Trisha on the Rocks

This kind of very light hearted, understanding, caring fathers' movie, that too in gujarati ! Now Guj films have up dated their horizons...Hiten, Janki, Gohil did very well. Direction too is full of moments.continuty missing... .. overstretched laughter sequence but Won't spoil your Prime-mood. One flag, you have to be an understanding father. Janki Hiten have impressed this in film Vash...specially where Hiten while in swiming pool shows the Chemistry and holds thr'out the film. Father Daughter repo.... Director caught that clue and went for just more than adhi kalak hrs kadhi receipe. ! An entertaining urban cultured non dry advances this generation gets in to till trouble some conditions often.... Self realized mistake and repenting...Natural story telling. Very soft but real amusing specially acting part. Hero Gohil is a Bootlegar! But has his own esteem level self made identity!, deep rooted Sanskars...came to surface by a lucky badnam "One Night Stand".(People grossly will reject this hero was a Bootlager but lady was high cultured,,,,,became vulnerable in an overdose drinks) ..... I enjoyed the chemistry... Father has no choice but this film searches ... A lesson taught to this G next year whatever they "free is felt" and the "Nakhara they are venturing" is because of _strong parental stable support_ and Caring children in spite of their wrong doing.

Dear director please try anything but not making movie.

Pathetic movie ever i jave seen.

There is no plot, long shots of the same person just laughing, which makes it too boring.

Acted so poorly that you can't connect with any character.

It's not worth anyone's time.

The first half is okay though, but the second half makes you think, why are you still watching? Editing is nearly zero. Those long face close-ups last so long that you get irritated and plan to leave the theater.

Fake and long laughs were too obvious and it was painful to watch. The movie lacked any real emotional depth or engagement. Overall, it's a disappointing experience that fails to entertain or leave any lasting impression.

I watched this film only because of Janki Bodiwala. After Shaitan, my expectations from Janki were high, hoping to see some good acting from her. The movie starts off well, but as it progresses, it becomes very slow and boring. They've tried to do something new, but I feel the casting could have been better, and so could the acting. The emotional scenes fail to connect, leaving a sense of incompleteness.

Janki Bodiwala

Janki's random expressions and long laughing without reason don't make sense. The prolonged laughter is very irritating, almost as if she took the laughing scenes from Shaitan too seriously.

I don't understand how people are giving this movie 10 stars.

So boring and very poor acting.

There is no plot, long shots of the same person just laughing, which makes it too boring.

Acted so poorly that you can't connect with any character.

It's not worth anyone's time.

The first half is okay though, but the second half makes you think, why are you still watching? Editing is nearly zero. Those long face close-ups last so long that you get irritated and plan to leave the theater.

Fake and long laughs were too obvious and it was painful to watch. The movie lacked any real emotional depth or engagement. Overall, it's a disappointing experience that fails to entertain or leave any lasting impression.

Very bed movie very long and boring.

Bed movies, also known as "mattress films" or "pillow cinema," have carved out a unique niche in the entertainment industry. These films are designed to be watched from the comfort of one's bed, catering to viewers who prefer a more relaxed and intimate viewing experience. While not a formal genre, bed movies share certain characteristics that set them apart from traditional cinema.

The concept of bed movies gained popularity with the rise of streaming services and the increasing prevalence of personal devices like tablets and smartphones. These technological advancements have made it easier than ever for people to consume content in bed, leading filmmakers to create works specifically tailored for this viewing environment.

One of the defining features of bed movies is their pacing. Unlike action-packed blockbusters or intense thrillers, these films tend to have a slower, more contemplative rhythm. They often focus on character development and nuanced storytelling rather than relying on explosive set pieces or complex plot twists. This measured approach allows viewers to engage with the content without feeling overwhelmed or overstimulated, making it easier to drift off to sleep if desired.

Visually, bed movies tend to favor soft lighting and muted color palettes. Cinematographers working in this space often employ techniques that reduce eye strain and create a soothing atmosphere. Long, static shots are common, allowing viewers to absorb the imagery at their own pace without the jarring effects of rapid editing or shaky cam techniques.