Amores Materialistas

Celine Song is the writer and Director of "Past Lives" (2023) and all I can say it's one of the best films I've ever seen.

Unfortunately the same style and formula made for Past Lives didn't work this time with Materialists. The storytelling of body language, lack of words, the lack of explanation, lack details in their dialogue, the simplicity didn't really add to the story where as Past Lives worked perfectly.

Sorry if I compare it to Past Lives, I know I shouldn't they're both completely different. Besides its not fair.

I think this movie could have been great if the writer would've written the screenplay as realistic as possible. The movie would hit completely different.

I love Pedro Pascal, I'm a fan of his and have posters of him in my room and stuff. Dakota and Chris are great actors, in general the actors did what they could with the script they were given.

Even though I was underwhelmed I was thoroughly entertained the whole time I watched the movie and that's what movies are supposed to do. Maybe it deserves a higher score.

I watched this without knowing anything about it. I only knew the title and the fact that Pedro Pascal was in it. No trailers, nothing.

To me this just feels like a movie desperately trying to communicate the worlds most obvious ideas and stories, while trying to make it profound in some way. Is this a New York thing (I'm European)? Is it a generational thing (I'm a millennial)? - This movie is like half an idea and a bad sentence stretched over two hours.

This was really nothing, and I would prefer watching paint dry, if it wasn't for the relatively good technical quality.

Do something else with your time. Anything.

'Materialists' was not what I expected.

It's been marketed like a rom-com - but honestly? If you're heading in expecting laughs, you'll be disappointed. What you get instead is a sharp, quietly melancholic study on modern love, dating, and loneliness in the big city. It's not so much about romance as it is about emotional bankruptcy - the way ambition, money, and appearances slowly chip away at real connection.

The story follows Lucy, a matchmaker who views relationships like transactions, caught between two opposites: Harry, rich and polished, and John, her sweet but struggling ex. But the real tension isn't between them - it's in her. What does she actually want? Love, comfort, validation? Or just a life that looks good on paper?

Celine Song's style is unmistakable - lingering shots, dialogue that feels like internal monologue, and a quiet ache humming underneath it all. At times, it almost felt like watching a late-era Woody Allen film - not in tone, but in that subtle, creeping sense of urban melancholy. By the end, I didn't feel uplifted. I felt... thoughtful. A bit heavy, even.

This is a film about the emotional numbness that sneaks in when we live our lives through filters - digital and otherwise. About the loneliness hiding behind perfect apartments and curated dating profiles. And how love (or at least the idea of it) gets commodified without us even noticing.

Not a rom-com. Not really even a romance. More of a character study. A mood piece. A quiet critique. And once I let go of what I thought it was meant to be, I found I really liked it, and I hope you do too.

I thought this would have been better because past lives was so good, but 2 out of 3 in the love triangle felt very hollow as characters. Dakota Johnson was also really awful which was half of the issue. I'm surprised once she got behind the camera they didn't swap her for another actor - she played her so vacuous I didn't feel any chemistry between her or any other person in the film let alone the 'love interests'. It gave her no room for growth. I didn't care who she ended up with, as the character was so shallow (and that wasn't a script issue per-say). With another actress, this might have been a 7/8. I also didn't understand the character arch for Pedro Pascal, it felt like his character had so much more potential but was reduced to something very hollow. Beautiful cinematography, but something was off with casting and the narrative.

I was disappointed in this one. It had its moments, but not enough to warrant a more than an average rating. Dakota Fanning's delivery of dialogue has always been so monotone to me however, I have to say I like this role better than some of her others. She actually seemed to care at a few moments during this movie. The exposure of horrible things that could come from using a dating service was good details. Not in a warm fuzzy kind of way, but it's an unfortunate reality. The shallowness of people when they're looking for the perfect mate was very believable. Disappointing but believable. To me the ending was very predictable.