Oh, Hi!

I saw Oh, Hi! As the Regal Mystery Movie on July 7, 2025. I have never heard of it before that. Now, it is obviously made by and for a different generation than mine (Millennial). But I think that if you're at least a little open to it, you can have fun. I enjoy awkward characters and situations. And thats pretty much this whole film. Its a comedic and modern homage to Misery (1990).

Positives!

+Quirky fun dialogue.

+Main characters are odd and entertaining to watch.

+Good use of music throughout.

+Chuckles all along the way.

Negatives!

-Lacks big laughs.

-Ending was sufficient, but unsatisfying.

-No real resolution to the character problems.

Overall, Oh, Hi! Is a quirky and funny movie. It does lack any big laughs though; just continuous chuckles. The cast solidly plays their parts. If you're usually bothered by the younger generation, then this is NOT the film for you.

-GremlinLord615.

-Full Review on Youtube!

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I went into "Oh, Hi!" by Sophie Brooks with no expectations, and I was pleasantly surprised. The film follows a group of friends navigating their late twenties, but it feels so much more real than most movies in this genre. The dialogue is incredibly natural, almost like you're just eavesdropping on their conversations. It's funny without being over the top, and the quiet, emotional moments hit hard.

The acting is superb, especially the lead who portrays the central character's quiet anxiety so well. I loved how the film wasn't about a big dramatic event, but about the small, everyday struggles and triumphs that shape us. The use of a simple, indie soundtrack also really complemented the film's tone.

Is it worth watching? It depends. If you're looking for a low-key, heartfelt movie that feels genuine and relatable, give this a shot. It's a sweet, honest look at friendship and growing up that really resonated with me.

It'd be hard to imagine this being a "comedy" if Iris (Molly Gordon) was the one in handcuffs instead of Isaac (Logan Lerman). I'll give marks for the timely interventions of Max (Geraldine Viswanathan, who I'm liking more with each role) and Kenny (John Reynolds, being seamlessly funny and sober) as they basically kept the premise afloat after it nearly ran out of steam. Molly Gordon is quite good at playing the sort-of unhinged, relationship-crisis-facing Iris, and she's the emotional pivot, although we get her backstory in bits and pieces.

I feel like there are large chunks of Iris that we still don't know anything about, as opposed to Isaac who's the straightforward commitment-phobic guy in modern times. The writing also becomes loose in parts where "witchcraft" gets involved albeit in a harmless way, though even that area is dabbed with sweeter elements such as book-reading and girl-girl / guy-guy friendship. It's not some pathbreaking dark comedy or anything, but I appreciate the filmmaking decisions made by Sophie Brooks for the most part (especially the aesthetics).

Rating - 5.0: Overall, a generic and predictable indie rom-com that was obviously made by Gen Z theater kids from New York; this movie is definitely for someone, but that someone is definitely not me because I feel like I got my fix for this type of movie earlier in the year with 'Companion'.

Direction - Pretty Bad: The direction on a macro scale is your typical indie rom-com, and it was very obvious this movie was made by some Gen Z improv/theater student living in New York; while it isn't the exact same movie, it has a similar vibe to Companion, but quirkier and worse; the direction on a micro scale is very Gen Z indie rom-com; the storytelling is pretty bland, as it is a quirky Gen Z way to tell a pretty simple story; tension is built pretty poorly because you don't really take the movie seriously in the more tense moments, and the score really ruins the mood

Story - Bad: The concept is honestly not really that good, as it is just really psychotic behavior; I have a feeling this movie tries to empathize with Gordon, but they really shouldn't, despite what Lerman's character did; This movie has vibes of Companion, but is more simple and generic; The plot structure is linear and kinda short because there really isn't that much plot to go through; Character writing is pretty surface level, what you would expect from an indie rom-com

Screenplay - Pretty Bad: The dialogue is very Indie Rom-Com, influenced by the Gen-Z New York Arts scene; the humor is pretty hit or miss, but ended up missing more times for me; the symbolism is there, but it is not a good message, although this movie does not really take itself seriously; the foreshadowing makes the movie incredibly predictable; I felt like I was in this movie's head the entire time as I was winning a tennis match 6-0, 6-0 as I could anticipate and predict its next move

Acting - Decent: Molly Gordon - Decent (Typical Gen-Z, New York theater/improv acting style that is quirky), Logan Lerman - Decent (Has some charisma and decent chemistry with Gordon; decently funny), Geraldine Viswanathan - Decent to Pretty Good (Plays the comedic relief friend pretty well and has decent chemistry with Gordon), John Reynolds - Decent (Comedic relief, pretty silly, and fun), Rest of the cast - Decent (The cast is very small, but the chemistry within the cast is decent)

Score - Pretty Bad: Made the movie feel cheap and tacky, which is sad because it is an indie movie

Soundtrack - Decent: Typical indie movie soundtrack

Cinematography - Decent: Typical Indie Rom-Com camerawork

Editing - Decent: Typical Indie Rom-Com editing

Production Design - Decent: Gave the movie Companion feels, but if it was indie and more of a rom-com

Pacing - Pacing is a little slow because there really isn't that much plot to go through

Climax - Climax does a lot, but it is not really executed well as it mitigated all the stakes set in this movie; I really was not a fan of how this ended because it made me feel like I wasted any time investing in this story

Tone - Tone is very much an Indie Rom-Com made by Gen Z Theater/Improv kids from New York; the movie has shades of Companion, but in a more indie, goofy way

Final Notes - Saw as an AMC Screen Unseen; Went in blind.

Personally, 'Oh, Hi' did absolutely nothing for me. The actors were funny and likable, and the idea is amusing, but the way the entire film is presented makes it feel like a script that was written by a grade school child.

Firstly, I'll talk about the good. The opening 20-30 minutes was cute. The actor's chemistry mixed with some gorgeous cinematography made for quite the romantic setting. I was thoroughly enjoying what I was seeing. It's when the awkward sex scene mixed with the handcuffs begins that the film gets beyond bizarre and the story slips into someone's weird and childish fantasy brought to life.

The decisions the characters made had no real world weight to them. I mean for the plot to work, both of the main characters would have to have the mental capacity of a 13 year old. No adult would do the things that are done in the film. From the whole hostage situation in hopes for love, all the way up to doing the witchy seance scene that was something only a teenage girl would think of. It all just seemed so unrealistic and far removed from anything remotely palpable.

The ending also left a lot to be desired. There is absolutely no way, and I mean NO WAY, that I would've been the one apologizing after being handcuffed to a bed for 48 hours, and enduring what the main character had to endure for more than half of the film's runtime. Nor would she be the one I would be calling help for after, literally, speeding away from what was at that point a crime scene.

On the flipside, if a person didn't want a relationship, I honestly can't think of anybody that would take them out for a weekend together in the countryside. Complete with pretty music, wine, romance and all the extra things you could think of. And we're talking proposal level romantic here. The creator must have a really low opinion of males to think that this is a real thing someone would do for just a bit of fun. It's borderline offensive.

Overall, I can't recommend it. Far too unrealistic, and campy but in all the wrong ways. Again, this felt like a teenager's fantasy brought to life, but the film was far too adult for anything a teenager could be allowed to watch. All I could think of at the credits was the creator must have the mind of a child, and I wonder who hurt her to make this screenplay happen. The first 20-30 minutes are very sweet, but ultimately misleading as to the context of the rest of the film. And although the film does have some interesting points to make about love and the fear of relationships, it was just too dumb to be taken as anything more than a footnote in the larger picture here.

2 broken hearts out of 5.