Retro

"Retro 2025" is primarily a showcase for the undeniable talent of Surya, who delivers a performance that is bound to leave audiences stunned. His portrayal of the character is captivating and powerful, demonstrating his commanding screen presence. Adding to the film's initial appeal is the "Kanimaa" song sequence, a vibrant and memorable portion of the movie with excellent visuals and an infectious soundtrack.

However, despite these significant strengths, "Retro 2025" ultimately struggles to maintain consistent engagement due to an overreliance on action sequences. While initial fight portions may be exciting and showcase Surya's physicality, their sheer volume becomes repetitive and eventually leads to a noticeable dip in viewer interest as the narrative progresses.

The focus on seemingly endless action overshadows other crucial elements of the film, potentially hindering the development of a more nuanced storyline and the exploration of supporting characters. While Surya's dedication to these scenes is evident, their excessive presence detracts from the overall cinematic experience for those who prefer a more balanced blend of action and narrative depth.

In conclusion, "Retro 2025" is a film that benefits immensely from Surya's stunning performance and the memorable "Kanimaa" song. However, viewers should be prepared for a movie that leans heavily into action, which unfortunately becomes its primary drawback, preventing it from reaching its full potential.

The story goes too deviated, it's bonkers!

I don't know the political logic behind this movie but it seems non existent, feels like a poorly made piece with the missing essence of a karthik subbaraj padam, the quality has down graded reminiscently and awful camera work, and when I say that, I don't mean shakey camera work, cuz sometimes it can be implemented artistically but this is just horrible. Colour grading is weird and the visuals where CGI was needed should've been compromised and now, this is just a try of a commercial film from Karthik subbaraj with modest budget... Also, karthik subbaraj must take a break from trying to bring large elements of emotional sadness, it didn't woth with Jigarthanda double x, it didn't work here either... Fight scenes in Karthik's movies are one of the best in tamil cinemas, but dude flying from a gunshot or maybe even from something the looks like an one ince punch never seemed to find it's way out of his recent movies. The concept of love between paari and rukmini too felt stretched out cuz it was just a constant cycle of "accept, regret, deny".. how did karthik subbaraj go from down to earth, realistic and connectable Jigarthanda, pizza, mahaan, to this thing whatever this is.. it was a fun movie to watch nonetheless and a lot of people would enjoy it.

Retro is signature Karthik Subbaraj-style cinema. It's a love story with a lot of action. Good to see Suriya in top form with this performance. Pooja Hegde is very good at expressing the innocence and emotions required for her role. Jayaram portrays his character with enjoyable comic timing. The sound design and background score really support the film well and are praiseworthy. The songs are enjoyable-especially Kannima, which is well integrated into a 15-minute-long one-take sequence.

That sequence is pure brilliance and not to be missed.

3/3 The movie is divided into different segments, and most of them are well shot and engaging. The 'Cult' plot in the first half felt a bit slow and dull but compensates in the second.

The film does lose the spark momentarily but gets back on track eventually. The characters have been given a pulp fiction treatment through their costume design and development, and it works well within the world of the film.

The color palette and set design are noticeable and vibrant.

The action sequences are good and enjoyable. Overall, Retro is a classy Subbaraj-style storytelling experience, and its execution of a simple yet interesting story along with technical finesse makes it entertaining and fun to watch on screen for most of its runtime. Do give it a watch!

OVERALL 7/10.

This movie is all about the main character finding his purpose in life. It stars The One Suriya, with Pooja Hegde, Prakash Raj, Nassar, Jayaram, and Joju George. The music is by Santhosh Narayanan, and the film is written and directed by Karthik Subbaraj.

Suriya, as always, did a great job. I think this is the first time he played such a violent role. His attitude, body language, and expressions were perfect. He really brought the character to life. Pooja Hegde was a surprise in this film. She didn't play a typical glamorous role, but she still looked cute and beautiful. More importantly, her acting was really good. I hope she picks strong scripts like this in the future. Jayaram's role was also very interesting, and he played it well. And the music by Santhosh Narayanan was one of the biggest strengths of the film it added a lot to the mood and energy.

