Cuando el nuevo vecino Brian amenaza su tranquila vida, Craig Waterman lucha por proteger la seguridad de su familia.Cuando el nuevo vecino Brian amenaza su tranquila vida, Craig Waterman lucha por proteger la seguridad de su familia.Cuando el nuevo vecino Brian amenaza su tranquila vida, Craig Waterman lucha por proteger la seguridad de su familia.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Friendship' is a divisive film with strong themes of male loneliness, social awkwardness, and the complexities of friendship. Many praise Tim Robinson's performance and the film's dark humor, while others criticize its pacing, plot coherence, and the discomfort it induces. The film's cringe comedy and surreal elements are highlighted, with some finding it hilariously relatable and others deeming it uncomfortable and unfunny. The overall sentiment is mixed, with a significant portion finding it engaging and thought-provoking, while others consider it a miss.
Opiniones destacadas
Friendship is a fun black comedy about male bonding with a heavy dose of cringeworthy sequences which are hard to look away from as things keep getting worse for everyone involved. It's all built on the relatable desire to belong in a friend group and takes it to absurd extremes thanks to a main character who never knows the right thing to say in any situation. There's a nice unpredictability in seeing just how bad it gets too.
Tim Robinson is so perfectly cast it's impossible to imagine anyone else being able to handle this uncomfortable material as effortlessly as he does. He's incredibly comfortable in every scene that's heavy on the awkwardness and he never relents by constantly sinking further with occasionally really funny but consistently disastrous results. Paul Rudd is great by simultaneously leaning into and going against his natural likeability.
Andrew DeYoung's direction brings plenty of visual style through the lighting, suitably bleak look and a few surreal moments with the biggest highlight being the most mundane drug trip in cinema, sponsored by Subway. Andy Rydzewski's cinematography is creating meticulous framing from the first scene and Keegan DeWitt's score also stands out because its unusual sounds aren't the norm but certainly fits what this is going for.
Tim Robinson is so perfectly cast it's impossible to imagine anyone else being able to handle this uncomfortable material as effortlessly as he does. He's incredibly comfortable in every scene that's heavy on the awkwardness and he never relents by constantly sinking further with occasionally really funny but consistently disastrous results. Paul Rudd is great by simultaneously leaning into and going against his natural likeability.
Andrew DeYoung's direction brings plenty of visual style through the lighting, suitably bleak look and a few surreal moments with the biggest highlight being the most mundane drug trip in cinema, sponsored by Subway. Andy Rydzewski's cinematography is creating meticulous framing from the first scene and Keegan DeWitt's score also stands out because its unusual sounds aren't the norm but certainly fits what this is going for.
On the one hand, it's got moments of genuine hilarity and ingenuity. Rare these days in movie theaters - it seems only stand-up has any guts and originality. I laughed hard in places and so did the first-weekend LA crowd. On the other hand, the story is without much momentum and lacks a sense of inevitability. Feels random and without clear purpose/meaning. As though the whole thing were a series of sketches strung together with no driving thematic goal. Another way of putting it is that it does not get more interesting as it goes. But the acting and casting is superb. Very well directed. Bravo!
It's easy to describe this movie to someone who has watched "I THINK YOU SHOULD LEAVE" tv show(with Tim Robinson). FRIENDSHIP is like a 100 minutes episode of this show, less insane/provocative than an average episode,also a bit more entertaining addressing to larger audiences.
However, it's very difficult to describe this to someone who hasn't watched Robinson's tv shows. One might think that it's something like a dark comedy(like THE CABLE GUY) and a satire about male friendship. Or a deconstruction of movies regarding male friendship.
Truth is, even this description doesn't even begin to portray the sheer insanity of this movie. The male friendship is just a pretext, an excuse for all this surrealistic spectacle. This is more Luis Buñuel and Salvador Dalí than "Cable guy". But even Bunuel's movies had a second layer and they had a meaning. FRIENDSHIP has zero meaning or moral lessons or an underlying purpose. This is not about about society, there are no messages here, nothing.
There is a reviewer here named "aciessi" and i think his review is absolutely to the point : "I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't.".
This.
