typical emotional or realistic Malayalam movie experience.

This movie....for me is about the casting,perfect character distribution and evry character has shown the humour very naturaly,seems to be more realstic. Directorial things is well done and cinematography gives freshnes in every shot. Music was awesome and background score for every scene was keeps engaging. Content wise this movie is not fresh and according to the screenplay and dialogue gives freshnes. This movie shows the power of vintage actors and they are just rocking in this movie. And the writers perfectly managed some genzy things yeah the thing is not genzy but in this era its highly mean to the genzy kids.

I enjoyed this movie, and some scenes were genuinely hilarious. Moreover, the creators have worked really hard for this one, and this is easily noticeable from this movie.

The core plot was fine and the actors were living on the screen. Casting is the main highlight of this film. The film is happening in a village in Ernakulam district, and I'm not sure everyone realised that- kudos to Devadath for setting up the film in a location like Panichayam, which was an apt location for this movie.

The second half also went beyond my expectations. The comedy timings of the actors were perfect and it's good to see actors like Manoj K Jayan, Ashokan getting a role where they can bring out their true calibre.

Once again, good job, Devadath.

A comedy that struggles to find its footing. The first half felt like loosely connected sketches; plot arcs are disjointed and the jokes felt too contrived to elicit attention, let alone interest. While the narrative tightens somewhat after the interval, the weak foundation means that it's hard to care much about the conclusion.

The film is carried entirely by its veteran supporting cast, whose seasoned timing in slapstick moments made them easily the more watchable element, though expected given their pedigree. Technically too, it's unremarkable - visuals are functional and the soundtrack is generic filler typical of the genre.

Ultimately, for a film rather ambitiously named "Dheeran", it's so meh. The core execution is too uneven and uninspired to resonate, and is already out of your system by the time the credits roll.

"Dheeran (2025)" isn't a film about a single hero, but rather a journey of collective folly and redemption, told with a distinctly rustic charm. Director Devadath Shaji has crafted a cinematic equivalent of a bumpy road trip through the Malayattoor countryside, where every character is a delightful, slightly-off-kilter signpost on the way to a destination that nobody fully understands.

The film's true strength lies not in its plot, which is as winding as the roads its characters travel, but in its ensemble. This isn't a star vehicle, but a finely-tuned engine of veteran actors and fresh faces, each contributing a unique, humorous rattle to the vehicle. Rajesh Madhavan as Eldhose, the titular "Dheeran," is less a central figure and more of a ghost in the machine, his legend shaping the journey of others while he remains an enigma. It's an interesting subversion of the hero archetype.

The real show is stolen by the motley crew tasked with his bizarre retrieval. Jagadish, Manoj K. Jayan, and Sudheesh, in particular, deliver performances that feel less like acting and more like a comfortable, long-standing conversation between old friends. Their comedic timing is a gentle ebb and flow, not a series of punchlines, making the humor feel organic to the setting. The film understands the quiet, often absurd, humor of village life-the gossip that becomes fact, the grudges that fuel a journey, and the misplaced priorities that make a simple task a sprawling adventure.

Where "Dheeran" truly sets itself apart is in its quiet moments. The film normalizes what other narratives might condemn, offering a refreshingly non-judgmental look at modern relationships within a traditional setting. This subtle social commentary, woven into the fabric of a lighthearted road comedy, is a testament to the director's nuanced vision.

While the film may meander at times, and some of its setups are a little too visible, "Dheeran" remains a charming and deeply watchable experience. It's a film that asks you to sit back and enjoy the ride, even with its occasional bumps and detours. It's not about the destination, but the wonderful, chaotic people you meet along the way.