In the first half, there's a long single-shot sequence that includes a song, action, and conversations and they pulled it off really well. Before Suriya's entry, the film takes its time to build up his character and show how violent he is. Those scenes also highlight the relationship between him and his father.

The story mainly follows Suriya's character. At one point, he ends up in jail, where he punishes himself, learns new physical skills, and eventually takes control of the place. After the jail scenes, the story moves to the Andaman Islands, where most of the second half takes place.

The chemistry between Suriya and Pooja Hegde is really good. Their love story is written nicely and feels natural. However, in the second half, a conflict arises between them, and Suriya's character enters a darker, more aggressive phase kind of like a fight club. That is when the tone of the story changes completely and becomes more intense and action-heavy. Overall, the first half is excellent. It follows the two taglines: Love and Laughter, and the film maintains that mood really well. The scenes are written clearly with proper emotion and setup. At the same time, the film hints that the second half will be all about War

Now, here is the issue the second half did not work as well as the first. The first half was strong, with well-developed characters and conflicts. So, people expected the second half to be even better. But the writer suddenly introduced a new plot, and that shifted the story from being about characters to being about a big plot, If the new plot had been solid, it would have worked. But sadly, it felt similar to the Jigarthanda DoubleX, The film started as a love story with action, but halfway through, it felt like a different movie. That is why I am pointing out the problem because the first half had great setup and payoff, but the second half didn't continue that level of quality.

Personally, I still liked the movie. The only problem was the second half. If they had written it as well as the first half, it would have been a blockbuster. Still, it is a strong theatrical comeback for Suriya. I hope he continues to get more good films.

There is a line in the film: "Once upon a time, there lived a ghost."That line really fits Suriya. About 10 years ago, his choice of films and box office performance were amazing. Everyone goes through difficulties. I hope this movie marks a strong comeback for him.

Surya as "THE ONE"-an orphan with a Trishul birthmark and a destiny bigger than his brooding face-steals the show in this wild, episodic ride. The film's tagline promises Love, Laughter, War, and boy, do we get that... plus two more additions: Cult and Dhamam, which felt somewhat grafted on, diluting the initial focus.

Surya's going through, like, a really cool changes in this flick. There's the intense into the void zone, the "Anjala" reject, a rage-filled guy, someone trying way too hard to be funny (clown zone), the saviour type, and then straight-up God mode! Seriously, it's been ages since we've seen him this range, and honestly, he's the only reason this whole movie wasn't a complete snore-fest

Okay, so the coolest but also kinda messed up part? Watching Paari's journey from being treated like he's absolutely nobody, like he's invisible trash to everyone around him, to becoming the guy calling all the shots and finally finding what he's meant to do.

Now, about that ending-"Dei Subbu, how could you end it THERE?!" (Yes, I heard that in the theatre too.) But hey, it still wraps up well, and there are those extra scenes after the credits roll.

Okay, so not gonna sugar-coat it, this movie was a mess in parts. Pooja Hegde failed at attempting gravitas and all deep and meaningful. And that "rustic" makeup? Seriously looked like someone smeared her face with instant coffee! LOL. Total buzzkill. I just sat there thinking, "Man, they really couldn't find anyone else for this role?" And the villain more like a buffoon. What a joke! Just made the second half even worst. The music? Meh, felt like Santosh Narayan just recycled some old or rejected tunes from earlier films especially "Karnan." And that "Cult" episode? Officially the worst part of the film. The film also tried to be all clever with the social commentary and mythology, but it mostly just face-planted. You just wish the writing and everything else had half the effort Surya put in.

Ultimately, Karthick Subbaraj wants us to, like, engage with its deliberate, if uneven, resolution. There's this definite cerebral current, these thematic gestures, a message being attempted. You appreciate the intent. But you can't help thinking, with more developed context, a deeper emotional anchor, Chubbu's could've knocked this one out of the park. Still, gotta hand it to Surya, he's just there. He Makes "Retro" worth a look, a decent hang, for sure.