Day One
- El episodio se transmitió el 4 may 2025
- TV-MA
- 53min
CALIFICACIÓN DE IMDb
6.1/10
39 k
TU CALIFICACIÓN
En Seattle, Ellie y Dina se encuentran en medio de una brutal batalla entre los celosos Serafines y una despiadada milicia.En Seattle, Ellie y Dina se encuentran en medio de una brutal batalla entre los celosos Serafines y una despiadada milicia.En Seattle, Ellie y Dina se encuentran en medio de una brutal batalla entre los celosos Serafines y una despiadada milicia.
- Dirección
- Guionistas
- Elenco
Gabriel Luna
- Tommy Miller
- (solo créditos)
Young Mazino
- Jesse
- (solo créditos)
Opiniones destacadas
As one of few people who liked TLOU2 video game, I start slowly disliking the show.
We waste time on cringy, I guess what are supposed to be "heartfelt moments", but we rush through the most interesting action sequences that the story had to offer.
So far there is nothing this TV Show in it's second season, would do better than the overhated game.
I see people who hated TLOU2 and they are starting to say the game was better.
The unnecessary changes are the most painful of all things.
Why did they decide to leave Tommy in Jackson? He was an integral part of the story in the games.
Why is the tone switched to "we are on a happy trip" from the grim and dark tone present in the game.
That was one of the reasons, why I loved The Last of Us Part II, the darkness, the violent scenes, constant fights between protagonists who were ON THE JOURNEY TO KILL 6 PEOPLE! Here it feels like we are watching Date Trip, some sort of extended Honeymoon.
And the "I'm gonna be a dad scene"... c'mon. The interaction between Ellie and Dina in the game during these reveals was way better and more human than what we have here.
Maybe Neil Druckmann deserves more credit than people give him, because he isn't writing these episodes, but he did write the game.
We waste time on cringy, I guess what are supposed to be "heartfelt moments", but we rush through the most interesting action sequences that the story had to offer.
So far there is nothing this TV Show in it's second season, would do better than the overhated game.
I see people who hated TLOU2 and they are starting to say the game was better.
The unnecessary changes are the most painful of all things.
Why did they decide to leave Tommy in Jackson? He was an integral part of the story in the games.
Why is the tone switched to "we are on a happy trip" from the grim and dark tone present in the game.
That was one of the reasons, why I loved The Last of Us Part II, the darkness, the violent scenes, constant fights between protagonists who were ON THE JOURNEY TO KILL 6 PEOPLE! Here it feels like we are watching Date Trip, some sort of extended Honeymoon.
And the "I'm gonna be a dad scene"... c'mon. The interaction between Ellie and Dina in the game during these reveals was way better and more human than what we have here.
Maybe Neil Druckmann deserves more credit than people give him, because he isn't writing these episodes, but he did write the game.
This series is slowly losing its grip. Once a exciting survival adventure with a duo that created a sparkling "father/daughter" chemistry have now turned into a teenage girls drama.
I don't think Bella Ramsey as Ellie, can carry this series by herself and it's getting more and more obvious each episode. Her acting is not diverse enough and it's not believable enough. It has become quite clear that we needed a Joel to balance things out.
I haven't played the games so my view on things are not colored by how the games was, but I think it really is time for this series to step up if they are going to keep the audience. They need to compensate from the loss of one of the main core characters, otherwise this will just be a waste of time.
I don't think Bella Ramsey as Ellie, can carry this series by herself and it's getting more and more obvious each episode. Her acting is not diverse enough and it's not believable enough. It has become quite clear that we needed a Joel to balance things out.
I haven't played the games so my view on things are not colored by how the games was, but I think it really is time for this series to step up if they are going to keep the audience. They need to compensate from the loss of one of the main core characters, otherwise this will just be a waste of time.
