Tokyo Swindlers

I was initially impressed by the production quality, screenplay and writing which dared to pull off twists which stir the emotions and keep you wondering what happens next. That and it was a fresh take on Japanese dramas which didn't have the usual anime-derived dramatisations.

However holes start to appear when it appears certain characters are so omnipresent but yet oblivious where the plot armour resides.

Then the season finale slips on its own banana peel in the last episode. There were so many unrealistic interactions as some characters and sequences suddenly suffer from the usual prolonging, dramatisations and silliness to force the series to end on a certain note and pave the way for a money grabbing 2nd season.

Rest assured it did not get my thumbs up from the choices given after the show ended.

Wow. Great show. Solid narrative. Superb pace. Smashing suspense. Really excellently-written with fabulous character-development.

Characters are very interesting and dynmaic and the chemistry works super-well. From incredibly awkward paid people placed in big stake operations to the big evil boss to crazy personalities in Tokyo's underbelly. Top stuff.

I really loved this show. I'm 5/7th of my way through and I watch a lot of Japanese cinema and I'm now curious to see what other shows Hitoshi Ône will make. He has talant. This is definitely what Netflix needs more of.

Original and gripping drama with fabulous characters. Please do more of this Netflix.

I thought this series was one of the best Asian drama series I've seen on Netflix since Squid Game. It features some amazing actors. Not a dud among the entire very large cast. One huge problem though: The voice dubbing actors for Harrison the ring leader and the guy who plays the swindleing attorney, aren't consistently convincing and come across as over-striving amateurs. Takumi's voice actor may be reasonably cool, but these 2 bad dub actors render the English dub version virtually unwatchable by the middle point of episode 1. So that being said, I'm reviewing the original Japanese with English subtitles "Tokyo Swindlers" from this point onward. The ever impressive Go Ayano stars as Takumi, a cat loving swindler with PTSD who acts as an inscrutable foil to a psychopath mentor mastermind (who could be the devil himself he's so evil). How this series is not higher rated may have to do with its raw treatment of some very dirty business and a continual flow of of violent repugnant weirdoes with sick execution fetishes. Bottom line is this series is SO not for the squeamish and/or those who watch crime shows to root for one heroic protagonist who miraculously dodges every bullet. Special props to the theme music composer Takkyu Ishino. His claustrophic techno-pop is perfect for biting your nails to while you watch each adrenaline-laced scam unfurl. (And if you get hooked on Ishino's theme music like I did, watch the credits at the end of every episode for 4 full minutes of its trance-inducing vibe.)

The cast works so well together. This Japanese TV series has a very original plot compared to western TV shows. It's a refreshing change of pace. The music was incredible and dramatic. I genuinely could not predict what happened next. Enjoy this emotional rollercoaster! Netflix has a way of churning out some great content purely by accident. Hope there is a season 2. I loved Go Ayano's performance! Just wanted to warn any readers that there is very graphic content in this series which is something to consider for family audiences. This TV series made me feel like there is a hidden dark side to Japan.

There's a growing disappointment that Japanese dramas have been declining in quality recently. Japanese TV stations commission dramas from external production companies four times a year, once each quarter. However, due to this long-standing tradition, they're now churning out predictable works that lack originality. The themes, stories, roles, and actors all seem to follow a formulaic pattern, resulting in Japanese TV series that are consumed and discarded without much impact.

In contrast, this Netflix original series is a rare gem with a solid story (based on an already highly acclaimed novel) as its foundation. The performances and unique characteristics of each role are well-portrayed, making it thoroughly engaging. Unlike the typical 10-episode structure of Japanese drama series, this one is compressed into 7 episodes, allowing for a streamlined and fast-paced narrative without unnecessary filler. This is definitely a strong point.

I'd like to praise how well the story, roles, and subject matter come together to create an excellent final product. The portrayal of the aging police detective, just six months away from retirement, is particularly noteworthy. It presents a realistic and convincing image of a seasoned investigator without falling into exaggeration. It's surprising to find charm in a gaunt, tired-looking old man, which makes this performance all the more impressive.