The Death of Snow White

Snow White has been in the press a lot lately from the Disney remake in live action. This is not to be confused with that movie. You might as it is showing in cineplexes at the same time. This is a movie written by a director with high ambitions. Unfortunately those ambitions were too high and missed the mark. The acting, special effects, and low B-Grade quality often took me out of the film. I could tell at times that you could see they were putting themselves out there and trying. Hence the 3 stars. It is rewarding to the filmmakers that in these moments I was reminded of this. There certainly was the chance for potential here but the tired take of Snow White combined with low production quality couldn't make that possible. I would like to point out that I observed true potential in some actors that paired with a better script and director could really shine. Tristan Nokes and Meredith Binder stood out at times. However, the film's titular lead Sanae Loutsis could not hold the film up. I have not seen other films she has acted in but maybe there is something to see in her elsewhere, perhaps. I would love to elaborate more on this film but the poison from that apple is hitting and I'll be dead soon. For the casual movie goer I'd recommend skipping this one.

I must say... this is what passion and the love of storytelling can create. The Death Of Snow White is what most filmmakers hope to achieve in their career! Jason Brooks and his team delivered a dark, horror fantasy that not only pays tribute to The Grimm's Tale but does so with humor, gore, intrigue and fun! It has a great balance of storytelling and keeps you watching! Granted, this isn't a 100 million dollar film, but what this team of creators managed with the budget they had is spectacular and... the fun shows up on screen! The Death of Snow White is a fantastic ride and if you get the opportunity to see it you will be impressed by these talented filmmakers.

So I'd like to start by saying that I could not finish this movie. This happen almost never and I cannot remember the last time that I did.

The photography is not so bad, special effects (both CGI and practical) are also quite good.

But the acting.... It is so bad, it's not even funny. And the realisation look as it was made by a student. As explaining what not to do in acting and realisation, perfect movie. But as a Movie in itself, hard pass.

In a year flooded with high-budget remakes and safe studio offerings, The Death of Snow White emerges like a blood-soaked dagger in a field of plastic swords. Written, directed, and produced by Jason Brooks, known to horror fans as the terrifyingly physical Jason Voorhees in Friday the 13th: Bloodlines. This $1.2 million indie horror reimagining of the classic fairy tale isn't just bold... it's brutal. And more importantly, it's good.

Unlike Disney's own lifeless live-action attempt, Brooks doesn't hold back. The Death of Snow White takes the bones of the original tale and reanimates them with twisted intent. We follow Snow White (played with grit and vulnerability by Sanae Loutsis) not through a magical woodland filled with animals and dwarfs whistling while they work-but into a nightmare realm of gnarled trees, blood magic, and a pack of deranged, vengeful dwarves who make the seven from your childhood look like Teletubbies in comparison.

And while I'm not typically a fan of fantasy (ask me about The Lord of the Rings and I'll tell you once was enough), this film doesn't feel like a fantasy in the traditional sense. It's horror first, dark fantasy second... an eerie, dirt under the nails kind of experience where the forest feels alive and the danger is always one breath away.

The standout here, though, is Chelsea Edmundson as the Evil Queen. Obsession with beauty has always been the core of the character, but this version takes it to a chilling extreme. Edmundson sinks her teeth into the role, creating a villain who is captivating, terrifying, and disturbingly real. Her scenes pulse with menace, and her descent into madness and vanity fueled cruelty is the film's black heart. This might just be the best version of the Evil Queen we've ever seen on screen.

What's most impressive, though, is how much Brooks pulls off with so little. For a mere $1.2 million budget, this film delivers on atmosphere, gore, and world-building in a way that makes Disney's $240 million effort look like a bloated costume party. It's proof that vision and tone matter more than pixels and polish.

The Death of Snow White is a dark fairy tale done right, bold, bloody, and refreshingly unafraid to push boundaries. Even if you don't typically enjoy fantasy, the horror elements, strong performances, and razor-sharp direction make this one worth your time. Jason Brooks has crafted something twisted and special, and Chelsea Edmundson's Evil Queen is one for the horror hall of fame.

Jason Brooks's 2025 film, The Death of Snow White, offers a stark and compelling reimagining of the classic fairy tale, anchored by a captivating performance from Sanae Loutsis as the titular character. This is not the saccharine sweetness of childhood stories, but a more mature and psychologically nuanced exploration of beauty, envy, and survival. Loutsis imbues Snow White with a quiet strength and a palpable vulnerability, portraying her not as a passive victim but as a young woman acutely aware of the danger she faces and determined to navigate the treacherous landscape of her stepmother's obsession.

The film's atmosphere is a departure from traditional portrayals, opting for a visually striking palette of muted tones and shadowy forests, creating a sense of unease and foreboding. Brooks's deliberate pacing allows the tension to build gradually, emphasizing the isolation and the ever-present threat looming over Snow White. The reimagining of the seven dwarves as a more grounded community of individuals adds a layer of realism to the narrative, making Snow White's refuge feel less like a whimsical escape and more like a desperate alliance forged in the face of danger. This grounded approach allows Loutsis to showcase the character's resilience and her ability to connect with those who offer her sanctuary.

Chelsea Edmundson delivers a chilling and multifaceted portrayal of the Evil Queen. She avoids caricature, instead delving into the character's insecurities and the corrosive nature of her envy. Edmundson's performance reveals the pain and desperation driving the Queen's obsession with maintaining her beauty and power, making her a more complex and unsettling antagonist. The dynamic between Loutsis and Edmundson is the film's dramatic core, a silent battle of wills fueled by fear and resentment. Their scenes together crackle with tension, highlighting the dangerous power imbalance and Snow White's precarious position.

Ultimately, The Death of Snow White offers a fresh and compelling perspective on a timeless tale, elevated by Sanae Loutsis's nuanced and captivating portrayal of Snow White. Jason Brooks crafts a visually arresting and emotionally resonant film that explores the darker undercurrents of the classic story. While it may deviate from the familiar sweetness, its mature themes, strong performances - particularly from Loutsis - and atmospheric setting make it a thought-provoking and engaging cinematic experience, revealing a new and compelling facet to the enduring legend of Snow White.