The brilliance of the story lies in this:
At first, you have no idea who Abby is or why she's doing what she's doing. She's just a stranger killing someone you deeply care about after spending 20 hours playing as them. Naturally, you hate her. By the time the game gets to Seattle, Tommy is already on a warpath, and Ellie is hell-bent on revenge and is willing to kill anyone who gets in her way.
Then everything changes. You start playing as Abby.
At first, you still see her as the villain. But slowly... almost without realizing it, you begin to understand her. Her father. The Fireflies. What Joel took from her. You learn that Abby isn't evil. She's a survivor. A respected leader. Loved by many. A WLF not by choice, but by necessity. And then it hits you: Abby stops killing. She walks away. No vendetta against Jackson. No revenge against Joel's brother. Just... justice.
Ellie, on the other hand, says she's seeking justice, but it's revenge. And that realization forces you to question your own morality. What would you do? And the hardest question of all: is Ellie actually a terrible person?
I won't spoil the ending, but to me, it's one of the most powerful, emotionally complex moments in storytelling because of that flipped perspective.
The game masterfully plays to each character's strengths: Ellie is small but smart and deadly. Dina excels at understanding and managing the infected. Abby is a physical powerhouse, able to go fight virtually anyone.
That balance, that nuance, needs to carry over into the show. But so far, it feels like they've abandoned it.
I'm still all in, but my concern isn't just about Pascal. It's about the story itself. Some of the most important narrative elements are already missing.
At first, you have no idea who Abby is or why she's doing what she's doing. She's just a stranger killing someone you deeply care about after spending 20 hours playing as them. Naturally, you hate her. By the time the game gets to Seattle, Tommy is already on a warpath, and Ellie is hell-bent on revenge and is willing to kill anyone who gets in her way.
Then everything changes. You start playing as Abby.
At first, you still see her as the villain. But slowly... almost without realizing it, you begin to understand her. Her father. The Fireflies. What Joel took from her. You learn that Abby isn't evil. She's a survivor. A respected leader. Loved by many. A WLF not by choice, but by necessity. And then it hits you: Abby stops killing. She walks away. No vendetta against Jackson. No revenge against Joel's brother. Just... justice.
Ellie, on the other hand, says she's seeking justice, but it's revenge. And that realization forces you to question your own morality. What would you do? And the hardest question of all: is Ellie actually a terrible person?
I won't spoil the ending, but to me, it's one of the most powerful, emotionally complex moments in storytelling because of that flipped perspective.
The game masterfully plays to each character's strengths: Ellie is small but smart and deadly. Dina excels at understanding and managing the infected. Abby is a physical powerhouse, able to go fight virtually anyone.
That balance, that nuance, needs to carry over into the show. But so far, it feels like they've abandoned it.
I'm still all in, but my concern isn't just about Pascal. It's about the story itself. Some of the most important narrative elements are already missing.
Lover of the game here. Let me start this off by saying that I'm not allergic to changes, matter of fact, I loved most that occurred in the first season, but these have all been for the worse, and I can't force myself to enjoy the show anymore.
There is a very fine line, and the show shines when it ADDS to the story (like Isaac's background), not takes away from it. All of these changes so far have been completely needless and even worse, they've sucked out all of the tension, sense of urgency, danger and all of the atmosphere that devs of Naughty Dog crafted so masterfully. Matter of fact, atmosphere is a HUGE part of the game and without it, a lot of story beats just fall flat. And it is ironic that one of the biggest criticisms for the game is the pacing, but the pacing of the TV show is incredibly worse and makes the game look even better.
What baffles me even more is that Neil Druckmann is involved. I haven't seen a writer as out of touch with his work as this but here we are. And I say this as someone who has him as one of my favourite writers. And before any one cries "hE iS nOt a CreDitEd wRitEr uNtiL ePiSodE 6", mate, if you don't think he had any say in the scripting process pre-episode 6, then you are delusional.
