Jurassic World: El Renacer

Let's face it, this franchise always triumphs despite the criticism.

I think that since the original "Jurassic Park," none of the films have received good reviews, but they always have incredible box office returns.

After the disastrous previous trilogy, where the first part lived off nostalgia and reliving moments, and "Fallen Kingdom" and "Dominion" were complete narrative disasters, it was obvious we were getting a new film.

On the one hand, there are successes: the casting is excellent, with S. Johansson, M. Ali, and J. Bailey as the main trio. There's great chemistry, and it works well. On the other hand, G. Edwards' direction knows how to work well with blockbusters.

But on the other hand, there are major omissions, a somewhat absurd script that closely mimics "Jurassic Park 3." A family, if not, that we know will survive. Few deaths, which I think would have favored the narrative and improved the atmosphere. The CGI, while good, is far from the animatronics we fell in love with. Many sequences are homages/rip-offs that many will enjoy, while others won't.

Overall, I found the film entertaining. I think they're still exaggerating the hybrids and that the trailers had shown everything, including 100% of the dinosaurs that would appear.

Unfortunately, I think the franchise is closer to "Fast and Furious" than to Michael Crichton's books, and that's a shame.

PROS: -The Cinematography is Spectacular!!!

-The T-Rex sequence is TERRIFYING!!!

-Heavy "Jaws" influence during the Mosasaur sequence.

-The Dinosaur effects are great.

CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.

-Script tries to undo the fallout of "Fallen Kingdom/Dominion".

-All the characters feel like caricatures.

-The inclusion of an annoying family and a baby dino.

This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.

The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.

Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.

All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.

Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."

Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.

Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.

Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.

That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.

Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.

6/10.

Honestly, the first half felt all over the place - too much talking, too many introductions, and pacing that dragged. But once they hit the island, it got better: dinosaur action scenes were intense and visual effects impressive, especially that river chase and cliff sequence.

Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.

It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.

It's rare I see films on their opening day, opening weekend is relatively common but - as I'm otherwise engaged this weekend, I decided to see "Jurassic World Rebirth" on a Wednesday evening. I wish I could say it was because of enthusiasm for the series, but that has largely been beaten out of me at this point. I wish I could say that Rebirth was a film that reignited my love of the franchise but, whilst it's fine, it's largely another retread.

Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.

To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.

The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.

Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.