Sunshine

The performances are outstanding, with the lead actress delivering a raw and emotional portrayal of Sunshine's struggles. The supporting cast adds depth to the story, particularly the little girl, who brings a sense of wonder and curiosity to the film.

One of the most striking aspects of "Sunshine" is its refusal to provide easy answers. The film presents a realistic portrayal of the complexities surrounding reproductive choices, leaving viewers to ponder the moral implications.

Sunshine is truly an eye-opener. It bravely tackles real issues that so many young adults-and even kids who are just stepping into their teenage years-are silently going through. The film dives deep into the realities of early pregnancy, abortion, and the emotional and social weight that comes with them.

What I really hope is that parents take the time to watch this film. Not just to be aware, but to feel that urgency-the need to guide and talk to their children about these sensitive but important topics. It's a conversation that can't be delayed anymore.

What stood out to me the most was how real and raw everything felt. I didn't leave the cinema feeling happy, but I did feel relieved. I felt the pain, the heartache, and the struggle that Sunshine went through-but I also saw the strength in her journey. The story is complete. It gives you everything from beginning to end, no shortcuts, no sugar-coating.

I loved the film. I honestly want to watch it again-not just for the story, but for the emotions it stirred up and the awareness it brings. This film matters.

This 2024 Filipino film follows a teenage gymnast, Sunshine, whose Olympic dreams are suddenly derailed when she finds out she's pregnant. What unfolds is a raw, deeply emotional journey through shame, societal pressure, and the painful reality of having no legal access to abortion-something many women across Asia still face today.

The film doesn't sugarcoat anything. It shows exactly what's wrong with restrictive abortion laws in many Asian countries-how they silence girls, punish ambition, and force life-changing decisions on those who are still children themselves.

The movie itself is honest, hard-hitting, and emotionally devastating in the best way.

Maris Racal's performance was absolutely stunning. She carries the entire film with a performance that is real, raw, and unforgettable.

Sunshine should be shown in classrooms, government offices, and households. It's that important. It sparks urgent conversations about women's rights, bodily autonomy, and the price of silence.

Sunshine is one of the most courageous and necessary films to come out of Southeast Asia in recent years. It holds up a mirror to society and forces viewers to face uncomfortable truths. Anyone who thinks film can't change minds hasn't seen this one yet.

This is not just a good movie-this is essential cinema.

10/10. A masterpiece.

Sunshine is on the verge of joining the national gymnastics team and going to the Olympics, when she loses focus, careens off balance, and falters. Dreams nearly in her grasp shift to distant phantoms as she realizes she is pregnant. Shaken, fearful, desperate, and determined not to lose her rightful place on the national team, Sunshine searches the underground of the city for abortifacients. Abortion and even divorce are illegal in the Philippines, so Sunshine has few options and few people she can trust. Just then a mysterious young girl appears in the darkness and crowded streets with knowledge of Sunshine's heart that surprises her and touches her deeply.

"I wanted to be brave for these girls," said Maris Racal (Sunshine) "who have no one else to turn to." Racal is intrinsically believable in her role. In the conservative religious culture of the Philippines and with the lack of access to reproductive support, many girls are in crisis. The issue is relatable and timely not just in the Philippines, but in many other countries including, unfortunately, our own.

At this world premiere screening at the Toronto International Film Festival, director Antoinette Jadaone said she got the idea for an imaginary friend from the film Jojo Rabbit. As part of her film research Jadaone interviewed girls who had abortions. She hopes the film sparks conversations and change, that it is part of the solution for the country, and helps girls in such situations make their own decisions.

This is the sunshine the country needs in today's climate.

It was Jadaone's courage that popped in my head when the title card flashed, a very Filipina name that connotes brightness and warmth - two things the film was not intended for, two things the titular character deprived of.

Sunshine is a story of every Sunshine, a Filipino woman vulnerable to systemic injustice and oppression; a story no one could have been told better than a Filipino woman herself - and a fearless and intelligent one at that. From reproductive health and general health care system to conservatism, Jadaone's care and spirit championed. Her personification of one's conscience was beautifully done. I sobbed through the last 15 minutes.

True-to-life darkness in the country executed from the literal streets to the contexts of quality of life through Orendain's realism. There's a harrowing frame in the movie that ticked all my boxes as a fan of dark cinematography. I bled in the dark with Sunshine right there.

This film boasts a talented bundle of actresses: Meryll Soriano, Annika Co, Xyriel Manabat, Jennica Garcia, with Maris Racal tying the ribbon, flexing her acting muscles across different tones and needs. Well-written and well-directed performances with standouts coming from Garcia, Co, and Racal. Ah, women.

Malalim. Matapang. Mahalaga. Hindi ako babae pero gets na gets kita, Sunshine.