Apocalipsis en los trópicos

What an incredible film by Petra Costa! I have to admit, it took me by surprise. I'd read somewhere that it was about the January 8th riots. Nothing could be further from the truth. The events of January 8th only appear in the final 10 minutes of this nearly two-hour film. Instead, it's a deep dive into the role of evangelical Christians in Brazilian politics-specifically, their influence in Jair Bolsonaro's election and their later involvement in radicalization and the attempted coup.

I was expecting something dry and tedious, but what I found was a humble and insightful narrative.

This film far surpasses *The Edge of Democracy*.

Timely and absolutely essential.

This is a very difficult but very necessary movie, which shows us upfront the destructive foolishness of allowing Christianity to dictate politics, and of enabling dangerous authoritarians to represent people.

Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.

The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.

First of my twenty films at the 48th São Paulo Film Festival, Apocalypse in the Tropics delivers more than its predecessor, The Edge of Democracy, in addition to consecrating (to keep with the theme) Petra Costa's pair of historical documentaries as masterpieces of Brazilian audiovisual.

In The Edge of Democracy, Petra's life is parallel to democracy in Brazil, and this makes her a co-protagonist of this national story, that goes from Juscelino to Bolsonaro. Here, in Apocalypse, the documentarist initially admits that she is not an expert on Paul or John of Patmos, and she wisely lets the story be told through the eyes of other figures. Some popular figures here and there get lost in a narrative that would gain more strength from their point of view, as the real highlight is the fearsome pastor Silas Malafaia. Using political terms to comment on your church, and religious terms to comment on democracy, Malafaia walks and rules at Alvorada, to the point of repeating Bolsonaro's speech, so that the president would not forget what he had to say, what Malafaia ordered him to say.

Four years of inadmistration are summarized, so that the projection does not become "look, gringo, how we suffered", but rather "look, Brasil, what you went through to get here", and by "here" I mean the real apocalypse.

I loved starting the Festival with this film, I would have liked to have enjoyed it more without the pressure of not catching the train to get home (obrigado, meu amor, por ter me ajudado, sem você isso não teria sido possível). Petra Costa, do more! Brazil will never tire of producing material for your filming (only criticism: Cabo Daciolo was missing, who made a cameo at the beginning of the film, back in 2016, and didn't even say "glória a deux!").

"Apocalypse in the Tropics" is a powerful and timely documentary that bravely explores the alarming rise of religious fundamentalism within the political sphere - a phenomenon with deep and troubling implications for democracies around the world, especially in countries like Brazil. With her signature sensitivity and courage, Petra Costa delivers a work that is both urgent and poetic, peeling back layers of ideology to reveal how faith, when co-opted by power, can erode institutions and threaten civil liberties. This film is not just a warning - it's a vital act of resistance. Petra once again proves why she is one of the most essential voices in contemporary documentary cinema.

Another very good and timeless documentary by Petra. A bit slower than The Edge of Democracy, but worth watching to understand the parallel between religion and politics in Brazil. This is a parallel that can be drawn in other countries, but it's more evident today in Brazil with evangelical churches. For those who say it's biased, it also shows the Brazilian left's dilemma with religion, which is very complex and often contradictory. It could be faster, more dynamic. Less Malafaia and more about the role of these churches on both sides, despite being more evident in the Brazilian far right. I liked it, and watched this to my Polish wife, it was very interesting but could be deeper than what was showcased.