Rifle Club

The film was great and I had a blast watching it. Nearly every aspect was very well done. The main performances especially from dileesh pothen and anurag kashyap are great. The side actors like vani vishwanath and vijayaraghavan provide good support. Vineeth Kumar has a good role. Some of the side actors are just alright. The much hyped Hanumankind was just alright and you can tell he's never acted in a film before. The music, cinematography, and editing are all great. The film goes in a very fast pace and you won't notice the time flying by. The only major problem is the dialogues which sound completely out of place some times. Whenever dileesh pothen says a double meaning joke, he literally says "double meaning double meaning" right after. That completely ruins the joke. There is a scene where dileesh pothen says dialogues in pure malayalam and another character translates them into english. If the audience needs to understand every word, they can just turn on subtitles right? Otherwise the film is a simple and well done film that you will definitely enjoy.

Although 'Rifle Club' lacks a deeply engaging narrative, Aashiq Abu delivers a cinematic firework that keeps the audience entertained for two hours without a dull moment.

This film cannot claim to have a great script, despite being penned by Shyam Pushkaran, Dileesh Karunakaran, and Suhas. Instead, it presents a fierce backdrop perfect for gunfights, enriched with all the essential elements for an action-packed drama.

Even in the photographs adorning the walls, Sunny and Aziz establish their distinct character presence, adding depth to the narrative.

It is also refreshing to witness the powerful screen presence of Vani Viswanath after a long hiatus. Just two or three impactful scenes highlight how much Malayalam cinema has missed her charisma.

However, Vani Viswanath's dominance in the scenes tends to overshadow Surabhi, Unni Maya, and Darshan, despite their efforts and training with firearms.

For Vijayaraghavan, portraying Kuzhuveli Lonappan posed no significant challenge, and he executed the role of a wheelchair-bound character with finesse.

Among the supporting cast, Vineeth Kumar as romantic star Shahjahan, Kiran Peethambaran as production manager Rappadi, Suresh Krishna as doctor Lazar, and Prashanth Murali as gun-wielding Pallilachan stand out as the most engaging performances.

Dileesh Pothen and Vishnu Agasthya's gun-toting appearances evoke memories of scenes from their own 'O. Baby,' including the presence of a white dog, which also finds its way into 'Rifle Club.'

Hanuman Kind Suraj's performance adds significant mileage to the film, particularly in the thrilling scene where Bheera enters the Rifle Club.

The real fireworks ignite with the entry of Anurag Kashyap, intensifying the action. On one side, Anurag Kashyap and his team unleash bullets from modern firearms, while on the other, Dileesh Pothan's secretary Avaran and his team counter with antique guns. 'Rifle Club' masterfully blends both styles, creating an explosive cinematic experience.

While Dileesh Pothan impresses as Avaran in Kaduvachal, some viewers may feel that Anurag Kashyap wasn't given enough freedom to fully explore his role as Dayanand Bare.

The song 'Gandharva Gaan..' bears resemblance to 'Ratipushpat' from Bhishma Parvat, although its melody and rhythm seem slightly disconnected. Setting this aside, Rex Vijayan's background score is commendable.

Visually, the cinematography outshines even Aashiq Abu's direction, pushing the film's aesthetics several notches higher.

Despite an impressive cast, the abundance of characters in the action sequences sometimes feels overwhelming, making it challenging to focus on individual performances.

If you enjoy gunfights and thrilling sequences akin to Amal Neerad's films, Aashiq Abu's 'Rifle Club' will not disappoint. This is a movie best experienced on the big screen.

The story begins with actor Shahjahan, who wants to change his romantic image and play a new, raw character. For this, he comes to the club. But the story takes a turn when the family starts to clash with a deadly arms dealer, Dayanand. Shahjahan's relative and his girlfriend flee from Dayanand and take refuge in the club, and this is why the clash begins.

How the elderly members of this club come together to face a formidable opponent like Dayanand and protect the family is the main part of the story. Although the story starts slowly, the tension increases, which keeps the audience hooked until the end.

"Rifle Club" is a family thriller. At first glance, its simple story and the wonderful relationship between the characters are striking. Especially the elderly members of the club are the lifeblood of the story. Their experiences and funny moments make the movie more enjoyable. Vijayaraghavan and Dilesh Pothen's performances were great.

The cinematography is really commendable. The natural beauty of the Western Ghats and the hunting scenes are portrayed very well. The fun evenings at the club or the exciting moments of hunting are also captured very easily.

The second half of the movie felt a bit slow, but it did not spoil the whole experience. Anurag Kashyap was quite scary as Dayanand, but it would have been better if his ruthlessness had been shown more.

Only Malayalam cinema can present a simple story beautifully. This movie is a real example of that. The simpler the story, the more extraordinary its cinematography is. I liked the location, action, BGM, climax. Apart from that, the acting of all the characters is Yes, it is. A must watch for those who like action movies.

A stylish fun movie about a bunch of people who finally get their wish to flex their shooting skills in a real way with the guns they love. The few problems for me were that the songs were not that impressive and affected the flow of the film, even though they were well integrated in the script and the film could've had more character development so that we could feel more satisfied with each of them eventually ending up more badass than initially shown. I was so happy to see so many of these actors who most would not initially think to be such badasses having an absolute blast here. Glad to see Vani Vishwanath after so many years reminding everyone why she's been the only real action heroine of Malayalam. This has such a huge ensemble cast that it feels impossible to mention everyone but each had their moment that really stays with you. Really wish this was longer and showcased everyone being cool even more.

The cinematic work known as Rifle Club can be classified as an action thriller drama genres, and a subgenre of gun fight. The film was directed by Aashiq Abu.

The narrative under scrutiny pertains to the history of the rifle club, an establishment with a long and distinguished history in the realm of firearms. The club boasts a rich tapestry of experiences interwoven with the annals of military history, offering a unique perspective on the evolution of armaments and the pursuit of marksmanship. The club has a considerable number of members. The majority of these individuals are residing at the club. The romantic movie star, Shajahan, would take on the role of the lead actor in an action movie. In order to prepare for his role, he attended the rifle club to practise firing a gun. Subsequently, his cousin and girlfriend followed him to the club, having escaped from a gangster team. The younger son of Daya, a gangster operating within the Mangalore region, was killed by this cousin and girlfriend, albeit without any discernible motive. The older son proceeded in the direction of the club, where he was apprehended by members of the club. He was subsequently shot by the aforementioned members. Subsequently, Daya and his entire cohort proceeded to launch an attack on the club. However, the club members successfully vanquished and killed each and every member of the gang.

The narrative was of adequate quality. The direction exhibited a standard quality. The performances are of a commendable standard, and the musical scores are a notable aspect of the film. A number of visual effects (VFX) scenes appear to deviate from conventional norms, evoking a sense of peculiarity or otherworldliness in their presentation. Nevertheless, it is a film that can be watched on a single time and recommended to others.