Retro

"Retro 2025" is primarily a showcase for the undeniable talent of Surya, who delivers a performance that is bound to leave audiences stunned. His portrayal of the character is captivating and powerful, demonstrating his commanding screen presence. Adding to the film's initial appeal is the "Kanimaa" song sequence, a vibrant and memorable portion of the movie with excellent visuals and an infectious soundtrack.

However, despite these significant strengths, "Retro 2025" ultimately struggles to maintain consistent engagement due to an overreliance on action sequences. While initial fight portions may be exciting and showcase Surya's physicality, their sheer volume becomes repetitive and eventually leads to a noticeable dip in viewer interest as the narrative progresses.

The focus on seemingly endless action overshadows other crucial elements of the film, potentially hindering the development of a more nuanced storyline and the exploration of supporting characters. While Surya's dedication to these scenes is evident, their excessive presence detracts from the overall cinematic experience for those who prefer a more balanced blend of action and narrative depth.

In conclusion, "Retro 2025" is a film that benefits immensely from Surya's stunning performance and the memorable "Kanimaa" song. However, viewers should be prepared for a movie that leans heavily into action, which unfortunately becomes its primary drawback, preventing it from reaching its full potential.

I stand with Selvaragavan, After 2020 March the world has changed,Corona has changed the peoples minds, we enjoy only entertainment, we do not bother about the story or stroy line, we come to theatre only to spend our valuable time into a laughable time, but that too we miss it, we miss vivek sir. He too was taken by Corona. This movie is nothing but a childish remake of Ayirathil Oruvan,The original source of the story is the story of Exodus. Santhash Narayanan also didnt do justice for the movie by his music only Ilayarajas songs were used but nothing surpasses Rajinikanths Johnny. We lost our Ice Quarter.

Karthik Subbaraj's latest offering follows in the footsteps of his earlier films-ambitious in length and stuffed with more elements than a buffet plate at a wedding. The story juggles fresh ideas with some relics from the cinematic Stone Age, creating a mix that's uneven but occasionally intriguing.

The narration bears Subbaraj's signature-stylized, layered, and occasionally indulgent. It's a heady cocktail of drama, crime, action, and a social message thrown in for good measure, though not always blended smoothly.

The period setting and costume design, unfortunately, don't do much to transport us. Some scenes are crafted with flair, but much of the film feels like a slow jog through mediocrity.

Surya, ever the dependable performer, delivers yet another stellar turn in the lead. Joju George is excellent, making the most of every frame he appears in. As for Pooja Hegde-let's just say we've set our expectations at sea level, and she comfortably meets them. Blame the makeup team for some unflattering moments, not the mirror. The supporting cast does their job without making much noise.

The background score is decent, though it never soars. Cinematography is competent, with a few standout shots that show visual creativity.

Watch it if the promos got your attention, but leave your expectations at the door. It's not a bad film-just one that settles for being average when it could have aimed higher.

Surya as "THE ONE"-an orphan with a Trishul birthmark and a destiny bigger than his brooding face-steals the show in this wild, episodic ride. The film's tagline promises Love, Laughter, War, and boy, do we get that... plus two more additions: Cult and Dhamam, which felt somewhat grafted on, diluting the initial focus.

Surya's going through, like, a really cool changes in this flick. There's the intense into the void zone, the "Anjala" reject, a rage-filled guy, someone trying way too hard to be funny (clown zone), the saviour type, and then straight-up God mode! Seriously, it's been ages since we've seen him this range, and honestly, he's the only reason this whole movie wasn't a complete snore-fest

Okay, so the coolest but also kinda messed up part? Watching Paari's journey from being treated like he's absolutely nobody, like he's invisible trash to everyone around him, to becoming the guy calling all the shots and finally finding what he's meant to do.

Now, about that ending-"Dei Subbu, how could you end it THERE?!" (Yes, I heard that in the theatre too.) But hey, it still wraps up well, and there are those extra scenes after the credits roll.

Okay, so not gonna sugar-coat it, this movie was a mess in parts. Pooja Hegde failed at attempting gravitas and all deep and meaningful. And that "rustic" makeup? Seriously looked like someone smeared her face with instant coffee! LOL. Total buzzkill. I just sat there thinking, "Man, they really couldn't find anyone else for this role?" And the villain more like a buffoon. What a joke! Just made the second half even worst. The music? Meh, felt like Santosh Narayan just recycled some old or rejected tunes from earlier films especially "Karnan." And that "Cult" episode? Officially the worst part of the film. The film also tried to be all clever with the social commentary and mythology, but it mostly just face-planted. You just wish the writing and everything else had half the effort Surya put in.

Ultimately, Karthick Subbaraj wants us to, like, engage with its deliberate, if uneven, resolution. There's this definite cerebral current, these thematic gestures, a message being attempted. You appreciate the intent. But you can't help thinking, with more developed context, a deeper emotional anchor, Chubbu's could've knocked this one out of the park. Still, gotta hand it to Surya, he's just there. He Makes "Retro" worth a look, a decent hang, for sure.

Watched Retro with decent expectations-it looked cool from the trailer, and the idea had promise. The visuals and vibe were pretty solid, and I liked the music. It really tried to give off that gritty retro feel, and some scenes did pull me in, especially in the first half. The lead actor did a good job carrying the story, and the action was alright.

But after a point, it kinda lost me. The pacing slowed down, and it felt like the plot wasn't going anywhere. Some characters didn't feel fully developed, especially the villain-just felt flat and predictable. There were scenes that should've hit hard emotionally, but they didn't land. Felt like it needed tighter writing and maybe a bit more depth.

Overall, not a bad movie, but not great either. It's watchable, especially if you're into dark, stylish thrillers-but don't expect anything too deep or mind-blowing. I'd say it's okay for a one-time watch.