Grotesquerie

I am almost done with episode four and I feel like I am watching a Mashup of Someone's Mid Life Crisis who is aware of their Neurodivergent Storytelling (but doesn't care what we think about that adhd method) and then added some fetishist borderline schizophrenia and then got lost telling the original story.

And yes, I am aware of how horribly structured that sentence is. It is me emulating the rhythm and tone plus general confusion as to what in the world I am watching. Who is this about? Who do I care about here? And please tell me why (for the love of storytelling just let me in on why I am watching this, please).

It's so all over the place that I welcomed Taylor's boyfriend in the chaotic mix of a cast. I am not even a fan. Meaning there's zero fangirling - just me being happy to have something to relate to or even be remotely interested in. He's got a solid vibe - I see the appeal.

But lets talk about Niecy Nash - I want to have a small talk with her agent because she is getting undersold and underused. Stop putting her in these ridiculous detective roles that it doesn't even seem she is interested in. She is better than those roles and it's not helping to keep trying. She is wise and beautiful and talented. Find her the roles that have the range and she will shine. (Sorry but these roles give us time to think about her wasted talent).

All the Actors are also quite good - but there is a very unnatural chaotic viewpoint that hurts to try to follow. I mean random singing and fires and being preached to about life and watching the weird metaphoric portrayal of some outdated religious stuff - but I guess that's okay because you throw in some online activity lines and it's suddenly not the same thing we have seen over and over? Ick.

I gave it a six because the Actors showed up and still stayed in the scenes. Maybe they were as confused as I am because I care more about that then the plot.

Is there a plot?

All I have to say is this right here... If Niecy Nash (I don't have time to worry about a hyphenated add-on to her name) doesn't win some kind of award for these performances in these 10 episodes, there is something wrong with the Hollywood system. Forget about what the show is about, whether you like the show or not, whether the other actors are good, or the direction is good, just watch the show because Ms. Nash is nothing short of interesting as f!*k. Now, I'm going to add this so my required minimum is met for this review. These shows are getting more and more demented because Hollywood is mostly demented.

I decided to watch this through to the end of the 10 episodes before leaving my thoughts here. I'm glad I did because some of the assumptions I made about it thinking they were errors/bad writing/bad acting etc are actually done on purpose.

The start of the show is typical Murphy intended to shock and indeed it does. A slight criticism is that they clearly put a lot of effort into the crime scene and I would have liked to have seen it in more detail.

After that and a couple more gruesome murder scenes, the storyline peters out. The crime is solved at the end of episode 6 and the other four episodes are people talking. To this end, the genre changes from thriller to mystery as scenarios and plots are constantly questioned and the viewer is kept in a constant state of perplexity; which isn't a bad thing in itself, it would have just been better to start out that way so we at least know where we are.

Once you get to the end and reflect on the characters' reactions to scenarios, the unusual events that take place, the ignoring of well known protocols, the actions of people and their motivations it all makes much more sense, so it's worth getting through to the end of nothing else but some closure.

However this isn't American Horror Story so don't feel guilty if you turn it off and never return. It has no grandiose climax that allows you to leave with a feeling of fulfilment. Once it ends, it feels like how it originally changed from a gritty thriller to a trudging mystery: Just sort of fizzling out.

Grotesquerie begins with an intriguing premise, blending crime investigation and psychological drama with an air of sinister mystery. The partnership between Courtney B. Vance's nuanced detective and Niecy Nash's empathetic but assertive nun sets the stage for a series that initially captivates. The first few episodes are a masterclass in suspense, with layered storytelling and atmospheric tension that keeps viewers hooked.

Unfortunately, as the series progresses, it unravels into a convoluted mess. Narrative decisions become increasingly absurd, undermining the carefully crafted intrigue established early on. Instead of building towards a satisfying conclusion, Grotesquerie stumbles with nonsensical twists that feel more like desperate attempts to shock than logical story progression. What started as a compelling exploration of human darkness devolves into a tedious and overblown finale.

While the performances remain strong throughout, they're not enough to salvage the series from its overly ambitious but poorly executed narrative choices. Grotesquerie is a frustrating watch: a show that had all the ingredients for greatness but squandered them with baffling storytelling.

Rating: 6/10 - A gripping beginning marred by a disappointing descent into chaos.

I was riveted for 9 episodes. Great acting and really interesting story. Episode 10 was a pile of garbage. Convoluted, overdone and absolutely no answers. What an unbelievable disappointment. Max Winkler had great instincts in his direction. Every episode was a cliffhanger and I couldn't wait to see the next chapter. That last episode was so unwatchable it didn't seem like it was part of the original story. The lighting was off, every scene was so dark it was difficult to watch. The only way this would make sense would be to renew the story and give us some answers. Sadly, I no longer care and won't be watching.