Juna Furniture

It is not acceptable to treat senior citizens like "disposable items". They experience feelings as well. They need someone to confide in, someone to pamper them and someone who will be there for them when they need medical assistance. However, youngsters nowadays are egocentric and don't have time for this kind of crap. Although they may have millions of Instagram followers, when will they truly "follow" their parents, who have given up all of their joys in order to raise them? #JunaFurniture raises a really important point. Actor-director Mahesh Manjrekar is in top form here. His body language and his dialogue delivery are flawless. He also manages to extract good performances from the others. Running time needs to be reduced by 15 minutes. Rating 3.5/5.

Excellent direction and a must watch movie by every one.

In today's fast paced age, people are forgetting their roots. In this age of technology, our connect with people especially our close ones is getting less and less.

This movie deals with important topics like our parents and our loyalty towards them, senior citizens and our duty towards them, love and feelings towards each other.

This movie serves as a stark reminder of the importance of retirement planning, not just for individuals but for families as a whole.

Thanks a lot to Marathi Film Industry for delivering this epic film. Great acting by everyone and loved it !!!

Review of 'Juna Furniture' Marathi Movie:

'Juna Furniture' is a cinematic gem that delicately weaves together the intricate tapestry of memories in an elderly person's life. The film unfolds with grace, offering a poignant exploration of human emotions and the passage of time. Through stellar performances, nuanced direction, and evocative music, 'Juna Furniture' immerses the audience in a world where nostalgia and reflection converge.

What sets 'Juna Furniture' apart is its ability to capture the essence of human relationships and the profound impact of cherished memories. Each scene is meticulously crafted, resonating with authenticity and depth. The dialogue flows seamlessly, enriched with profound insights and moments of quiet introspection.

The film's technical aspects, including cinematography and editing, contribute to its overall brilliance. The visuals are stunning, capturing both the beauty and the melancholy of life's journey. Every frame is a work of art, inviting viewers to immerse themselves fully in the protagonist's world.

At its core, 'Juna Furniture' is more than just a movie; it is a meditation on life, love, and the enduring power of memory. It invites audiences to reflect on their own experiences and the significance of the relationships that shape their lives. In a world filled with noise and distractions, 'Juna Furniture' stands as a testament to the quiet beauty of human existence and the timeless wisdom found in our shared memories.

This movie is the quintessential example of how Indian parents refuse to take ANY accountability for how they raise their children and still expect perfect children. Someone once said that Indian parents are the worst kind of people to become parents. In his many soliloquies, Govind Pathak doesn't ever question himself or his decisions. "Your child calls you once a week? Why not twice a day? Must be a bad child". While we're at it, let's blame a 12 year old child for not taking perfect decisions, and then expect him to pay money that you CHOSE to spend on him. The plot drags on and on, and just when you think the complaints are over, the movie still goes on. When it comes to Indian parents, there's never an other side, they act perfectly, and they're never in the wrong. We never get to hear the side of their children because there is none.

The film addresses the most important suffering that most senior citizens face today - Loneliness due to Negligence.

The film is well made and the performances of Mahesh Manjrekar and Medha Manjrekar are superb. Even if the film tends get melodramatic at times, it doesn't affect the over all flow of the film. The film sticks to its message till the end.

Director of photography, Ajit V. Reddy needs special mention here. He has done an excellent job which takes the movie to a totally different level. His way of using the lights and shadows has created a unique level of depth in each and every scene.