Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.
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Opiniones destacadas
L would have traded some of the sex for some plot development. I wanted to care but couldn't. Some funny moments. Life in a trailer home, The wicked pastor. But what was the movie about? I don't know. Great scenery as our leading lady cruises around the starkness of the city that could be anywhere USA.
The movie had all the ingredients but came out as dull as grandma's green jello.
The movie had all the ingredients but came out as dull as grandma's green jello.
Margaret Qualley, who was great in Substance, acts like a private detective from a 50's movie, which was out of place with almost everyone else.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
After over thirty years directing movies together, Joel and Ethan Coen started making movies separately. Ethan has now released the second entry in a lesbian trilogy (full disclosure: I haven't yet seen the first entry). "Honey Don't!" casts Margaret Qualley as a detective investigating a strange death in Bakersfield, and trying to find out who in town is involved.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
It's a send-up of a 1940s detective noir movie set in 2024 in and around Bakersfield, California. It follows Honey O'Donahue (Margaret Qualley), a lesbian private eye who comes upon a suspicious auto accident, which turns out to be the surface of a complex drug operation and a surprising serial killer. Honey's world includes her sister, Heidi (Kristen Connolly), her niece, Corrine (Talia Ryder), police detective Metakawich (Charlie Day), police officer MG Falcone (Aubrey Plaza), and Rev. Drew (Chris Evans), leader of the Four-Way Temple.
"Honey Don't" includes many Ethan Coen earmarks--all the characters are eccentric, the setting is deliberately confusing with 1940s imagery mixed with 2024 imagery, and the plot jerks the viewer around multiple times. Thus, it's a fun watch for Coen fans, but it feels like the film wasn't fully baked. There are way too many loose ends, and it doesn't feel like a coherent whole at the end. Margaret Qualley is fine for her role; I wish it could have been more complete. Chris Evans provides the other memorable character.
"Honey Don't" includes many Ethan Coen earmarks--all the characters are eccentric, the setting is deliberately confusing with 1940s imagery mixed with 2024 imagery, and the plot jerks the viewer around multiple times. Thus, it's a fun watch for Coen fans, but it feels like the film wasn't fully baked. There are way too many loose ends, and it doesn't feel like a coherent whole at the end. Margaret Qualley is fine for her role; I wish it could have been more complete. Chris Evans provides the other memorable character.
Just about every scene from the trailer that lured us to the theatre was bogged down with emotionless, carefree scene-ploitation of Honey's polygamy as the centerpiece. While Margaret's acting isn't lackluster, the supporting motif and cast didn't add anything to this soulless film.
Ultimately, not a great film despite its' old school backdrop, and 1/2 of the Coen brothers in the director's chair (notice the lower case 'D'). At one point during the film, I asked myself if I cared about any of the characters or Honey's plight... My answer was a resounding, "Nope. I don't care about a single character in this empty shell of a film."
Ultimately, not a great film despite its' old school backdrop, and 1/2 of the Coen brothers in the director's chair (notice the lower case 'D'). At one point during the film, I asked myself if I cared about any of the characters or Honey's plight... My answer was a resounding, "Nope. I don't care about a single character in this empty shell of a film."
¿Sabías que…?
- TriviaEthan Coen's second solo fiction feature film, after El amor es un viaje en trineo al infierno (2024). His third solo feature film as a director overall, having directed the documentary Jerry Lee Lewis: Trouble in Mind (2022).
- Citas
Marty Metakawitch: I bust into a house of god for no reason, it ain't a feather in my cap, it's my ass in a sling.
- Bandas sonorasWe Gotta Get Out of this Place
written by Barry Mann and Cynthia Weil
performed by Brittany Howard
published by: Dyad Music Ltd (BMI) / Screen Gems-EMI Music Inc (BMI)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Гані, люба, не треба!
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,594,920
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,025,525
- 24 ago 2025
- Total a nivel mundial
- USD 5,674,705
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Relación de aspecto
- 2.39 : 1
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