A Cinematic Firework Worth Watching
Although 'Rifle Club' lacks a deeply engaging narrative, Aashiq Abu delivers a cinematic firework that keeps the audience entertained for two hours without a dull moment.
This film cannot claim to have a great script, despite being penned by Shyam Pushkaran, Dileesh Karunakaran, and Suhas. Instead, it presents a fierce backdrop perfect for gunfights, enriched with all the essential elements for an action-packed drama.
Even in the photographs adorning the walls, Sunny and Aziz establish their distinct character presence, adding depth to the narrative.
It is also refreshing to witness the powerful screen presence of Vani Viswanath after a long hiatus. Just two or three impactful scenes highlight how much Malayalam cinema has missed her charisma.
However, Vani Viswanath's dominance in the scenes tends to overshadow Surabhi, Unni Maya, and Darshan, despite their efforts and training with firearms.
For Vijayaraghavan, portraying Kuzhuveli Lonappan posed no significant challenge, and he executed the role of a wheelchair-bound character with finesse.
Among the supporting cast, Vineeth Kumar as romantic star Shahjahan, Kiran Peethambaran as production manager Rappadi, Suresh Krishna as doctor Lazar, and Prashanth Murali as gun-wielding Pallilachan stand out as the most engaging performances.
Dileesh Pothen and Vishnu Agasthya's gun-toting appearances evoke memories of scenes from their own 'O. Baby,' including the presence of a white dog, which also finds its way into 'Rifle Club.'
Hanuman Kind Suraj's performance adds significant mileage to the film, particularly in the thrilling scene where Bheera enters the Rifle Club.
The real fireworks ignite with the entry of Anurag Kashyap, intensifying the action. On one side, Anurag Kashyap and his team unleash bullets from modern firearms, while on the other, Dileesh Pothan's secretary Avaran and his team counter with antique guns. 'Rifle Club' masterfully blends both styles, creating an explosive cinematic experience.
While Dileesh Pothan impresses as Avaran in Kaduvachal, some viewers may feel that Anurag Kashyap wasn't given enough freedom to fully explore his role as Dayanand Bare.
The song 'Gandharva Gaan..' bears resemblance to 'Ratipushpat' from Bhishma Parvat, although its melody and rhythm seem slightly disconnected. Setting this aside, Rex Vijayan's background score is commendable.
Visually, the cinematography outshines even Aashiq Abu's direction, pushing the film's aesthetics several notches higher.
Despite an impressive cast, the abundance of characters in the action sequences sometimes feels overwhelming, making it challenging to focus on individual performances.
If you enjoy gunfights and thrilling sequences akin to Amal Neerad's films, Aashiq Abu's 'Rifle Club' will not disappoint. This is a movie best experienced on the big screen.
This film cannot claim to have a great script, despite being penned by Shyam Pushkaran, Dileesh Karunakaran, and Suhas. Instead, it presents a fierce backdrop perfect for gunfights, enriched with all the essential elements for an action-packed drama.
Even in the photographs adorning the walls, Sunny and Aziz establish their distinct character presence, adding depth to the narrative.
It is also refreshing to witness the powerful screen presence of Vani Viswanath after a long hiatus. Just two or three impactful scenes highlight how much Malayalam cinema has missed her charisma.
However, Vani Viswanath's dominance in the scenes tends to overshadow Surabhi, Unni Maya, and Darshan, despite their efforts and training with firearms.
For Vijayaraghavan, portraying Kuzhuveli Lonappan posed no significant challenge, and he executed the role of a wheelchair-bound character with finesse.
Among the supporting cast, Vineeth Kumar as romantic star Shahjahan, Kiran Peethambaran as production manager Rappadi, Suresh Krishna as doctor Lazar, and Prashanth Murali as gun-wielding Pallilachan stand out as the most engaging performances.
Dileesh Pothen and Vishnu Agasthya's gun-toting appearances evoke memories of scenes from their own 'O. Baby,' including the presence of a white dog, which also finds its way into 'Rifle Club.'
Hanuman Kind Suraj's performance adds significant mileage to the film, particularly in the thrilling scene where Bheera enters the Rifle Club.
The real fireworks ignite with the entry of Anurag Kashyap, intensifying the action. On one side, Anurag Kashyap and his team unleash bullets from modern firearms, while on the other, Dileesh Pothan's secretary Avaran and his team counter with antique guns. 'Rifle Club' masterfully blends both styles, creating an explosive cinematic experience.
While Dileesh Pothan impresses as Avaran in Kaduvachal, some viewers may feel that Anurag Kashyap wasn't given enough freedom to fully explore his role as Dayanand Bare.
The song 'Gandharva Gaan..' bears resemblance to 'Ratipushpat' from Bhishma Parvat, although its melody and rhythm seem slightly disconnected. Setting this aside, Rex Vijayan's background score is commendable.
Visually, the cinematography outshines even Aashiq Abu's direction, pushing the film's aesthetics several notches higher.
Despite an impressive cast, the abundance of characters in the action sequences sometimes feels overwhelming, making it challenging to focus on individual performances.
If you enjoy gunfights and thrilling sequences akin to Amal Neerad's films, Aashiq Abu's 'Rifle Club' will not disappoint. This is a movie best experienced on the big screen.
- sudheeshthulaseedharan
- 29 dic 2024