Ponman

The Matters this movie dealing is not new in movies ; but the way it is presented with a character Arc of Basil Joseph 's Ajesh character is the Entertaining Difference ,the way he is dealing with all the problems is the Highlights of this movie !

Collectively Good Performance from all the actors ! Strong roles for both Sajin Gopu & Lijo mol Jose !

This movie truly belong to Basil Joseph ;Intense performance; one of his Best role !

Excellent making from all the Crew , special mention to Editor nidhin raj arol ; Perfect cut for a Impactful Experience !

Go to nearest cinemas : impressive Basil Joseph is waiting to Deliver a Powerful message !

Ponman is an absolute cinematic triumph, blending an enthralling screenplay with masterful direction and a compelling story. From start to finish, the film keeps you hooked, never allowing a single dull moment. Basil Joseph delivers a heart-winning performance, bringing depth and sincerity to his role, while Sajin Gopu is a revelation, his devilish presence and single, unwavering expression transform him into a true monster on screen. The rest of the cast also shines, each performance adding weight to the film's gripping narrative.

What makes Ponman truly stand out is its ability to address the dowry culture without turning into a preachy, message-driven film. Instead, it weaves its social commentary seamlessly into the plot, ensuring the storytelling remains engaging rather than didactic. The film's tight pacing, flawless execution, and emotional intensity make it an absolute must-watch. With its powerful themes and exceptional performances, Ponman earns a well-deserved 8.5 out of 10.

A movie about dowry like never before, with so much social commentary that doesn't feel preachy - only Mollywood can do this. Will Akshay Kumar remake...?

This film was terrific from an acting standpoint. I didn't expect Sajin Gopu (Ambaan from Avesham) to play a grey shade role this convincingly, dude's convey a fear that you wouldn't expect from Avesham. Lijomol Jose and the support characters were good, but this was a Basil Joseph show.

The film questions the pressure on a family for gold as dowry. Madilyil Jewelry - lol. Apparently it's a thing...? Lijomol's Steffi starts off as a certain character, undergoes a transformation that makes you want to support but also not, at the same time. You want to blame everybody but you see why they do what they do...there are so many layers to this film that you can keep discussing but everything seems subtle.

All that said, I dunno why I was expecting another Jaya Hey or a humorous film but I suppose it's not fair to expect that from all Basil movies. Regardless, this was totally worth the watch and will surely make it to Mollywood's top 10 films of the year.

This is one of those films that make me appreciate it more and more as I think about it. Films related to issues surrounding dowry are nothing new in Malayalam cinema but the honesty, subtlety, and nuance this movie showed is truly outstanding. Initially, I was surprised to learn that the novella this is based on was named 4-5 Cheruppakkar, because if it is about dowry, why is the name talking about young men like that? But the movie really showed why it is, even though it's more about two men and a woman. The way the so-called culture of patriarchy that is so ingrained in society makes the evils of such a system a question of survival for the working-class people has never been portrayed with such honesty. All three main characters are incredibly written and performed. Even when Sajin Gopu's "villain" character is clearly doing something wrong, we are made to understand why a person who is proud of his hard work is resorting to it and also paints a picture of why he's living as an intimidating character to everyone.

Basil Joseph has been having great success as an actor in the last few years but this is one of his best performances. Ajesh's self-confidence is his desperation for survival, and however weird people may find it, this is the kind of character I always wanted to become. Have conviction in your decisions and go to any lengths for it even if everything looks impossible. The way he's able to stand tall in front of both physical and emotional blackmail and yet show enough empathy and sympathy where it counts makes it impossible to not root for the character after a point.

I loved how it ended with such half-direct dialogues where the implications were clear and yet was able to maintain the mood and style of the film.

Oh my goodness, "Ponman" is a movie where I wished it would end sooner-not as a negative critique, but as a testament to how deeply I rooted for PP Ajesh to catch a breath, even for a moment. This character, played by Basil Joseph, who is a hot mess in this film, and his struggles are so palpable that you can't help but feel for him.

Director Jothish Shankar, in his debut, has managed to craft an exceptional adaptation of GR Indugopan's novel Naalancheru Cheppuvaakkaar (Four-Five Young Men). He presents a murky character study of individuals who are neither black nor white but exist in shades of gray, and "Ponman" embodies this complexity beautifully. The film also offers a vivid portrayal of the Lenten season celebration, the Latin Catholic community, and the unique biosphere of Thalavettichira Island, adding layers of cultural richness to the narrative.

The supporting cast is just as fabulous. Lijomol Jose, as Steffi, plays the bride who yearns for gold, raised by her widowed mother (Sandhya Rajendran). Sandhya's character has an intriguing arc that goes beyond pleading and sobbing for some time extensions to repay Ajesh. Then there's Mariano, played by Sajin Gopu, whom audiences might recognize from "Aavesham" as the Amban character. In "Aavesham," he was a villain you loved to hate but secretly wanted to shake hands with; in "Ponman," he's someone you'd want to stay at least 10 feet away from-especially his shrimp farm.

Another decent performance is given by the character Bruno, Steffi's brother. A shout-out also goes to that quirky friend-in-need who steals every scene with his antics. He's the kind of character who feels like a savior, and you'll understand why when you watch the film.

But the showstopper, of course, is Basil Joseph. I've always known Basil to be a talented dramatic actor, but this is undoubtedly his best work yet. The constant escalation of absurd comedy, particularly during the drinking scenes, and the mounting tension and stakes are almost nauseating. Watching Ajesh's life spiral into chaos is mesmerizing, and Basil embodies the role flawlessly. His physicality, accent, and delivery are impeccable, leaving you absolutely entranced.

Overall, "Ponman" is an extremely worthwhile tour de force that gives neither the characters nor the audience a moment of peace. One moment, you're laughing; the next, you're gripped with anxiety. The director and the technical team have poured their hearts into weaving together a chaotic yet heartwarming-and bittersweet-story. You'll understand the bittersweetness by the end of the film.