Esas Oglan

It's a waste of your money. Why did the actors act so badly? Is it because the job is bad? Scenes and shootings that happen for no reason. A complete waste of time... they all seem so fake I just finished it, to be honest, it wasn't what I expected, well with Hadise and Seda, I don't know what I expected, so don't set your expectations high.

Hadise's upper lip looks wrinkled like it's duct-taped together with money, and I haven't been able to concentrate on the series for 10 minutes because of this horrible image.

Hadise, Seda, please, if possible, let this be your last acting experience. Seda, You always play the same, that's why you never can't be a drama actress.

This series is not worth a cent since it is so recommended and put on the agenda by phenomenon accounts with its most intelligent scenes on social networks, and these scenes could not be more false.

I watched the first episode of the series just because I was curious about Hadise and Seda's acting, but it was so bad that I forgot about the acting, the series didn't even exist, they literally wasted the other male actors.

Hadise, Seda, your performances are embarrassing. Did the director not pay attention to you? Seda's acting is always the same, it is boring and that annoying voice!

The story is extremely cliché. They just tried to make it look erotic in the trailers, but only to get attention. One will be a girl with her childhood friend, the other will be with her friend's ex-boyfriend, by the way, the course of events is very obvious.

You can skip it before starting.

"Esas Oglan" is a complete disaster from start to finish. The script is weak, the acting is wooden, and the dialogues feel painfully forced. Every scene drags on, making it difficult to stay engaged. The storyline is predictable and lacks originality, offering nothing new or exciting. Character development is nonexistent, and the overall production feels lazy. If it weren't for Hadise, I'd easily rate it 2 points lower-at least her presence adds some watchability. But even she can't save this trainwreck. A total waste of time; I wouldn't recommend it to anyone looking for quality entertainment or a decent show to watch.

It's so good that it shouldn't be watched, so don't watch it either. Bad roles, bad script, Hadise's interesting character, and Seda Bakan's performance, which I didn't like for the first time in a project. The TV series Esas Oglan received widespread criticism, particularly for its script, character development, and acting performances. First and foremost, the script's reliance on clichés and predictability leads to a dull viewing experience. The motivations and relationships of the main characters are handled in a shallow and superficial manner, making it difficult for the audience to connect with them.

Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.

In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.

There are reports that some intelligence agencies have used this series as a torture device, and there are also rumors that the confession rate increased by 74% during the torture.

It may be appropriate for the producer to immediately apply for a petty patent.

Confession rates are significantly higher among those who watch the series with Turkish dubbing and foreign language subtitles compared to those who watch it without subtitles. When it is completely without subtitles, there is an 8% decrease.

This situation suggests that the script plays a crucial role in the process of pivoting the series into a torture device.