Xiang yang: Hua

We Girls is an excellent female-themed movie, featuring characters who each have their own unique highlights. Despite facing a challenging struggle for survival after being released from prison, they remain hopeful and embody the tenacity of life, striving to live positively. The mutual support among women throughout the film brought me to tears. This film is truly a rare masterpiece. From a narrative perspective, We Girls is also very well-structured. It has a tight rhythm and clever plot design, without any sense of delay, which keeps the audience engaged. The director employs delicate cinematography to authentically portray the lives of everyday people, such as Gao Yuexiang, allowing the audience to deeply feel their joys, sorrows, anger, and happiness.

The Chinese name of this movie is "Sunflower," which symbolizes positivity and happiness. Similarly, the film presents a unique perspective on the resilience of ordinary people who refuse to bow down and bravely confront difficult circumstances. It conveys the message that while life is tough, hope is everlasting. The strength of life and a smile can overcome any hardship.

The plot begins with a bit of narration and gradually builds to a climax. The kind of movie becomes more interesting the more you watch it. It experiences suffering but doesn't respond with anger. It can be wronged, but won't be insulted. It fights back immediately when trampled upon, showcasing incredible perseverance and resilience. If society causes the pain, they will respond in kind. With this level of expression, We Girls points to a deeper meaning. Why did these characters suffer such a fate? Was it because they were imprisoned? Or is there more to it? This question reflects the contemplation left by the Director. I enjoy the movies that make you think. The ending is uplifting, leaving me with a sense of relief. It's been a long time since I saw such a warm film in the theater-it's heartwarming, joyful, heart-wrenching, and tense.

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

I am pleased to express my appreciation for the film *We Girls*, which provides valuable insight into the experiences of individuals at the lower strata of society through the lens of incarceration. While the characters portrayed are indeed criminals who have deviated from socially acceptable behavior, it is essential to acknowledge the complexities of their situations. They embody women who find themselves ensnared by the pressures of life.

For instance, the character Gao Yuexiang, portrayed by Zhao Liying, aspires to lead a dignified life while striving to secure a better future for her daughter. She confronts numerous adversities and societal challenges, often portraying herself as a strong woman. Despite their challenging circumstances, she and others in similar situations merit the chance for renewal and the pursuit of a hopeful outlook on life.

The performances delivered by the cast are commendable, effectively engaging the audience in the narrative of the film.

I initially believed that heavy narratives of suffering would consume Xiang Yang Hua. However, it unexpectedly provided a refreshing spiritual uplift during the Qingming Festival. Gao Yuexiang resembles a sunflower that, despite being rooted in harsh realities, refuses to be overwhelmed by strong winds. The character embodies both wild growth that defies stereotypes and the exhilaration from breaking free of narrow perspectives. Dignity is invaluable, and the unwavering hope of "living towards the sun" carries the potential to transmit genuine emotional energy from the screen to real life with a vibrant spirit.

Zhao Liying's impressive performance gives the character a sense of authenticity and depth. She convincingly portrays a cleaner or a salesperson navigating the gray areas of life. This role stands out due to its complexity and imperfections, allowing viewers to empathize deeply. This is undoubtedly one of her most significant performances on screen.