Indomable

In 2016 I fulfilled one of my life's dreams and I stayed 2 nights in Yosemite park, at the Ahwahnee Lodge. From this point of view the series is a true reward. The plot is a different thing. At the end you can't help but ask yourself what was the core story to begin with: the Caleb story, the Lucy story, the drug subplot... The problem with convoluted plots is that they get too twisty for their own good, and as a screenwriter and novelist myself I know what I'm talking about. The main character, a federal agent in charge of crime investigations in national parks, never connects with the viewer, or with other characters for that matter; not once he allows himself to even grin, never. His detachment from everything, except from his obsession to solve Lucy's death, puts us off from his emotional core as a human being. We care more about Vasquez, a normal person, or even Jill, his ex wife. Main characters don't need to be too complex or traumatized to be interesting, especially if they have to solve complex crimes. What about just doing their job in a professional and efficient way without spending too much time brooding? Direction is functional, acting won't earn them any awards, writing wants to be clever sometimes, and there are even some magic realism touches. All in all is a quite pleasant series to watch, but 4 episodes might have done it just as well. 7/10.

This review is only based on the first two episodes. Bana as always gives a good watchable performance and Neil is always solid. Also good is Santiago from the La Brea series. Beautiful landscapes though I've read it's not filmed in Yosemite where we've been to so that's a shame. It is a slow burn but so far not the least bit boring. Good mystery so far and there was a twist not related to the crime which was shocking but makes sense in the proceedings. So far the only detraction is the pining of the ex wife who obviously still cares for him but settled for some boring dude. Perhaps this will become relevant in succeeding episodes but for now the scenes just drag. Despite that at a short 6 episodes this is an easy watch. Don't let the haters of virtually just about everything except of course when it's pretentious junk ( which is the only thing they like) deter you from a good show. Try to give it a chance and you might find some great entertainment here. Highly recommended so far.

Overall this is a good short series. This is about grief more than anything, the thing everyone goes through at some point. It also gives a slight nod to what happens to people who fall through the cracks, and how easy it is to fall.

Good parts: The first two episodes are the best - it does go downhill a bit after that, but the other episodes are still pretty good. The landscape is gorgeous. The people look real - they are not fake looking, which is nice. The actors are great, all of them. Writing is good.

Bad parts: The murderer doesn't feel right. I get the point, the cracks have to be shown, and the decisions the murderer made were selfish and led to a crappy life led by the victim, who had no chance. But the whole investigation was a big "so what" at the end. Also, it's tiring, that whole renegade cop trope.

But it's very good. I cried. More than once. I recommend if you like character development and beautiful scenery. If you need some car chases, this isn't for you.

Untamed is a good watch-the stunning backdrop alone, will make it worth your while. Bana delivers an intense performance, embodying both vulnerability and strength, while Santiago adds emotional depth with her portrayal, creating a strong chemistry that will draw you into the story. It was also good to see Raoul Max Trujillo (Apocalypto). The cinematography is great, and captures the majestic landscapes, enhancing its menacing atmosphere. However, the pacing is a little off, it feels somewhat rushed, with key plot developments and character arcs lacking exploration, which will tend to leave you wanting more depth. Despite these issues, it's engaging with a blend of suspense and emotional resonance, making it captivating. Give it a shot.

Rating: (5.5/10)

Summary: Untamed promises a tense, atmospheric crime thriller set against the stunning backdrop of Yosemite National Park - but ultimately stumbles under the weight of weak writing, cartoonish characters, and squandered potential. Despite a few solid performances, especially from Eric Bana and Sam Neill, the series never earns the emotional or narrative stakes it aims for.

Full Review: I came into Untamed expecting something right in my wheelhouse: crime, mystery, drama, all set in the gorgeous expanse of Yosemite National Park. With Eric Bana back in a lead role, alongside Sam Neill and Rosemary DeWitt, I was hoping for something rich and layered. Unfortunately, the series just doesn't deliver. The first episode starts strong - two climbers stumble upon a body, setting off a chain of investigation - but from there, things unravel.

The characters often feel paper-thin or cartoonish. Bana's Carl Turner has almost no inner life, and his dynamic with Lily Santiago's sidekick character, Naya, is reduced to the same joke repeated endlessly. Rosemary DeWitt's ex-wife role feels shoehorned in, adding little beyond forced drama. Characters swing wildly in behavior from one scene to the next, and it's hard to get attached when motivations shift purely to create artificial tension.

As the investigation unfolds, major plot turns rely heavily on coincidence or characters just happening to talk to the right person by chance. A ridiculous example is a scene where someone falls down a mineshaft - instead of climbing back up (which visually, they clearly could), they panic and pretend to be stuck, generating fake suspense. And time after time, someone miraculously shows up to save the day. There's also the strange editing, which constantly bounces between face shots, wide shots, and quick cuts, undercutting emotional moments and making deep conversations feel weightless.

One of the most frustrating parts of Untamed is how the final episode handles the resolution - or rather, fumbles it. By episode five, the main mystery is essentially wrapped up, but instead of ending with a satisfying close, episode six feels like an unnecessary epilogue tacked on to stretch the runtime. Characters behave out of sync with how they've been written all series; there's a final twist that comes out of nowhere, feeling unearned because there were no earlier hints or layered performances to justify it. Even worse, a major character death happens with almost no consequence - no investigation, no fallout, just... silence. For a show supposedly rooted in grief, loss, and healing, this lands awkwardly flat. The final moments, meant to symbolize Carl moving on from his son Caleb's death, feel rushed and emotionally thin, because the series only ever sporadically engaged with that core trauma. Instead of a hard-hitting conclusion, we're left with a deflated, shrugging end to a story that had the potential to deliver much more.

The Yosemite setting, meanwhile, is a total missed opportunity. Instead of making the landscape feel like a character, as True Detective or The Revenant did so well, most of the show feels shot on obvious sets. Scenes meant to feel rugged or wild - like a camp of off-the-grid survivalists - come off staged and fake. Social commentary, like the treatment of Native American characters or addiction themes, is handled with the same clumsiness, bringing nothing fresh or thoughtful to the table.

In the end, Untamed isn't an outright disaster, but it's deeply frustrating. There's a version of this show that could have been thoughtful, moody, and emotionally sharp - but this isn't it. If you're just looking for background noise, it's passable. But if you were hoping for something with the atmosphere of Yellowstone or the layered grit of True Detective, you'll likely come away disappointed.