Tasian
- Serie de TV
- 2025
- 1h
CALIFICACIÓN DE IMDb
7.1/10
2.9 k
TU CALIFICACIÓN
Todos los viernes se vuelven miserables sin ti.Todos los viernes se vuelven miserables sin ti.Todos los viernes se vuelven miserables sin ti.
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Opiniones destacadas
A Powerful and Emotional Masterpiece
"Tasian" is one of the finest Iranian series I've seen in recent years. It presents a powerful, layered storyline filled with emotional depth and thoughtful pacing. The world-building and cinematography are nothing short of breathtaking - every frame feels intentional and rich with meaning. But what truly makes this series exceptional are the performances. Hootan Shakiba brings an intensity and vulnerability that's rarely seen, and Babak Hamidian delivers a performance that is subtle yet deeply impactful. Their chemistry is magnetic. This show is not just entertainment - it's art. Don't miss it.
Tasian - A Series That Left Me Conflicted
I'm not sure if I've grown distant from today's cinematic world or if the kind of love and romance portrayed in the series Tasian is just too exaggerated, unrealistic, and oddly artificial. Either way, something about it feels off.
The screenplay often loses its sense of logic, throwing me out of the story's world and making it hard to believe in the characters or their choices. For me, a good series is one where you can understand every character's decision - even if you don't agree with it. But in Tasian, neither the events nor the characters' reactions feel coherent or convincing. Because of that, what ultimately captures the audience's attention isn't the story itself, but rather one or two standout performances.
That being said, I did enjoy Tasian for several reasons: its willingness to break taboos (in clothing, physical touch, and subject matter), its challenge to long-standing boundaries within Iranian cinema, and the impressive costume design and acting - especially Saber Abar's performance as Saeed. I also have to applaud the series' stunning cinematography and shot composition, which give it a distinctive and artistic identity.
However, despite these strengths, the show has many weaknesses.
The first major issue is censorship. Throughout the series, you can feel the sharp blade of the censor's scissors - some scenes are awkwardly cut, and others are removed entirely, breaking the emotional continuity. The second issue is the script's inconsistency. Many times, what the characters say completely contradicts what they do. For example, Saeed claims he wants to solve problems through conversation, yet moments later he starts a fight - even leading to violence. And scenes like this appear far too often.
Finally, the pacing is uneven; the series often drags and loses its rhythm halfway through.
Overall, I'm fifty-fifty on Tasian. I wouldn't recommend it to someone who's used to watching international, well-structured shows, but if you mainly watch Iranian series, you've probably already seen it by now - so what can I say?
Oh, and I almost forgot - Tasian also has a few charming touches: nostalgic Iranian classic music, clever references to pre-revolution cinema, and beautiful shots of natural landscapes in the later episodes.
The screenplay often loses its sense of logic, throwing me out of the story's world and making it hard to believe in the characters or their choices. For me, a good series is one where you can understand every character's decision - even if you don't agree with it. But in Tasian, neither the events nor the characters' reactions feel coherent or convincing. Because of that, what ultimately captures the audience's attention isn't the story itself, but rather one or two standout performances.
That being said, I did enjoy Tasian for several reasons: its willingness to break taboos (in clothing, physical touch, and subject matter), its challenge to long-standing boundaries within Iranian cinema, and the impressive costume design and acting - especially Saber Abar's performance as Saeed. I also have to applaud the series' stunning cinematography and shot composition, which give it a distinctive and artistic identity.
However, despite these strengths, the show has many weaknesses.
The first major issue is censorship. Throughout the series, you can feel the sharp blade of the censor's scissors - some scenes are awkwardly cut, and others are removed entirely, breaking the emotional continuity. The second issue is the script's inconsistency. Many times, what the characters say completely contradicts what they do. For example, Saeed claims he wants to solve problems through conversation, yet moments later he starts a fight - even leading to violence. And scenes like this appear far too often.
Finally, the pacing is uneven; the series often drags and loses its rhythm halfway through.