Had you asked me a year ago what TV show I think would sweep the Emmy's, I would've said TLOU, simply because Part 2 is one of my favourite stories in gaming. But if you asked me this now - I'd tell you that all 3 of Severance, Andor and The Pitt will comfortably share its awards.
Oh and let me quickly touch on Bella Ramsey. Thought she was excellent last season, but she is simply not up to par for the role now. The script and particularly the childish dialogue isn't doing her any favours, but the holes in her acting are glaring.
The show is essentially the "CW PG-13" version of the game and honestly, I feel bad for the TV only audience who won't know any better.
There is a very fine line, and the show shines when it ADDS to the story (like Isaac's background), not takes away from it. All of these changes so far have been completely needless and even worse, they've sucked out all of the tension, sense of urgency, danger and all of the atmosphere that devs of Naughty Dog crafted so masterfully. Matter of fact, atmosphere is a HUGE part of the game and without it, a lot of story beats just fall flat. And it is ironic that one of the biggest criticisms for the game is the pacing, but the pacing of the TV show is incredibly worse and makes the game look even better.
What baffles me even more is that Neil Druckmann is involved. I haven't seen a writer as out of touch with his work as this but here we are. And I say this as someone who has him as one of my favourite writers. And before any one cries "hE iS nOt a CreDitEd wRitEr uNtiL ePiSodE 6", mate, if you don't think he had any say in the scripting process pre-episode 6, then you are delusional.
Had you asked me a year ago what TV show I think would sweep the Emmy's, I would've said TLOU, simply because Part 2 is one of my favourite stories in gaming. But if you asked me this now - I'd tell you that all 3 of Severance, Andor and The Pitt will comfortably share its awards.
Oh and let me quickly touch on Bella Ramsey. Thought she was excellent last season, but she is simply not up to par for the role now. The script and particularly the childish dialogue isn't doing her any favours, but the holes in her acting are glaring.
The show is essentially the "CW PG-13" version of the game and honestly, I feel bad for the TV only audience who won't know any better.
I won't get into spoilers but seriously there should have been someone, anyone in the writers room to say something along of the lines of « hm, that sequence of events at the end between the two female characters feels forced and out of nowhere, shouldn't we rethink this? »
It makes no sense to the viewer so why couldn't the writers pick it up??
You know there's a problem when as a viewer I'm more interested in Jeffrey Wright's character and I roll my eyes at the main characters' actions.
C'mon writers, do better than this teen drama drivel.
My 6 rating is solely based on the action sequences that were outstanding, the character building of the two female characters, not so much.
It makes no sense to the viewer so why couldn't the writers pick it up??
You know there's a problem when as a viewer I'm more interested in Jeffrey Wright's character and I roll my eyes at the main characters' actions.
C'mon writers, do better than this teen drama drivel.
My 6 rating is solely based on the action sequences that were outstanding, the character building of the two female characters, not so much.
The 77th Emmys Acting Nominees in Character
The 77th Emmys Acting Nominees in Character
Check out our gallery of the nominees in the leading and supporting acting categories.
¿Sabías que…?
- TriviaThe Capitol Hill scenes--the tank, rainbow flags, and music store--were adapted closely from the game, in which they were optional; Druckmann was interested to discover which ones Craig Mazin would include. They considered the music store especially important; it was one of director Kate Herron's favorite scenes from the game.
- ErroresAt time-stamp 33:45, in the subway scene where Ellie and Dina are taking cover, Dina silently counts on her fingers. When she reaches four, she has her thumb tucked in, while keeping the other fingers-including her pinkie-extended. However, when she reaches five, the last finger she extends is her pinkie, when it should have been her thumb.
- Bandas sonorasTake on Me
(uncredited)
Written by Magne Furuholmen (as Magne "Mags" Furuholmen), Morten Harket, Pål Waaktaar
Performed by Bella Ramsey
[14m]
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Detalles
- Tiempo de ejecución
- 53min
- Color
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