9:00 P.M.
- El episodio se transmitió el 10 abr 2025
- TV-MA
- 1h
CALIFICACIÓN DE IMDb
9.1/10
3.2 k
TU CALIFICACIÓN
Mientras el turno de día se prepara para volver finalmente a casa, Robby recurre a métodos poco ortodoxos para convencer al padre de un adolescente en estado crítico de que le permita recibi... Leer todoMientras el turno de día se prepara para volver finalmente a casa, Robby recurre a métodos poco ortodoxos para convencer al padre de un adolescente en estado crítico de que le permita recibir tratamiento.Mientras el turno de día se prepara para volver finalmente a casa, Robby recurre a métodos poco ortodoxos para convencer al padre de un adolescente en estado crítico de que le permita recibir tratamiento.
- Dirección
- Guionistas
- Elenco
Tracy Ifeachor
- Dr. Heather Collins
- (solo créditos)
Opiniones destacadas
10kazuarcg
What a way to end the season with an intense and haunting 42 minute episode that sheds all its pretenses and just plunges into the emotional ruin of an endless 15-hour trauma shift. This episode is more about what's left behind in the ER and not so much about what transpires there, like the pain, the insomnia, the culpability, and the brother/sisterhood bonds. All while Noah Wyle performs his career-best role to date as Dr. Robby, whose subdued meltdown on the rooftop with Dr. Abbott shakes to its very foundations with raw emotion. Every character has his moment and no moments are wasted. It's an unflinchingly intimate depiction of what it costs to save lives set to surgical rhythm and heart-rending humanity. Absolutely unforgettable.
The thing is that it's still a hospital soap opera, even if a realistic, sophisticated one: it would be a great mini-series, because what's the point of another series? It's a depiction of a work environment, it could be an anthology, rotating characters in and out, but the institution itself is the star, not Wyle or any other actor.
Still, it's the best hospital show I've ever watched, the genre itself is difficult to elevate above a mere soap opera. The writing is indeed kind of soapy, but of the best kind, and they must have had a few actual ER doctors on the writing staff because the work-speak part is pretty impressive. Cast good, bingeable, good compelling fun.
Still, it's the best hospital show I've ever watched, the genre itself is difficult to elevate above a mere soap opera. The writing is indeed kind of soapy, but of the best kind, and they must have had a few actual ER doctors on the writing staff because the work-speak part is pretty impressive. Cast good, bingeable, good compelling fun.
First, a round of applause and a heartfelt hug for such a beautiful epilogue.
The masterful performances by Noah Wyle, Shawn Hatosy, and Katherine LaNasa were so captivating, I felt I could watch their conversations forever.
A truly great story always leaves something behind for the future-hope, anxiety, and the quiet moments of everyday life.
I'm deeply grateful to John Wells as well. You always manage to thrill us, to stir our emotions, to anchor our hearts.
I watched this show every week from Japan, always looking forward to each episode. I'm sure there are many others around the world like me.
Thank you all. I wish you happiness.
Bye-bye. See you again (*´-'*)
The masterful performances by Noah Wyle, Shawn Hatosy, and Katherine LaNasa were so captivating, I felt I could watch their conversations forever.
A truly great story always leaves something behind for the future-hope, anxiety, and the quiet moments of everyday life.
I'm deeply grateful to John Wells as well. You always manage to thrill us, to stir our emotions, to anchor our hearts.
I watched this show every week from Japan, always looking forward to each episode. I'm sure there are many others around the world like me.
Thank you all. I wish you happiness.
Bye-bye. See you again (*´-'*)
What an emotional rollercoaster this show has been. Hats off to all those involved in the creation of The Pitt for allowing us to experience some of the realities that our healthcare workers experience on a daily basis.
How these doctors, nurses, EMTs, etc. Can have a day like this and still return to work the next day, without knowing what is going to come through the door, simply amazes me. I am grateful for people who dedicate their lives to care of others.
This episode wrapped up the shift from hell with many questions answered, but many left for the next season, which I can't wait to see. An excellent finale to a truly great show.
How these doctors, nurses, EMTs, etc. Can have a day like this and still return to work the next day, without knowing what is going to come through the door, simply amazes me. I am grateful for people who dedicate their lives to care of others.
This episode wrapped up the shift from hell with many questions answered, but many left for the next season, which I can't wait to see. An excellent finale to a truly great show.
After a day such as this, no one could be faulted for never returning to work again. What unfolds is not simply another shift in the ER but a day weighted with trauma, irrevocably altering relationships and reshaping lives. Yet at the heart of this episode-and of the series as a whole-lingers a central question: why do these healthcare workers keep coming back, even after all they have endured? While the episode resists offering a definitive answer, it gestures toward one that feels both simple and profound: it lies in their very nature, an instinct to help those in need. This ethos is reflected throughout the narrative, whether in Dr. McKay's efforts to confront David with his own struggles or in Dr. Santos's willingness to share her past in order to reach a patient. These figures embody a relentless commitment to easing suffering, fully aware of the consequences of absence. In the aftermath of one of the hospital's most devastating mass-casualty events, the gradual recognition of what has transpired emerges with harrowing clarity. The result is a powerful hour of television that not only provides a satisfying culmination to the season but also affirms the series' sustained excellence across its fifteen-episode run, a testament to both its craft and its humanity.
