Tras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y ... Leer todoTras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y la persigue, sellando así su propio destino.Tras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y la persigue, sellando así su propio destino.
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Opiniones destacadas
I love it from beginning to end. A different perspective than the one we're used to, it kept me engaged the whole time, a romantic movie like the ones from the old days. If you don't like romance movies, this movie isn't for you. But if so, you'll enjoy it from beginning to end, and Dracula's dark touch is perfect.
Really enjoyed Luc Besson's Dracula. It's dark and stylish without trying too hard. Christopher Waltz was amazing, this could be expected. And honestly, the whole cast was just beautiful to look at. The visuals, the costumes, the mood... all of it was gorgeous. Definitely worth a watch if you're into gothic stories with a fantasy touch.
Before giving me a thumbs down. Read at least what I have to say :)
Luc Besson's Dracula is a visually arresting, emotionally charged, and hauntingly original take on the iconic legend. From the very first frame, it's clear that this is not just another vampire film-this is Besson in full command of his craft, blending gothic horror, art-house style, and deeply human storytelling into something truly unforgettable.
The cinematography is stunning-moody shadows, rich textures, and bold color contrasts create a dreamlike atmosphere that pulls you into Dracula's cursed world. The pacing is masterful, slowly building tension while allowing the characters to breathe and evolve. And the music? A hypnotic blend of classical and modern that adds a visceral pulse to every scene.
The performances are outstanding. The lead actor's portrayal of Dracula is both terrifying and tragic, capturing the eternal conflict between monstrous hunger and lost humanity. The supporting cast adds layers of depth, especially the heroine, whose chemistry with Dracula gives the film a beating heart.
What sets this Dracula apart is its ambition. Besson doesn't just retell the story-he reimagines it, fusing romance, philosophy, and horror into a mythic, poetic experience. There are echoes of The Fifth Element in its stylization, but this is darker, more mature, and grounded in emotional truth.
This is a Dracula for the 21st century-mysterious, seductive, and deeply cinematic. Highly recommended for fans of intelligent horror and visionary filmmaking.
Verdict: A modern gothic masterpiece.
Luc Besson's Dracula is a visually arresting, emotionally charged, and hauntingly original take on the iconic legend. From the very first frame, it's clear that this is not just another vampire film-this is Besson in full command of his craft, blending gothic horror, art-house style, and deeply human storytelling into something truly unforgettable.
The cinematography is stunning-moody shadows, rich textures, and bold color contrasts create a dreamlike atmosphere that pulls you into Dracula's cursed world. The pacing is masterful, slowly building tension while allowing the characters to breathe and evolve. And the music? A hypnotic blend of classical and modern that adds a visceral pulse to every scene.
The performances are outstanding. The lead actor's portrayal of Dracula is both terrifying and tragic, capturing the eternal conflict between monstrous hunger and lost humanity. The supporting cast adds layers of depth, especially the heroine, whose chemistry with Dracula gives the film a beating heart.
What sets this Dracula apart is its ambition. Besson doesn't just retell the story-he reimagines it, fusing romance, philosophy, and horror into a mythic, poetic experience. There are echoes of The Fifth Element in its stylization, but this is darker, more mature, and grounded in emotional truth.
This is a Dracula for the 21st century-mysterious, seductive, and deeply cinematic. Highly recommended for fans of intelligent horror and visionary filmmaking.
Verdict: A modern gothic masterpiece.
This film is utterly tragically beautiful. I must say that i havent been stuck on a movie for decades but this movie changes everything. It has some humor and will be for sure beloved by people who love dark romance. It hasn't been reviewed greatly because some people might find it bold, but i find it very artistic. Nobody ever took this kind of twists in Dracula movies. I think people are right now a bit thrown back by this twist but i can asure you to watch this movie and be impressed by it!
Luc Besson's *Dracula* tries to be bold and artistic but ends up as an over-stylized, slow-moving mess. While the visuals are striking, they can't hide the film's self-indulgent pacing and lack of real scares. The story drags, weighed down by pretentious themes and melodramatic performances. Dracula himself is more mopey than menacing, and the supposed emotional depth feels forced. Strangely, the film borrows heavily in tone and aesthetic from Patrick Süskind's *Perfume*-the same obsessive atmosphere, the same brooding romanticism-but without the narrative clarity or psychological sharpness. Besson's ambition to "reimagine" the legend results in a film that's more style than substance. Despite its glossy presentation, this version of *Dracula* is cold, derivative, and ultimately forgettable.
¿Sabías que…?
- TriviaHistorian Martin Mares, who served as production consultant on this film, had previously worked in the same capacity on another Dracula adaptation, Drácula: Mar De Sangre (2023), making him a rare expert to contribute to multiple interpretations of the iconic vampire legend.
- ErroresDracula's wife Elizabetta wears a figure 8 collar ruff although they are supposed to be in the 15th century a time when these had not been invented yet. Likewise, in the perfume sequence, Dracula wears one in what is intended as the Spanish court despite the fact these had been banned by King Phillip IV in 1623.
- ConexionesReferenced in Midnight's Edge: Ridley Scott Leaves Alien, New Dracula & More - MEAD Live (2025)
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Detalles
Taquilla
- Total a nivel mundial
- USD 6,172,095
- Tiempo de ejecución
- 2h 9min(129 min)
- Color
- Relación de aspecto
- 2.39:1
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