Una boda en las Bahamas con Madea

The regular Madea family cast continues to deliver a decent and familiar performance. They stay true to the style and energy we've come to expect from Tyler Perry's Madea universe, bringing the usual charm and humor, though nothing particularly new or elevated. However, Diamond White, who plays "Tiffany," was honestly one of the weakest parts of the film. Her performance felt very forced and unnatural, and at times, it really pulled me out of the story. It's unfortunate because her character had potential, but the delivery just didn't land.

The plot itself was okay-simple and easy to follow. It wasn't spectacular or original by any means, but it had a few moments that kept my attention. That said, there were no big laughs or truly memorable scenes. It lacked the over-the-top humor that some Madea films are known for, and there weren't any emotional or powerful standout moments to balance things out.

Overall, while it was a decent watch to pass the time, the movie felt very poorly put together. The pacing was off in some places, and it seemed like certain scenes were just thrown in without much thought or connection. There wasn't any depth to the story or characters, and nothing about it really stood out as great. It's the kind of movie you watch once, enjoy mildly, and probably won't revisit. Disappointing for a Madea title that usually brings a little more heart and hilarity.

I have always been a fan of Tyler Perry and his Medea personality. Through the years Madea has changed, I don't know if it is new writing or aging actors, but it is not as it used to be. I love the fact that the original characters are still in the same roles but this movie above all feels rushed, forced and badly written. It is too busy with a magnitude of constant dialog between the characters without any substance. The jokes don't relate and the movie's just too busy. I can only say the script for Mr Brown and his delivery is still the man that we have all grown to love. I can't love this movie unfortunately, for me was disappointing.

Said it before, I'll say it again, it seems the more money Perry makes, the more talent he loses.

This installation feels like he had to do it because he owes neflix.

For starters it's called Madea destination wedding, but the entire movie has Brian & his dad

The plot is so shallow that you forget about it & try to love the corny jokes here and there but Lord they don't hit right.

This will sell only because, straw pulled in numbers & ppl willing to see whats it all about.

But I doubt in a few weeks anyone will remember it.

I won't recommend this as the main focus, but the sort of movie you won't mind going to the toilet while it plays, or make a snack and let it roll.

There isn't much to it even the emotions brought forward don't move you at all.

As expected, Madea and the gang bring plenty of laughs-some scenes are genuinely hilarious and over-the-top in a way fans will appreciate. However, the overall storyline felt weak, overly sentimental, and lacked any real intrigue. The acting leaned heavily into caricature territory, making much of it feel unrealistic or forced. While A Jazzman's Blues showed Tyler Perry still has strong storytelling chops, this felt like a quick Madea cash grab. Still, the humor lands enough to make it a decent watch if you're just looking for some laughs.

Also what the heck was with Tyler Perry's eyes at the actual wedding?

Disappointing and Uninspired.

The film starts promisingly with some good comedic moments, but quickly loses momentum. The humor falls flat, lacking the comedic brilliance of previous installments, particularly madea's performance. Many scenes appear to be shot with an Go-Pro, lacking the professional cinematic quality expected of a movie like this. Overall, the film is disappointing and feels rushed, as if Netflix and Tyler Perry simply put something together without much care. I wouldn't recommend watching it again. The script is poor, scenes linger way longer then they should. I guess this is what's to come for Netflix.