I liked it a lot, there were many hilarious scenes, for real i would like to watch a 4 hour movie of Robinson. However, this is definitely not for everyone. Many people will call it a bad movie, and i won't even argue. It's not about right and wrong, good taste in movies and bad taste. Tim Robinson's cinematic value " lies in the eyes of the beholder".
However, it's very difficult to describe this to someone who hasn't watched Robinson's tv shows. One might think that it's something like a dark comedy(like THE CABLE GUY) and a satire about male friendship. Or a deconstruction of movies regarding male friendship.
Truth is, even this description doesn't even begin to portray the sheer insanity of this movie. The male friendship is just a pretext, an excuse for all this surrealistic spectacle. This is more Luis Buñuel and Salvador Dalí than "Cable guy". But even Bunuel's movies had a second layer and they had a meaning. FRIENDSHIP has zero meaning or moral lessons or an underlying purpose. This is not about about society, there are no messages here, nothing.
There is a reviewer here named "aciessi" and i think his review is absolutely to the point : "I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't.".
This.
I liked it a lot, there were many hilarious scenes, for real i would like to watch a 4 hour movie of Robinson. However, this is definitely not for everyone. Many people will call it a bad movie, and i won't even argue. It's not about right and wrong, good taste in movies and bad taste. Tim Robinson's cinematic value " lies in the eyes of the beholder".
I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't. The original master was Andy Kaufman, and since his untimely death in 1984, he's had many unsuccessful imitators. We very nearly had a second-coming in Tom Green, until he took things completely over the line with Freddy Got Fingered, a film that strived to be a surrealist masterpiece and ended up being the Pink Flamingos of the 21st century. But now, in 2025, we have Tim Robinson and I think he's just about mastered this difficult technique. Perhaps by sheer virtue of the fact that he looks supremely uncomfortable at all times. He's the human embodiment of a caged rat being poked incessantly with a stick. There's a level of fear and confusion, mixed with a hair-triggered rage that could ignite at any moment. He looks and behaves like the most maladjusted human on earth. Then you take that person and make him a full-fledged comedian. Perhaps this is part of his comedic routine, but whatever it is, he's got that Kaufman "It" factor that's needed.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
One-sentence summary: A standard suburban man's ideology changes once he becomes friends with his charismatic neighbor.
As an avid fan of the show "I Think You Should Leave", I've become fairly familiar with Tim Robinson's unique brand of comedy. He regularly makes me laugh with his patented awkward style of humor, and Friendship carries on that torch proudly. Throughout the movie, I found myself cackling uncontrollably while simultaneously covering my eyes due to the sheer discomfort of the self-inflicted situations Robinson's character found himself in. The film moves swiftly from one bit to the next and manages to weave some compelling thematic elements as well. If your sense of humor isn't on Robinson's wavelength I can see how you might not enjoy this movie, but if it is, you are in for quite the comedic treat.
As an avid fan of the show "I Think You Should Leave", I've become fairly familiar with Tim Robinson's unique brand of comedy. He regularly makes me laugh with his patented awkward style of humor, and Friendship carries on that torch proudly. Throughout the movie, I found myself cackling uncontrollably while simultaneously covering my eyes due to the sheer discomfort of the self-inflicted situations Robinson's character found himself in. The film moves swiftly from one bit to the next and manages to weave some compelling thematic elements as well. If your sense of humor isn't on Robinson's wavelength I can see how you might not enjoy this movie, but if it is, you are in for quite the comedic treat.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
¿Sabías que…?
- TriviaAndrew DeYoung claimed in an interview that the movie was inspired from his own experience of getting iced out of a friend group.
- Errores23 minutes, when Craig hits the sliding glass door he drops his beer bottle. When he comes through the door he is seen holding a beer bottle- presumably the one that he dropped.
- ConexionesFeatured in WatchMojo: Top 10 Best Movies of 2025 So Far (2025)
- Bandas sonorasMarigolds
Written by Donny Dykowsky
Performed by Mirrors on the Moon
Courtesy of The Ski Team and Donny Dykowsky
By arrangement with SoStereo
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Дружба
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 16,228,274
- Fin de semana de estreno en EE. UU. y Canadá
- USD 444,759
- 11 may 2025
- Total a nivel mundial
- USD 16,518,895
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Relación de aspecto
- 1.66 : 1
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