Superestar

Nacho Vigalondo creates a hyper-surreal series of pure enjoyment, a style certainly needed to tell of Spain's trashy icon, Tamara, a short sensation at the very start of the 21st century. Even more creative - and very brave - is to do it via the supposedly life of those who contributed to Tamara's rise to fame for all the wrong reasons, mainly through the idiot box. A twisted and refreshing retelling of a person's dream used and abused by others (from management to her mother) with their own hypercritical agendas, and makes you wonder if Tamara was the only sane person with true intentions of being a music pop artist...