Xiang yang: Hua

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

The plot begins with a bit of narration and gradually builds to a climax. The kind of movie becomes more interesting the more you watch it. It experiences suffering but doesn't respond with anger. It can be wronged, but won't be insulted. It fights back immediately when trampled upon, showcasing incredible perseverance and resilience. If society causes the pain, they will respond in kind. With this level of expression, We Girls points to a deeper meaning. Why did these characters suffer such a fate? Was it because they were imprisoned? Or is there more to it? This question reflects the contemplation left by the Director. I enjoy the movies that make you think. The ending is uplifting, leaving me with a sense of relief. It's been a long time since I saw such a warm film in the theater-it's heartwarming, joyful, heart-wrenching, and tense.

The essence of the narrative revolves around the courageous act of confronting injustice and the importance of vocalizing our emotions when we feel hurt or distressed. It emphasizes seizing the moment and tackling challenges head-on, especially during those unpredictable twists and turns that life often presents. This approach embodies the spirit of We Girls, as it resonates with the diverse experiences we all share. I am genuinely excited about how this film captures the powerful dynamic of women supporting one another. It beautifully illustrates the importance of expressing feelings openly rather than suppressing them, fostering connection and understanding. The performances are not only compelling but also packed with depth and significance, conveying a message that truly resonates on multiple levels. Given its impactful storytelling and heartfelt execution, I believe this film deserves an impressive score of 9.

We girls not only look confidently toward the future but also embody the ideals of solidarity and mutual support. This film powerfully expands on the themes of female realism, vividly depicting the survival challenges faced by women who have been released from prison. Gao Yuexiang, as a mother, refuses to rely on men or seek pity; she stands firm in her own abilities and self-reliance. As the saying goes, "Just treat yourself as a piece of iron." Gao Yuexiang represents iron, with life acting as the hammer. After enduring countless challenges, she forges herself into a sharp sword, ready to confront evil and tackle the injustices of life head-on.

Zhao Liying delivers an outstanding performance in this film, which, together with its compelling narrative, leaves a profound and lasting impact on the audience.

We Girls is an excellent female-themed movie, featuring characters who each have their own unique highlights. Despite facing a challenging struggle for survival after being released from prison, they remain hopeful and embody the tenacity of life, striving to live positively. The mutual support among women throughout the film brought me to tears. This film is truly a rare masterpiece. From a narrative perspective, We Girls is also very well-structured. It has a tight rhythm and clever plot design, without any sense of delay, which keeps the audience engaged. The director employs delicate cinematography to authentically portray the lives of everyday people, such as Gao Yuexiang, allowing the audience to deeply feel their joys, sorrows, anger, and happiness.

The Chinese name of this movie is "Sunflower," which symbolizes positivity and happiness. Similarly, the film presents a unique perspective on the resilience of ordinary people who refuse to bow down and bravely confront difficult circumstances. It conveys the message that while life is tough, hope is everlasting. The strength of life and a smile can overcome any hardship.