Warfare

I despise films that glorify war. The swelling strings, the slow-motion salutes, the valour-for-the-sake-of-it nonsense - it's tired and tone-deaf. That's why 'Warfare', the latest and arguably best A24 film I've seen in a long while, floored me. This isn't some patriotic puff piece. It's raw, visceral, and deeply uncomfortable in all the right ways.

Co-directed by Alex Garland and Ray Mendoza (a former Navy SEAL whose real-life experience forms the backbone of the story), 'Warfare' drops you headfirst into the chaos of a mission gone sideways in 2006 Ramadi (Iraq). There's no time for character backstories or emotional flashbacks. You're in the dirt with these men, hearing the crack of gunfire, the ragged breathing, the frantic comms - every heartbeat of the film is felt in your chest. Real war, as this film so powerfully reminds us, isn't medals and glory. It's blood, guts, and a harrowing sense of hopelessness.

The cast - most notably D'Pharaoh Woon-A-Tai, Cosmo Jarvis, and Will Poulter - bring a haunting realism to their roles. You don't watch them; you endure alongside them. And that's what elevates 'Warfare' into something more than cinema. It's an experience. A brutal, brilliantly made, and emotionally devastating experience.

Any loss of life in war is a failure - of diplomacy, of leadership, of humanity. This film doesn't flinch from that truth. It holds your gaze and says: look at what we do to each other.

A masterpiece. Uncompromising and unforgettable. If you can, see it in a theatre. The sound design alone is worth the ticket - each echoing explosion and muffled breath immerses you deeper into the dread-soaked trenches of reality. 'Warfare' doesn't just show war. It makes you feel every awful second of it.

True "edge of your seat." Think of the tension of the first 15 minutes of "Saving Private Ryan," but over an hour and a half. No spoilers, but I love the fact that the movie immediately drops you into the situation. We don't need to know why the soldiers are there, or what their objective/mission is, because that's irrelevant when the bullets start to fly. These are just soldiers going on a mission. Finally, as a patriotic American, I feel that before Congress & the President deploy any of our U. S. Service people into harms way, they and the CEOs of Raytheon, Blackrock, Vanguard, and Halliburton should be forced to watch this movie, as well as the first 15 minutes of Saving Private Ryan, before anyone is deployed. Also, the law should be passed that all of their children should be the first deployed, call it the "No Fortunate Son" law. I think we would have less wars if that happened.

A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.

This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.

Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.

Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.

This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.

This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.

So. Well. Done.

For someone like me, who has even the faintest and smallest experience of war, watching war films is the scariest thing I can imagine-especially when the story is set in the Middle East.

Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.

On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.

From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.

When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.

Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.

Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.