The series has consistently demonstrated a capacity to probe the emotional depths of its characters, but with this episode it ascends to a new register of intimacy and resonance. Over the course of the day, many of these figures have evolved, and by this point, fatigue has set in. That emotional exhaustion cultivates a greater willingness to open themselves to others, to seek connection and support before the inevitable end of their shift. The result is an episode that feels both rich and deeply satisfying, bringing several character arcs to a meaningful close while simultaneously laying the groundwork for compelling narrative directions to come.
Throughout its run, the series has thrived on the intensity of its high-pressure workplace. Yet in its final hour, it shifts toward a more reflective register. Critical patients continue to arrive, but the narrative allows space for moments of pause and introspection. Characters who have long been defined by their resilience are finally shown reckoning with exhaustion and vulnerability, a reminder that they are not superhuman. This tonal shift is exemplified in several key scenes, most poignantly in a rooftop exchange between Dr. Robby and Dr. Abbot-a moment that echoes their first encounter in the premiere and provides a moving sense of closure.
A notable strength of this finale lies in its refusal to sacrifice narrative closure for the sake of setting up a second season. Confident in the audience's investment, the episode allows itself to conclude existing storylines with integrity rather than relying on manufactured cliffhangers. While certain relationships remain open for future development, the finale ensures that no arc feels unfinished. The result is an ending that positions the characters in places that feel both earned and honest, while still leaving space for organic continuation.
It is no secret that this ensemble is operating at an exceptionally high level, yet their collective achievement bears repeating. Noah Wyle leads with remarkable depth, consistently elevating his performance with each successive episode. Katharine LaNasa emerges as the series' emotional anchor and perhaps its most underappreciated presence, grounding the core cast and reminding them-both within the narrative and in tone-not to abandon their humanity at critical moments. Special recognition is also due to Shawn Hatosy, whose presence bookends the season: first in the premiere and again in the harrowing final act, where he imbues the story with both wisdom and wit.
"9:00 P. M." brings a remarkable season of television to a close with a somber and reflective hour that delivers genuine narrative and emotional closure. The episode acknowledges the hardships endured by its characters, framing these struggles as catalysts for growth and transformation that enrich their arcs. At the same time, it positions the series for continuation, setting the stage for a second season that promises to build upon both the characters' development and the show's thematic foundations.
The series has consistently demonstrated a capacity to probe the emotional depths of its characters, but with this episode it ascends to a new register of intimacy and resonance. Over the course of the day, many of these figures have evolved, and by this point, fatigue has set in. That emotional exhaustion cultivates a greater willingness to open themselves to others, to seek connection and support before the inevitable end of their shift. The result is an episode that feels both rich and deeply satisfying, bringing several character arcs to a meaningful close while simultaneously laying the groundwork for compelling narrative directions to come.
Throughout its run, the series has thrived on the intensity of its high-pressure workplace. Yet in its final hour, it shifts toward a more reflective register. Critical patients continue to arrive, but the narrative allows space for moments of pause and introspection. Characters who have long been defined by their resilience are finally shown reckoning with exhaustion and vulnerability, a reminder that they are not superhuman. This tonal shift is exemplified in several key scenes, most poignantly in a rooftop exchange between Dr. Robby and Dr. Abbot-a moment that echoes their first encounter in the premiere and provides a moving sense of closure.
A notable strength of this finale lies in its refusal to sacrifice narrative closure for the sake of setting up a second season. Confident in the audience's investment, the episode allows itself to conclude existing storylines with integrity rather than relying on manufactured cliffhangers. While certain relationships remain open for future development, the finale ensures that no arc feels unfinished. The result is an ending that positions the characters in places that feel both earned and honest, while still leaving space for organic continuation.
It is no secret that this ensemble is operating at an exceptionally high level, yet their collective achievement bears repeating. Noah Wyle leads with remarkable depth, consistently elevating his performance with each successive episode. Katharine LaNasa emerges as the series' emotional anchor and perhaps its most underappreciated presence, grounding the core cast and reminding them-both within the narrative and in tone-not to abandon their humanity at critical moments. Special recognition is also due to Shawn Hatosy, whose presence bookends the season: first in the premiere and again in the harrowing final act, where he imbues the story with both wisdom and wit.
"9:00 P. M." brings a remarkable season of television to a close with a somber and reflective hour that delivers genuine narrative and emotional closure. The episode acknowledges the hardships endured by its characters, framing these struggles as catalysts for growth and transformation that enrich their arcs. At the same time, it positions the series for continuation, setting the stage for a second season that promises to build upon both the characters' development and the show's thematic foundations.
¿Sabías que…?
- TriviaAllegheny Commons Park Is across the street from the real hospital that The Pitt is based on, and staff of that hospital will decompress after a hard shift in this park.
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
- Bandas sonorasLike Sugar
Written by Bill Curtis, Johnny Flippin, Sarah Ann Ruba, Chaka Khan, Switch
Performed by Chaka Khan
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Mezcla de sonido
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