Un magnate de la música enfrenta un dilema moral de vida o muerte durante un secuestro. Una nueva versión del thriller High and Low de Kurosawa en las calles de Nueva York.Un magnate de la música enfrenta un dilema moral de vida o muerte durante un secuestro. Una nueva versión del thriller High and Low de Kurosawa en las calles de Nueva York.Un magnate de la música enfrenta un dilema moral de vida o muerte durante un secuestro. Una nueva versión del thriller High and Low de Kurosawa en las calles de Nueva York.
- Dirección
- Guionistas
- Elenco
- Yung Felon
- (as A$AP Rocky a.k.a. Rakim Mayers)
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
Opiniones destacadas
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
Movie Grade:C-/C.
¿Sabías que…?
- TriviaThe film is a reinterpretation of Akira Kurosawa's Cielo e infierno (1963), which was in turn based on the novel "King's Ransom" by Evan Hunter, published in 1959 under his pen name "Ed McBain."
- ErroresIn a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
- Citas
David King: I been to your house. And I appreciate you naming your son after me.
Yung Felon: Damn! Stupid bitch talk too fuckin' much, B!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Damn, B!
- ConexionesReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
Selecciones populares
September 2025 TV and Streaming Premiere Dates
September 2025 TV and Streaming Premiere Dates
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Từ Đỉnh Cao Đến Vực Sâu
- Locaciones de filmación
- Brooklyn, Nueva York, Estados Unidos(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,500,000
- Total a nivel mundial
- USD 1,500,000
- Tiempo de ejecución
- 2h 13min(133 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1