Overall, I'm fifty-fifty on Tasian. I wouldn't recommend it to someone who's used to watching international, well-structured shows, but if you mainly watch Iranian series, you've probably already seen it by now - so what can I say?
Oh, and I almost forgot - Tasian also has a few charming touches: nostalgic Iranian classic music, clever references to pre-revolution cinema, and beautiful shots of natural landscapes in the later episodes.
amirhosseinahg
Short Positive Review of Tasyan (No Spoilers)
Tasyan, directed by Tina Pakravan, presents a distinctive blend of romance, history, and cultural drama, beautifully reconstructing 1970s Iran with rich textures and emotional depth. If you're looking for a story that's both heartfelt and suspenseful, this series delivers.
Strengths to highlight:
Authentic period recreation: Exceptional set design, costumes, makeup, and visual styling convincingly evoke the era.
Compelling performances: Hootan Shakiba, Mahsa Hejazi, Babak Hamidian, and Pantea Panahiha bring their characters to life with emotional nuance.
Evocative soundtrack: The music enhances the romantic, political, and tense moods of the narrative.
Female-centered drama in historical context: Focusing on a woman's journey within a socially turbulent period adds depth and uniqueness.
Bold portrayal of Iranian identity and arts: The story weaves in cultural figures and intellectual life, celebrating resilience and creativity under repression.
The show lightly leans on genre tropes like cross-class romance and has occasional pacing lags-but overall, it's a thoughtful and engaging historical romance. Tasyan is a standout pick for anyone who appreciates emotional storytelling with cultural resonance.
Amirhosseinahg.
Strengths to highlight:
Authentic period recreation: Exceptional set design, costumes, makeup, and visual styling convincingly evoke the era.
Compelling performances: Hootan Shakiba, Mahsa Hejazi, Babak Hamidian, and Pantea Panahiha bring their characters to life with emotional nuance.
Evocative soundtrack: The music enhances the romantic, political, and tense moods of the narrative.
Female-centered drama in historical context: Focusing on a woman's journey within a socially turbulent period adds depth and uniqueness.
Bold portrayal of Iranian identity and arts: The story weaves in cultural figures and intellectual life, celebrating resilience and creativity under repression.
The show lightly leans on genre tropes like cross-class romance and has occasional pacing lags-but overall, it's a thoughtful and engaging historical romance. Tasyan is a standout pick for anyone who appreciates emotional storytelling with cultural resonance.
Amirhosseinahg.
10mersad-2
How much does one expect from a drama series?
Along with Tasian's beautiful story this film clearly shows the damage the communists did to Iran and how the regime was changed The film showed the true nature of this group with the least distortion and in the most beautiful way
But the political part of the series, Let's talk about Amir, Tasian, shows well what true love does to a person, although sometimes we feel that she doesn't behave like a normal person in love!
And in conclusion, Tasian successfully rejected the limitations of filmmaking in Iran and made such a beautiful and successful film
Thank you to Ms. Tina Pakravan, wishing her success in her future endeavors.
But the political part of the series, Let's talk about Amir, Tasian, shows well what true love does to a person, although sometimes we feel that she doesn't behave like a normal person in love!
And in conclusion, Tasian successfully rejected the limitations of filmmaking in Iran and made such a beautiful and successful film
Thank you to Ms. Tina Pakravan, wishing her success in her future endeavors.
A Thought-Provoking and Well-Crafted Drama
Tasian is a beautifully made series. Beyond the romantic storyline, what stood out was its powerful commentary on a certain mindset: people who, instead of taking responsibility for their own failures, blame society, success, or others for their lack of progress. It thoughtfully portrays how some hide behind ideological labels-like socialism or anti-capitalism-not out of principle, but as a way to justify bitterness, envy, and inaction. The series does a great job of showing how destructive resentment can be when directed at those who strive, achieve, and move forward. A bold and timely message wrapped in compelling storytelling.
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
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