Chime

Unsettling from start to finish. Despite how heavy this film is on mystery, there is enough to latch onto and to make your own interpretations from.

Synopsis: Chime is a 2024 Japanese horror thriller film about a culinary school teacher who is disrupted by a chime that brings him a sense of dread: Plot: The film begins with a scene in a culinary school classroom where nothing seems out of the ordinary. However, a student named Tashiro says something strange, claiming to hear a chime and that half of his brain has been replaced by a machine. The school administration warns the teacher, Matsuoka, that Tashiro is a little strange.

Best part here: It's only 45 minutes. I can't even imagine the horror and the pain i would face if it was longer. And i don't mean, in a good way. Look, i respect Asian horror and there are some great movies. Of course, there are some great movies overall in which some things were unexplained. Some times, ambiguity is even necessary, all the mysteries don't need to be solved.

But, this was too much. This is so cryptic and enigmatic that made me don't care at all, i mean, who are those people and why they suffer? Why should i invest? I am not even sure it's cryptic, maybe there is nothing beneath the surface, maybe it's just a mess, this is too random to be called an enigma.

I gave it 5 stars because it's well acted and well directed. Visually, it's good, i can't rate lower a film when so many aspects of film making are above average.

But, that's it.

Keeping its secrets guarded and living off the shocks of its knife-edge turns, Chime sees Kiyoshi Kurosawa covering more than familiar ground with plenty of desolate moodscapes, recognisable for anyone with even a cursory knowledge of his past output. However, there is something particularly chilling about the oppressive mundanity here, a mundanity to which Koichi Furuya's digital cinematography adds another layer of dread. It's a dreary madness that slowly begins seeping into the life of its character. Despite its skeletal form and brief runtime, the film ends on a fascinating rupture; the previously ambient evil becoming tangible shifts, terrifyingly, within the realm of possibility and the suggestion of this curse being made concrete becomes overbearing. Relishing in the awful psychological residues of violence while suggesting a lucid dream, the kind of fragmented nightmare you are grateful to wake up from but just as terrified to leave so unresolved.

I thought I'd give it a try. A 6.8 on the IMDB is pretty good for a horror movie, and I am a vivid Horror fan, but boy was I duped! It started OK. A Japanese town is shown in quite a depressive looking view. But then...... a knive, and another knive, and lots of cans in plastic bags. Why are there so many cans in plastic bags? I just didn't get it. Did I miss the story somewhere. The movie is 45 minutes, so is the story in the missing minutes. What happened? Why. A teacher who hears a noise, am I deaf. What noise. What the f.... did happen in this movie. Yes, a beautiful tree outside the building. Oh that's the end....what happened. What was I watching?

Let's get things straight: this short is not for everyone. Perhaps even more so than feature-length works of Kiyoshi Kurosawa. It's mundane, it doesn't care about answering questions or following the traditional rules of storytelling. You shouldn't try to decode it from the point of everyday rationality or even the traditional cinema structure.

Instead, the movie is interested into raising an issue that was already present The Cure, updating it and setting the mood that compliments the idea. From my point of view, it's not so much a movie about depression, but a movie about the virus of violence that infects those who're troubled with their lives. As the movie progresses, we feel that the virus of violence spreads more and more. I think in a current day and age it's a really important idea, because sometimes I feel like the violence starts capturing minds of more and more people even in their everyday life.

The lonely and mundane tone complements this idea by suggesting on how this disconnected, distant and superficial relationships complement the development of the virus.

So yeah, I don't think it's the best of Kurosawa, but still, I feel like it's an interesting and important short movie. Just please, don't try to watch it as a conventional horror movie or even a conventional movie in general.