Esas Oglan

"Esas Oglan" is a complete disaster from start to finish. The script is weak, the acting is wooden, and the dialogues feel painfully forced. Every scene drags on, making it difficult to stay engaged. The storyline is predictable and lacks originality, offering nothing new or exciting. Character development is nonexistent, and the overall production feels lazy. If it weren't for Hadise, I'd easily rate it 2 points lower-at least her presence adds some watchability. But even she can't save this trainwreck. A total waste of time; I wouldn't recommend it to anyone looking for quality entertainment or a decent show to watch.

I watched the first episode of the series just because I was curious about Hadise and Seda's acting, but it was so bad that I forgot about the acting, the series didn't even exist, they literally wasted the other male actors.

Hadise, Seda, your performances are embarrassing. Did the director not pay attention to you? Seda's acting is always the same, it is boring and that annoying voice!

The story is extremely cliché. They just tried to make it look erotic in the trailers, but only to get attention. One will be a girl with her childhood friend, the other will be with her friend's ex-boyfriend, by the way, the course of events is very obvious.

You can skip it before starting.

This series is very entertaining and fun. It has a very interesting and new topic. It is about women's problems in their relationships. They examine the personality types of men in different cultural and occupational situations and provide their listeners with their own assessment of these people in the form of a podcast.

I think the reason for its low rating is its erotic scenes, which are against the culture of the Turkish people, otherwise the story of the series and its actors are quite fine.

I have seen all the episodes and I am impatiently waiting for the next episodes and I hope that people's negative opinions of this series will not discourage the continuation of the series.

There are reports that some intelligence agencies have used this series as a torture device, and there are also rumors that the confession rate increased by 74% during the torture.

It may be appropriate for the producer to immediately apply for a petty patent.

Confession rates are significantly higher among those who watch the series with Turkish dubbing and foreign language subtitles compared to those who watch it without subtitles. When it is completely without subtitles, there is an 8% decrease.

This situation suggests that the script plays a crucial role in the process of pivoting the series into a torture device.

Esas Oglan" promised to be a bold and refreshing take on modern relationships, but it falls flat in almost every aspect. The storyline is painfully predictable, and the characters lack depth and authenticity. The dialogue feels forced and unnatural, making it hard to connect with any of the characters.

Hadise's performance, despite her popularity, comes across as amateurish and unconvincing. Her portrayal of a famous actress feels more like a caricature than a real person. Similarly, Seda Bakan's character, a risk analyst, is riddled with clichés and unrealistic scenarios that make it difficult to take her seriously.

The series attempts to emulate the charm of "Sex and the City," but it fails to capture the essence that made the original so beloved. Instead, it offers a shallow and cringe-worthy imitation that leaves much to be desired. Overall, "Esas Oglan" is a disappointing watch that doesn't live up to its potential.